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Krishnarjun Bhattacharya - Tantrics of Old

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Krishnarjun Bhattacharya Tantrics of Old

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Tantrics of Old is dark fantasy, following a young Necromancer, a Tantric, Adri Sen, as he runs from an ancient Horseman, Death, in a city just as old. Enter the two cities; New Kolkata, pristine, untouched, ruled by an iron fist by the perfect government, MYTHa city existing in the shadow of the old one, and Old Kolkata, forgotten, broken, crumbling, where demons roam free and shadows whisper. In a world where death is sudden and quick in its tendency to not forgive, Adri must wade through threats new and old; political conspiracy, the demons of his past, a government that remembers, and above all, whispers of impending doom, the coming apocalypse, drums of the dead.

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Published by F i NGER PRINT An imprint of Prakash Books India Pvt Ltd - photo 1
Published by F i NGER PRINT An imprint of Prakash Books India Pvt Ltd - photo 2
Published by F i NGER PRINT An imprint of Prakash Books India Pvt Ltd - photo 3

Published by

F i NGER PRINT!

An imprint of Prakash Books India Pvt. Ltd.

113/A, Darya Ganj, New Delhi-110 002,

Tel: (011) 2324 7062 65, Fax: (011) 2324 6975

Email:

Picture 4www.facebook.com/fingerprintpublishing

Picture 5www.twitter.com/FingerprintP, www.fingerprintpublishing.com

For manuscript submissions, e-mail:

Copyright 2014 Prakash Books India Pvt. Ltd.

Copyright Text Krishnarjun Bhattacharya

This is a work of fiction. Names, characters, places and incidents are either product of the authors imagination or are used fictitiously, and any resemblance to any actual person, living or dead, events or locales is purely coincidental.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise (except for mentions in reviews or edited excerpts in the media) without the written permission of the publisher.

ISBN: 978 81 7234 527 3

Processed & printed in India

For Kolkata

Where I was born

Land of pujos, crowds, madness

Land of tales and fantasy

Land of loud stagnancy and quiet movements

Land of irresistible charm

The forgotten city never forgets

And neither will I, her lost son come back

I will seek out her mysteries, her death pangs, her kiss

In her filth, her cracks and her inky blacks

Her debried embrace, her sludge-stagnant feel

My poem drinks up, piecemeal, piecemeal

PRONUNCIATIONS

Adri SenO-dreeSh-eyn

AurcoeAww-r-ko

GhoshGh-oh-sh

SuralShu-raal

AmanUmm-unn

FayneFay-i-n

MazumderMo-joom-daar

BaalBay-l

ArshammAar-shum

Kali Kaa-li

Tantrics of Old - image 6

The skies were red. The boy watched from behind the curtains, hiding. No one passing the castle could have seen his face. He could not fully understand the beauty of a sunset back then, but it mesmerised him nevertheless. Explosion. Colours. So many windows in thick stone. So many.

The boy in the castle watched the sunset and thought of escape. He thought of the other children he wasnt allowed to play with. The children who did not belong to the castle, the ones who ran about outside. He could only watch them and suffer alone as he did. Walls. Padlocked doors. Torches burning. And the dank, musty smell that had become a part of him, the smell he had grown up withamidst the torchlight, amidst the darkness.

He wanted answers. But most of his questions stayed just thatquestions. The few people who knew him and talked to him, the people of the castle, they treated him well, though. He wondered about many things, and though having expectations was not something he was able to grasp fully then, he was aware that all the people who knew him, somehow, expected something. From him.

The books were proof enough. After he had mastered reading in the three languagesthe Old Tongue being the most important, of coursegiant books were deposited in his room, routinely. At first, the thickness of the books scared himthe pages old and frayed, abandoned rather than preserved, the binding hard, dark, worn. Intimidation. But the boy, with ennui threatening to grip him harder than ever before, had eventually started reading. He had started with History and Geography, but had soon moved on to extremely specific studies of the Old Tongue. He was bright. He could understand almost everything that was there in the books, picking up things and remembering them with surprising ease. If there was anything he could not understand, he would ask his father, who came in once every week, and his father would answer all his questionsexcept for the more daring ones, the ones whose answers evaded him the most. He had begun studying runes and call-signs dedicatedly. Symbols and figures; runes and scratchy diagrams the books called call-signs, drawing and redrawing them until he almost knew each curve and each stroke. Practice, the books urged. Learn by heart, repeat in dreams. Madness, he thought. Madness inculcated by madmen, inculcated into books with trembling hands. Shaky writing. Occasional dark stains. He forced himself to trust the books, the madness, for there was nothing else. But nothing was constant, not even the written word. When he got comfortable with his books, a new bunch of books would always find themselves in his room.

The sun had set, the evening arrived, and with it the darkness the boy did not like. While he was free to roam anywhere in the castle that he pleased, he never went where no torches burned. Thoughts occupied his mind as he wandered around the castle tonight. Thoughts that almost stopped him from seeing the tiny light at the end of the west wing. Almost. He stood at the entrance of the dark hall, looking at what had caught his attention: the light at the end of the long, stony corridor, flickering uninvitingly, like the dying breath of something in pain. A dying torch. An open doorway. A narrow flight of steps leading down, somewhere out of sight. Enough to spark his curiosity.

Descending cautiously, the boy heard sounds. Human voices, talking amongst themselves, creating a sense of urgencythings being moved somewhere, furniture being shifted, a noisy affair, yet hushed. The sounds got louder. And louder. He could discern snatches of conversation now.

... the incense, is it in order yet?

The hour... it is almost here...

The boy softly stepped off the last stair, creeping towards the door which stood ajar in front of him.

A tinkle of breaking glass. Then a high pitched cry. A voice that had long done its time.

Curse you, Souvik! Is this the amount of care you have for Aujour?

With the old man bellowing and another man hurriedly muttering apologies and scooping up the pieces of whatever he had dropped, no one noticed the boy as he entered the room and crept off to stand behind a pillar. Something about the whole surreptitious nature of thiswhatever this wastold him it was wisest to stay hidden. There were five people in the room, he saw, all in the familiar black robe of the castle uniform, white runes on the black. The one giving all the orders was old and wrinkled with a mane of dirty, white matted hair on his head. The others were younger, and they scurried around obediently, following his terse instructions.

The room itself, circular in shape, was quite large. A colonnaded ring surrounded the main area that stood a step lower than the pillars. Torches burned all around, making the room appear quite bright, but the secrecy of the affair lent it a very ominous touch. Something moved near the wall at the far end of the room and the boy squinted to see what it was. There, in the shadow of a pillar, was a chair and someone seemed to be sitting on it.

And which incompetent son of a vulture left the door open? the old man roared again. Have you no understanding of simple rules?

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