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Donna Andrews - Crouching Buzzard, Leaping Loon

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Donna Andrews Crouching Buzzard, Leaping Loon

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Poor Meg Langslow. Shes blessed in so many ways. Michael, her boyfriend, is a handsome, delightful heartthrob who adores her. Shes a successful blacksmith, known for her artistic wrought-iron creations. But somehow Megs road to contentment is more rutted and filled with potholes than seems fair. There are Michaels and Megs doting but demanding mothers, for a start. And then theres the fruitless hunt for a place big enough for the couple to live together. And a succession of crises brought on by the well-meaning but utterly wacky demands of her friends and family. Demands that Meg has a hard time refusing---which is why shes tending the switchboard of Mutant Wizards, where her brothers computer games are created, and handling all the office management problems that no one else bothers with. For companionship, besides a crew of eccentric techies, she has a buzzard with one wing---who she must feed frozen mice thawed in the office microwave---and Michaels mothers nightmare dog. Not to mention the psychotherapists who refuse to give up their lease on half of the office space, and whose conflicting therapies cause continuing dissension. This is not what Meg had in mind when she agreed to help her brother move his staff to new offices.In fact, the atmosphere is so consistently loony that the office mail cart makes several passes through the reception room, with the office practical joker lying on top of it pretending to be dead, before Meg realizes that hes become the victim of someone who wasnt joking at all. Hes been murdered for real. Donna Andrewss debut book, Murder with Peacocks, won the St. Martins Malice Domestic best first novel contest and reaped a harvest of other honors as well. This is the fourth book in the Meg Langslow series, which features the intrepid Meg and her cast of oddball relatives. Their capers are a lighthearted joy to read.

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CROUCHING BUZZARD LEAPING LOON Copyright 2003 by Donna Andrews Excerpt - photo 1

CROUCHING BUZZARD LEAPING LOON Copyright 2003 by Donna Andrews Excerpt - photo 2


CROUCHING BUZZARD, LEAPING LOON

Copyright 2003 by Donna Andrews.

Excerpt from We'll Always Have Parrots 2003 by Donna Andrews.

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information address St. Martin's Press, 175 Fifth Avenue, New York, NY 10.010.

Library of Congress Catalog Card Number: 2002035760

ISBN: 0-312-99.001-4

Printed in the United States of America

St. Martin's Press hardcover edition / January 2003 St. Martin's Paperbacks edition / February 2004

St. Martin's Paperbacks are published by St. Martin's Press, 175 Fifth Avenue, New York


Thanks. To all the usual suspects and a few first-time offenders.

Stuart and Elka, my brother and sister-in-law, helped inspire this book by telling me about the day they walked into their therapy office to find themselves sharing space with an Internet startup company. For allowing me to poke gentle fun at their profession and helping me invent the Affirmation Bear, all my thanks.

Thanks also to Pat Tracy, who convinced me to study Kenpo; Jim Harbour, my teacher; and Al Tracy, his teacher (and Pat's husband). If they'd been in charge of Rob's martial arts training, Meg would have had a much easier time foiling the villain in this book.

I continue to be astonished and grateful for the patience of my friends, none of whom have ever thrown anything at me when they heard die familiar words, Ooh, in the next book, I could have Meg. For brainstorming with me, straightening out my mangled facts, and reading manuscripts, usually on Very short notice, many thanks to Elizabeth Sheley, Lauren Rabb, Mary Bird, David Niemi, Kathy Deligianis, Paul Thomas, Suzanne Frisbee, and Maria Lima.

I should note that the strange and unruly staff of Mutant Wizards are, of course, not based on any real programmers I have known. Especially not any of the ones who could figure out my password if they didn't like the way I portrayed them. For that matter, no specific therapists, police officers, family members, or other real beings were used in the making of this work of fiction, with the exception of Meg's dad and Spike, the small evil one. And they're used to being in my books.

Finally, thanks to all the online friends who keep me sane during those long hours at the keyboard, and to all the readers who make it seem worthwhile by continuing to tell me how much they enjoy visiting Meg's world.


