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William Peter Blatty - Dimiter

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William Peter Blatty Dimiter

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William Peter Blatty has thrilled generations of readers with his iconic mega-bestseller The Exorcist. Now Blatty gives us Dimiter, a riveting story of murder, revenge, and suspense. Laced with themes of faith and love, sin and forgiveness, vengeance and compassion, it is a novel in the grand tradition of Morris Wests The Devils Advocate and the Catholic novels of Graham Greene.Dimiter opens in the worlds most oppressive and isolated totalitarian state: Albania in the 1970s. A prisoner suspected of being an enemy agent is held by state security. An unsettling presence, though subjected to unimaginable torture he maintains an eerie silence. He escapes---and on the way to freedom, completes a mysterious mission. The prisoner is Dimiter, the American agent from Hell.The scene shifts to Jerusalem, focusing on Hadassah Hospital and a cast of engaging, colorful characters: the brooding Christian Arab police detective, Peter Meral; Dr. Moses Mayo, a troubled but humorous neurologist; Samia, an attractive, sharp-tongued nurse; and assorted American and Israeli functionaries and hospital staff. All become enmeshed in a series of baffling, inexplicable deaths, until events explode in a surprising climax.Told with unrelenting pace, Dimiters compelling, page-turning narrative is haunted by the search for faith and the truths of the human condition. Dimiter is William Peter Blattys first full novel since the 1983 publication of Legion.

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DIMITER OTHER BOOKS BY WILLIAM PETER BLATTY Which Way to Mecca Jack - photo 1

DIMITER

OTHER BOOKS BY WILLIAM PETER BLATTY

Which Way to Mecca, Jack?

John Goldfarb, Please Come Home!

Twinkle, Twinkle Killer Kane

I, Billy Shakespeare

The Exorcist

Ill Tell Them I Remember You

The Ninth Configuration

Legion

Demons Five, Exorcists Nothing

Elsewhere

DIMITER

Dimiter - image 2

WILLIAM PETER
BLATTY

Picture 3
A Tom Doherty Associates Book
NEW YORK

This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the authors imagination or are used fictitiously.

DIMITER

Copyright 2010 by William Peter Blatty

All rights reserved.

A Forge Book

Published by Tom Doherty Associates, LLC

175 Fifth Avenue

New York, NY 10010

www.tor-forge.com

Forge is a registered trademark of Tom Doherty Associates, LLC.

ISBN 978-0-7653-2512-9

CIP DATATK

First Edition: March 2010

Printed in the United States of America

0 9 8 7 6 5 4 3 2 1

For Julie and Paul,
and in loving memory of
Peter Vincent Galahad Blatty

PART ONE
ALBANIA

On his way to Damascus... suddenly a light from the sky flashed around him... And for three days he could not see...

Acts, 9:9

Dimiter - image 4

N inety three million miles from the sun, in the damp of a windowless concrete room in a maze of other rooms and cells and passageways where grace and hope had never touched, the Interrogator sat behind a tight wooden table with a mind gone blank as the notepad before him. The Prisoner radiated mystery. After seven days of torture he had yet to utter a word. Silent, his head bowed down, hands manacled, he stood beneath the blinding grip of the spotlight in the middle of the room like a barrier to comfort.

Who are you?

The Interrogators voice was straw. All the questions had been asked. None had been answered. Now they all had worn away to this single probe as if locked within the Prisoners name were his nature.

Who are you?

Drained, the Interrogator waited, squinting at the sweat-blurred lines on the pad. In the hush of the chamber he could hear his own breathing and the desultory faint sharp clicks of his pen point tapping at the tables stained dark oak. For a moment his ears twitched up minutely, straining toward a sound heard dimly through the walls: the scuffing of shoes, a body being dragged. He could not tell if the sounds were real or imagined. Here even the dust in the air was heard shrieking. Another odd sound intruded. What was it? The Interrogator rested his pen on the table and lifted a haunted gaze to the Prisoner, silent and motionless yet so vivid that he seemed a disturbance embedded in time. Drops of blood were falling softly to the mottled stone floor from the ends of his fingers, now one, now another, where the nails had been wrenched from their sockets.

The Interrogator shifted his weight uneasily.

