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Tami Hoag - The Boy

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Tami Hoag The Boy

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ALSO BY TAMI HOAG NOVELS The Bitter Season Cold Cold Heart The 9th Girl - photo 1
ALSO BY TAMI HOAG

NOVELS

The Bitter Season

Cold Cold Heart

The 9th Girl

Down the Darkest Road

Secrets to the Grave

Deeper Than the Dead

The Alibi Man

Prior Bad Acts

Kill the Messenger

Dark Horse

Dust to Dust

Ashes to Ashes

A Thin Dark Line

Guilty as Sin

Night Sins

Dark Paradise

Cry Wolf

Still Waters

Luckys Lady

Sarahs Sin

Magic

SHORT WORKS

The 1st Victim

DUTTON An imprint of Penguin Random House LLC penguinrandomhousecom - photo 2

DUTTON An imprint of Penguin Random House LLC penguinrandomhousecom - photo 3

DUTTON

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2018 by Indelible Ink Inc Penguin supports copyright Copyright - photo 4

Copyright 2018 by Indelible Ink, Inc.

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

DUTTON and the D colophon are registered trademarks of Penguin Random House LLC.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Names: Hoag, Tami, author.

Title: The boy: a novel / Tami Hoag.

Description: First edition. | New York: Dutton, [2018] |

Identifiers: LCCN 2018050539 (print) | LCCN 2018052358 (ebook) | ISBN 9781101985403 (ebook) | ISBN 9781101985397 (hardcover)

Subjects: | BISAC: FICTION / Suspense. | FICTION / Mystery & Detective / Police Procedural. | GSAFD: Suspense fiction. | Mystery fiction.

Classification: LCC PS3558.O333 (ebook) | LCC PS3558.O333 B69 2018 (print) | DDC 813/.54dc23

LC record available at https://lccn.loc.gov/2018050539

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Version_1

With my most heartfelt thanks to my amazing team at Dutton, most especially Stephanie Kellyyou are the ultimate cheerleaderand Christine Ball, who just calmly adjusted course again and again. And to my agent of lo these many years (how did we get so old?), Andrea Cirillo, who took it all in stride. Some books are more labors of love than others. This one was like giving birth to an elephant.

Thank you all for seeing it through with me.

A UTHOR S N OTE

In The Boy I return to a setting my longtime readers know is a favorite of mineLouisianas French Triangle, Cajun country. It is a place like no otherecologically, sociologically, culturally, and linguistically. I have done my best to try to impart some of the rich flavor of the region to you, in part through language and dialect. Cajun French is a patois as unique to Louisiana as gumbo. Imagine Elizabethan-era French that evolved isolated from its home country, influenced by the spice of Spanish, Creole, Native American, and African languages. Because Cajun French evolved predominantly as a spoken language, spellings and even meanings of words may vary from one area to the next. According to the last census, about one in ten families in south Louisiana still speak French in the home, and many words and phrases find their way into the speech of English speakers. I have included a glossary in the back of the book for words and phrases used throughout the story.

ONE

She ran down the gravel road, struggling, stumbling. Her breath sawed in and out of her lungs, ragged and hot; painful, like serrated knives plunging into and pulling out of her chest. The night air was too thick, too heavy. She thought she might drown in it. Her legs wobbled beneath her like rubber, heavy with fatigue. Sweat streamed from her pores. It felt like her skin was ready to peel away, leaving her red and raw and bloody.

Blood. So much blood. On her hands. In her hair. On her face. She was painted with it. When she found someoneif she found someonethey would see the blood, too. They would see the whites of her eyes and the red of the blood that streaked down her cheeks and across her jaw. They would see the blood that stained her hands like red lace gloves. They would be horrified without even knowing the true horror of what had happened.

She replayed it over and over in her minds eye, the images flashing like a strobe light, like random scenes from a movie. The flash of the knife. The flailing arms. Blood spraying everywhere.

She could taste the blood: bitter and metallic. She could taste the salt of her sweat and her tears. The mix made a nauseating cocktail in her mouth. She choked on it as she tried to swallow. She could smell it. The stench of fear: blood and body odor, urine and feces. The memory was so strong and so real she gagged on it.

Then suddenly she was falling, sprawling headlong. The road rushed up to meet her, slammed into her, the gravel biting into the flesh of her hands and bare arms and knees and the side of her face. The impact rattled her brain and knocked the wind from her. She tried to gasp for air, frantic, thinking she might die.

Maybe it was better if she died. Maybe she should just lie down and quit. Everyone in her life would probably be happier, relieved, unburdened.

The night waited, ever-patient, oblivious to her pain, not caring if she lived or died. Things died in the swamp all the time. Death was just a part of life here.

As the roar of her pulse in her ears subsided to a dull throb, the sounds of the bayou came through: crickets and frogs, the groan of an alligator somewhere nearby, the splash of something hitting the water, the distant rumble of thunder as a storm rolled up from the Gulf. Something moved suddenly in the brush at the side of the road. A bird flew up, its wings thumping against the thick, still air.

Startled, gasping, she scraped and scrambled, swimming on the rock, struggling to get her feet under her and to get herself upright.

Headlights appeared around a bend in the road. A driver in the dead of night in the middle of nowherewould this be help or harm? She knew all about the kind of men who prowled the darkness and preyed on women. A part of her wanted to crouch in the brush and hide. A part of her knew she couldnt.

She stood in the middle of the road and waved her arms above her head.

Help me! Stop! Help me. Please! In her mind she was shouting, but she could barely hear the words. They seemed nothing more than a rasp in her throat.

The car drew closer. The headlights blinded her.

The driver had to see her now.

Help me!

The vehicle slowed to a crawl.

Help! She flung herself at the drivers side of the hood as if she could physically force the car to stop. Please, help me!

She slapped the hood with one hand and the windshield with the other, smearing the glass with blood. For just a second her eyes locked on the terrified face of the driver, a woman, and then the engine roared. The tires chewed at the gravel. The car leapt forward, and she fell to the side, trying to grab hold of a door handle. Her head cracked hard against the window.

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