Dean Koontz - By the Light of the Moon

Also by Dean Koontz from Headline

One Door Away from Heaven

From the Corner of his Eye

False Memory

Seize the Night

Fear Nothing

Sole Survivor

Intensity

Dark Rivers of the Heart

Mr Murder

Dragon Tears

Hideaway

Cold Fire

The Bad Place

Midnight

Lightning

Watchers

Ticktock

Strange Highways

Demon Seed

Icebound

Winter Moon

The Funhouse

The Face of Fear

The Mask

Shadowfires

The Eyes of Darkness

The Servants of Twilight

The Door to December

The Key to Midnight

The House of Thunder

Phantoms

Whispers

Shattered

Chase

Twilight Eyes

The Voice of the Night

Strangers

Darkness Comes

The Vision

Night Chills

BY THE LIGHT
OF THE MOON

Dean Koontz

headline

Copyright 2002 Dean Koontz

The right of Dean Koontz to be identified as the Author of
the Work has been asserted by him in accordance with the
Copyright, Designs and Patents Act 1988.

First published in Great Britain in 2002 by
HEADLINE BOOK PUBLISHING

10 9 8 7 6 5 4 3 2 1

All rights reserved. No part of this publication may be
reproduced, stored in a retrieval system, or transmitted,
in any form or by any means, without the prior written
permission of the publisher, nor be otherwise circulated
in any form of binding or cover other than that in which
it is published and without a similar condition being
imposed on the subsequent purchaser.

All characters in this publication are fictitious
and any resemblance to real persons, living or dead,
is purely coincidental.

Cataloguing in Publication Data is available from the British Library

ISBN 0 7472 7073 2 (hardback)
ISBN 0 7472 7076 7 (trade paperback)

Typeset by Palimpsest Book Production Limited,
Polmont, Stirlingshire
Printed and bound in Great Britain by
Mackays of Chatham plc, Chatham, Kent

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Shortly before being knocked unconscious and bound to a chair, before being injected with an unknown substance against his will, and before discovering that the world was deeply mysterious in ways he'd never before imagined, Dylan O'Conner left his motel room and walked across the highway to a brightly lighted fast-food franchise to buy cheeseburgers, French fries, pocket pies with apple filling, and a vanilla milkshake.

The expired day lay buried in the earth, in the asphalt. Unseen but felt, its ghost haunted the Arizona night: a hot spirit rising lazily from every inch of ground that Dylan crossed.

Here at the end of town that served travelers from the nearby interstate, formidable batteries of colorful electric signs warred for customers. In spite of this bright battle, however, an impressive sea of stars gleamed from horizon to horizon, for the air was clear and dry. A westbound moon, as round as a ship's wheel, plied the starry ocean.

The vastness above appeared clean and full of promise, but the world at ground level looked dusty, weary. Rather than being combed by a single wind, the night was plaited with many breezes, each with an individual quality of whispery speech and a unique scent. Redolent of desert grit, of cactus pollen, of diesel fumes, of hot blacktop, the air curdled as Dylan drew near to the restaurant, thickened with the aroma of long-used deep-fryer oil, with hamburger grease smoking on a griddle, with fried-onion vapors nearly as thick as blackdamp.

If he hadn't been in a town unfamiliar to him, if he hadn't been tired after a day on the road, and if his younger brother, Shepherd, hadn't been in a puzzling mood, Dylan would have sought a restaurant with healthier fare. Shep wasn't currently able to cope in public, however, and when in this condition, he refused to eat anything but comfort food with a high fat content.

The restaurant was brighter inside than out. Most surfaces were white, and in spite of the well-greased air, the establishment looked antiseptic.

Contemporary culture fit Dylan O'Conner only about as well as a three-fingered glove, and here was one more place where the tailoring pinched: He believed that a burger joint ought to look like a joint , not like a surgery, not like a nursery with pictures of clowns and funny animals on the walls, not like a bamboo pavilion on a tropical island, not like a glossy plastic replica of a 1950s diner that never actually existed. If you were going to eat charred cow smothered in cheese, with a side order of potato strips made as crisp as ancient papyrus by immersion in boiling oil, and if you were going to wash it all down with either satisfying quantities of icy beer or a milkshake containing the caloric equivalent of an entire roasted pig, then this fabulous consumption ought to occur in an ambience that virtually screamed guilty pleasure , if not sin . The lighting should be low and warm. Surfaces should be dark preferably old mahogany, tarnished brass, wine-colored upholstery. Music should be provided to soothe the carnivore: not the music that made your gorge rise in an elevator because it was played by musicians steeped in Prozac, but tunes that were as sensuous as the food perhaps early rock and roll or big-band swing, or good country music about temptation and remorse and beloved dogs.

Nevertheless, he crossed the ceramic-tile floor to a stainless-steel counter, where he placed his takeout order with a plump woman whose white hair, well-scrubbed look, and candy-striped uniform made her a dead ringer for Mrs. Santa Claus. He half expected to see an elf peek out of her shirt pocket.

In distant days, counters in fast-food outlets had been manned largely by teenagers. In recent years, however, a significant number of teens considered such work to be beneath them, which opened the door to retirees looking to supplement their social-security checks.

Mrs. Santa Claus called Dylan 'dear,' delivered his order in two white paper bags, and reached across the counter to pin a promotional button to his shirt. The button featured the slogan FRIES NOT FLIES and the grinning green face of a cartoon toad whose conversion from the traditional diet of his warty species to such taste treats as half-pound bacon cheeseburgers was chronicled in the company's current advertising campaign.

Here was that three-fingered glove again: Dylan didn't understand why he should be expected to weigh the endorsement of a cartoon toad or a sports star or a Nobel laureate, for that matter when deciding what to eat for dinner. Furthermore, he didn't understand why an advertisement assuring him that the restaurant's French fries were tastier than house flies should charm him. Their fries better have a superior flavor to a bagful of insects.