He looked down at the quiet pen.

Who are you?

The silence held its breath.

The Interrogators thumb probed under his spectacles, dislodging them a little as he rubbed at the corner of a watery eye. He carefully removed them and polished each small, round gold-rimmed lens with a frayed and faded white cotton handkerchief that faintly smelled of naphtha. Finished, he fitted the glasses back on with slender hands the color of parchment, then nodded a command to a burly torturer.

Go ahead, he quietly ordered.

The torturer moved to the light, where he paused, gently patted the Prisoners cheek, then suddenly delivered a thudding blow to the Prisoners groin with a rubber truncheon. The Prisoner absorbed it, sinking to his knees but emitting no sound. The Interrogators fingertips touched at a scar that bisected his pale thin lips into a snarl, and under the collar of his olive drab coverall, that bore no sign of rank, his neck felt strangely warm and taut. Against all reason the Prisoner frightened him. Like the dark and heavy stars that show no color to the far observer, he blazed with a terrifying inner light.

They had come upon him by chance. On a Sunday, 25 September, near the northern mountain village of Spac, a force of police, trained dogs, and militia had been hunting a suspect in the attempted assassination of Chief of Security Mehmet Shehu. Shots had been fired by unseen marksmen as Shehu, in the city on a tour of inspection, departed from Security Police Headquarters, then housed in the ancient brownstone prison in that section of Shkoder called Rusi i Madh. One man was caught, a peasant from Domni who, under torture, finally implicated a second man from his village, a clothing merchant named Qazim Beg, who was believed to be escaping to Yugoslavia. Hunting parties sped to the routes considered the likely paths of flight: to the west, the mud-brown River Buna and, north, the so-called Shepherds Pass, a high coil at the crests of the Dukajini Mountains. Though swollen by unexpected rains, the Bunas roiling, buffeting waters could be crossed at the narrowest pinch of its waist, slightly more than two hundred yards; but because it was known to so few Albanians and was close to the suspects village, the Pass drew the larger force of searchers, fifty-eight armed volunteers and three dogs. Their climb was daunting, a robber of breath that spiraled through sandstone, marl, and shale to freezing heights of desolation: these were The Ranges of the Damned. But at the Pass the hunting force found no one and began a return that would have been without incident except for a curl of fate that would later be seen as first contact with The Prisoner. One of the dogs, a ferocious mastiff of enormous muscle and bulk, had been loosed toward a crackling sound in a wood and was later discovered lying still amid gold and orange leaves on the forest floor in autumnal light as if fallen asleep and turned away from all yearning. Its neck had been broken. The leader of the force, a young smith named Rako Bey, felt a shadow pass over him at the sight, for he could not grasp the power of a human capable of killing the dog in this way. His breath a white fire on the darkening air, he scanned the wood with narrowed eyes, sifting hawthorn and hazel in search of his fate and seeing nothing but the cloud that is before mens eyes. The sun was descending. The forest was haunted. Bare branches were icy threats, evil thoughts. Bey thought of his mother. He slung his rifle over his shoulder and urged the force on and away from this place.

The group had a secondary mission in Quelleza: the capture of a murderer, a village baker, and while this objective was not to be gained, at the end of a labyrinthine path another would, for their search would lead the hunting force to the Prisoner, who was a book that had been lovingly written for The Interrogator by Fate.

The hunt for the baker promised danger. The murderers kin were mountain clansmen and likely to resist the attempted arrest, for the murder, after all, had been part of a blood feud whose tangles were myriad and numbing to the mind. A husband, a reticent man from Micoi, had dragged his unfaithful wife from their house in accordance with the bessa, the unwritten code that forbade any vengeful act indoors, and in sunlight he had shot her once in the head. Then the silver bullet in her quiet brain had been given to the husband by the victims brother as a token that the deed had his prior consent. There it all might have ended. But the womans lover, in a crime of passion, berserk, found the husband at home and killed him. Because the wifes lover was a rival clansman, the husbands brother, the farmer, took revenge. He, in turn, was sought out by the father of the dead lover, whom he foiled by refusing to venture out of doors from the house where he lived with his wife and one child, a rosy-cheeked, brindle-eyed two-year-old boy, and thus was confident the

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