Mutant Wizards I said Could you hold please I switched the phone to my - photo 3

Mutant Wizards, I said. Could you hold, please?

I switched the phone to my left ear, holding it with my awkwardly bandaged left hand, and stabbed at a button to answer another line.

Eat Your Way Skinny, I said. Could you hold, please? As I reached to punch the first line's button and deal with the Wizards' caller, I heard a gurgling noise. I looked up to see mat the automatic mail cart had arrived while I was juggling phones. A man lay on top, bis head thrown back, one arm flung out while the other clutched the knife handle rising from his chest. He gurgled again. Red drops fell from his outstretched hand onto the carpet.

Very funny, Ted, I said, reaching out to press the button that would send the mail cart on its way again. You can come back later to clean up the stage blood.

I could hear him snickering as the cart beeped and lurched away, following an invisible ultraviolet dye path that would lead it out of the reception room and into the main office area. I'd gotten used to seeing a set of metal shelves, six feet long and four high, creeping down the corridor under its own steam, but I was losing patience with the staff's insatiable appetite for playing pranks with the mail cart.

Ted leaned upside down over the side, waggled the rubber knife suggestively, and made faces at me until the cart turned to the left and disappeared.

I scanned the floor to see if he'd shed any more valuables this time after his first tour through the reception area, I'd found eighty-five cents in change and his ATM card, and a coworker had already turned in a set of keys that were probably his. No, apparently his pockets were now empty. I wondered how long before he came looking for his stuff I wasn't about to chase him down.

Then I glanced at the young temp I was teaching to run the switchboard. Uh-oh. Her eyes were very wide, and she was clutching her purse in front of her with both hands.

What happened to him? she asked.

Ignore Ted; he's the office practical joker, I said. He's harmless.

I could tell she didn't believe me.

What about that? she asked, pointing over my shoulder.

I followed her finger.

Oh, that's just George, the office buzzard, I said. He's harmless, too.

When he saw me looking at him, George shuffled from foot to foot, bobbed his head, and hunched his shoulders. I suspected this behavior was the buzzardly equivalent of a cat rubbing itself against your ankle when it hears the can opener. At any rate, George had started doing it on my second or third day here, when he realized I was the one delivering his meals. I'd actually begun to find this endearing doubtless a sign I'd been at Mutant Wizards too long. The temp edged away, as if expecting George to pounce.

Don't worry, I said. He can't fly or anything. He's got only one wing. One of the staff rescued him from some dogs and brought him back for a company mascot.

I vowed once again to try convincing my brother that a buzzard was an unsuitable mascot for his computer game company. Or at least that the mascot shouldn't live in the reception area, where visitors had to see him. And smell him.

He stinks, the temp said.

You get used to it.

You've got four lines lit up, the temp said, pointing to the switchboard, and then jumped as a loud snarling noise erupted from beneath the counter of die reception desk. I knew it was only Spike, the nine-pound canine-shaped demon for whom I was dog-sitting, testing the wire mesh on the front of his crate, but the sound seemed to unnerve die temp.

Why don't you take over now? I suggested. I can stick around until you get die hang of it, and dien

I'm sorry, she said, backing toward die door. I probably should have told die agency not to send me out at all today; I'm really not feeling very well. Maybe I should

Meg! my brodier, Rob, shouted, bursting into die reception room. Take a look!

He proceeded to fling himself about die room, performing a series of intricate shuffling movements Tvidi his legs while flailing his arms around, hunching his shoulders up and down, and uttering strange, harsh shrieks at irregular intervals.

Normally, die appearance of my tall, blond, and gorgeous bromer might have provided some additional incentive for a temp to stay. At least a temp diis young. Under die circumstances, diough, I wasn't surprised, diat die temp fled long before he ended up, perched on his left toes widi his right leg dirust awkwardly out to die side and bodi arms stretched over his head.

Ta-da! he said, teetering slightly.

I sighed and punched a ringing phone line.

Meg? Rob said, sounding less triumphant. Was my kata okay?

Much better, I said as I transferred the call. I just wish you wouldn't practice in the reception room.

Oh, sorry, he said, breaking the pose. Who was that running out, anyway?

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