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coll. - Commonwealth of Wings

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Commonwealth of WingsAlso by Pamela AlexanderNavigable WaterwaysPamela Alexander

Commonwealth
of Wings
An OrnithologicalBiographyBased on the Life ofJohn James AudubonWESLEYAN UNIVERSITY PRESS Published by University Press of New England - photo 1 WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, New Hampshire 03755 1991 by Pamela Alexander All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book I would like to thank the Bunting Institute of Radcliffe College for a fellowship, during which I began this project. I am also grateful to those who provided helpful comments on the manuscript, along with encouragement: Wendy Battin, John G. Case, Martha Collins, Laura Fargas, Jorie Graham, Linda Gregerson, Jay Klokker and Gary J. Quigley. This book is for my mother and father. Sight appeared in Field as Audubon Remembers American Falls; At Coueron.

My First Gun, Inventory. Journal, and Aboard the Ripley in Margin as Audubon at 13, as Revolution Begins in France, Audubon Takes Inventory, and Audubon aboard the Ripley; Letter to Victor, Losses (2), and Reprise (1) in Michigan Quarterly Review; Arrangements, My Ornithology Proceeds, I Imagine Thee, and Return appeared in Shankpainter 30. Imagine a landscape wholly American, trees, flowers, grass, even the tints of the sky and the waters, quickened with a life that is real, peculiar, trans-Atlantic. It is a real and palpable vision of the New World, with its atmosphere, its imposing vegetation, and its tribes that know not the yoke of man. On twigs, branches, bits of shore, copied by the brush with the strictest fidelity, sport the feathered races, in the size of life, each in its particular attitude, its individuality and peculiarities. The sun shines athwart the clearing in the woods; the swan floats suspended between a cloudless sky and a glittering wave; strange and majestic figures keep pace with the sun.

Philarete-Chasles, of Audubons work, 1826

Contents
Commonwealth of Wings
I. 17851803
Audubon Enfant
I First met the light and shook it Aux Cayes, my mother la crole Rabin who dies. I am one. Father finds for me a stepmother and they together a half sister, Muguet called Rosa, & he is away. In his fields I cut pieces of cane for me & Rosa to suck. I am Jean.

My father marin learned this language in an English prison. Later I count my days from France sometimes, this place Saint Domingue maman hard to remember. New world it is, my warm island, wilderness churning beyond the lines of coffee plants. The woman names me again Fougre you would say Fern, names are charms and we need them. There are places I cannot take the little one. Edges of things are dangerouswhere sea and land meet, or field and forest, things get loose from their names.

On the edge of my family I call myself LaFort my first self before I knew French or african or english words. I saw red birds sign themselves in air before they sang, flourishing. Parroquet. Trogon. She carried me outdoors & I reached for them, my stepmother said.

We Lose St.
We Lose St.

Domingue

My island has been gone for days, it shrank & flattened & then sank like a skimmed stone. Rosa chuckled along with the water & didnt notice. Father calls them rooster tails, the white arcs our ship trails at her fastest, when he is happy & says the waves are French because they wear berets. We lean into the wind, we lean to France because the island darkened, the servants muttered among themselves & wouldnt answer. Now I have no place to go. The waves march past us in rows, & talk, & make a chorus behind my fathers stories, who never said so much ashore.

Birds balance on the wind beside our sails or make chevrons on the big shoulders of clouds so they are captains. He says France will show me new animals & birds and I will have as many islands as I want, Ill jingle them like pocket change, he says I am his little archipelago, & I think how far we are going, how big the world will be when we stop.

Nantes, the Revolution
Nantes. Geography, music threaten daily, cole. Four different seasons, & rabbits & Larks are shy, no sugar birds here to pick insects from furniture, neatly. Buildings dress in uniform, steep slate roofs the same blues & grays as pigeons that settle & scatter hourly from spires where metal flowers swing & bang.

Windows close to keep outside out, where I find muskrats, watch their whiskers move & the color of their fur change as it dries. Meetings, loud talk, then not school but sige, the city slams shut, bells are unmounted & melted for cannon, the mouths of waterspouts taken from squares, coffins raised & opened for their lead. That is bad, will bring the dead among us & no one here knows the words to sing or where to pick the cleansing herbs. Guns mark the hours now, raggedly, some so close that when they speak my body rings & I am disconnected, float without hearing my boots hit the stone street where I am fastest among grandfathers & bell-shaped women. My paper boat rides to the current, I race along the bank & find him & fight still as I do for animals but there is nothing to scare, only man-shape in wet clothes, in reeds, it doesnt matter his mouth is full of mud.

The Siege Outlasted,
life is worse.
The Siege Outlasted,
life is worse.

Shivering royalists stand at the cathedral wall, those who faint are shot first so not to be overlooked. Townspeople watch but only the muskets clap. Flies come long before the carts. Loads are thrown into the Loire until the current slows then dropped midstream but the bodies make another bridge below, & swell, & wont budge. We have no other place.

At Coueron.
At Coueron.

My First Gun.

Mama & I & Rosa, we hope never to meet another war. Here the land is flat & trim, sheep swerve together, hedges & fences keep order. I explore margins & flawed places while Rosas piano turns a pretty flurry. I take chocolate in waxy papers & a basket to bring back nests & lichens, more strange than my lessons. The daily murders of the city are far, fewer, then stop, & I forget them. We grow apart, my sister and I, she domestic, says my blown eggs & stuffed birds stink.

I close the door. I shoot well, corks I toss come down in showers, my fingers gleam with powder. The gun kicks my shoulder, its shout & smell clear me. The bird falls, always. I watch its color & shine & flare for weeks before I fire, but my sketch preserves only its deadness. I burn my pencils generation of cripples on my birthday.

Sometimes I sleep near my Originals, on leaf litter beneath the trees they close their eyes in, sometimes I lie awake in the quiet house & listen to the nightwatch kept by the river, old water clock, & by whickering horses standing to their sleep.

Fathers Home,
leg-wounded, lung-sore, lieutenant de vasseau pensioned. Puts the box of medals in the bottom of his trunk, sits in the courtyard by the orangery and dozes when the sun is on him. White petals fall & mingle with his hair. The chair tilts on the flags, he starts awake and finishes reading. Each letter makes the news bad & worse, finally the plantation in St.

Domingue is lost complete. La Gerbetire, this place of limestone walks & box-maze, parterre & pigeon lofts, has two journals of land. With a farm called Mill Grove in Pennsylvania, America, it is his last fortune. His mind is busy with wars. The world is always burning somewhere, he says: he smells it. He has a sip of wine & coughs again, and says he fears my conscription.

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