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Riley Sager - Lock Every Door

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Riley Sager Lock Every Door

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Also by Riley Sager Final Girls The Last Time I Lied An imprint of Pe - photo 1
Also by Riley Sager

Final Girls

The Last Time I Lied

An imprint of Penguin Random House LLC penguinrandomhousecom Copyright 2019 - photo 2

An imprint of Penguin Random House LLC penguinrandomhousecom Copyright 2019 - photo 3

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2019 by Todd Ritter Penguin supports copyright Copyright fuels - photo 4

Copyright 2019 by Todd Ritter

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

DUTTON and the D colophon are registered trademarks of Penguin Random House LLC.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Names: Sager, Riley, author.

Title: Lock every door : a novel / Riley Sager.

Description: First edition. | New York : Dutton, 2019.

Identifiers: LCCN 2018058455| ISBN 9781524745141 (hardcover) | ISBN 9781524745158 (ebook)

Subjects: | BISAC: FICTION / Suspense. | FICTION / Contemporary Women. | GSAFD: Suspense fiction. | Mystery fiction.

Classification: LCC PS3618.I79 L63 2019 | DDC 813/.6dc23

LC record available at https://lccn.loc.gov/2018058455

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Version_1

To Ira Levin

Ginny gazed up at the building, her feet planted firmly on the sidewalk but her heart as wide and churning as the sea. Not even in her wildest dreams did she ever think shed set foot inside this place. To her, it had always felt as far away as a fairy-tale castle. It even looked like onetall and imposing, with gargoyles gracing the walls. It was the Manhattan version of a palace, inhabited by the citys elite.

To those who lived outside its walls, it was known as the Bartholomew.

But to Ginny, it was now the place she called home.

Greta Manville,

Heart of a Dreamer

NOW

Light slices the darkness, jerking me awake.

My right eyesomeones prying it open. Latex-gloved fingers part the lids, yanking on them like theyre stubborn window shades.

Theres more light now. Harsh. Painfully bright. A penlight, aimed at my pupil.

The same is done to my left eye. Pry. Part. Light.

The fingers release my lids, and Im plunged back into darkness.

Someone speaks. A man with a gentle voice. Can you hear me?

I open my mouth, and hot pain circles my jaw. Stray bolts of it jab my neck and cheek.

Yes.

My voice is a rasp. My throat is parched. So are my lips, save for a single slick spot of wet warmth with a metallic taste.

Am I bleeding?

You are, says the same voice as before. Just a little. Could have been worse.

A lot worse, another voice says.

Where am I?

The first voice answers. A hospital, honey. Were taking you for some tests. We need to see how banged up you really are.

It dawns on me that Im in motion. I can hear the hum of wheels on tile and feel the slight wobble of a gurney I just now realize Im flat-backed upon. Until now, I had thought I was floating. I try to move but cant. My arms and legs are strapped down. Something is pythoned around my neck, holding my head in place.

Others are with me. Three that I know of. The two voices, and someone else pushing the gurney. Warm huffs of breath brush my earlobe.

Lets see how much you can remember. Its the first voice again. The big talker of the bunch. Think you can answer some questions for me?

Yes.

Whats your name?

Jules. I stop, irritated by the warm wetness still on my lips. I try to lick it away, my tongue flopping. Jules Larsen.

Hi, Jules, the man says. Im Bernard.

I want to say hello back, but my jaw still hurts.

As does my entire left side from knee to shoulder.

As does my head.

Its a quick boil of pain, going from nonexistent to screaming in seconds. Or maybe its been there all along and only now is my body able to handle it.

How old are you, Jules? Bernard asks.

Twenty-five. I stop, overcome with a fresh blast of pain. What happened to me?

You were hit by a car, honey, Bernard says. Or maybe the car was hit by you. Were still kind of unclear on the details.

I cant help in that department. This is breaking news to me. I dont recall anything.

When?

Just a few minutes ago.

Where?

Right outside the Bartholomew.

My eyes snap open, this time on their own.

I blink against the harsh fluorescents zipping by overhead as the gurney speeds along. Keeping pace is Bernard. He has dark skin, bright scrubs, brown eyes. Theyre kind eyes, which is why I stare into them, pleading.

Please, I beg. Please dont send me back there.

SIX DAYS EARLIER
1 The elevator resembles a birdcage The tall ornate kindall thin bars and - photo 5
1

The elevator resembles a birdcage. The tall, ornate kindall thin bars and gilded exterior. I even think of birds as I step inside. Exotic and bright and lush.

Everything Im not.

But the woman next to me certainly fits the bill, with her blue Chanel suit, blond updo, perfectly manicured hands weighed down by several rings. She might be in her fifties. Maybe older. Botox has made her face tight and gleaming. Her voice is champagne bright and just as bubbly. She even has an elegant nameLeslie Evelyn.

Because this is technically a job interview, I also wear a suit.

Black.

Not Chanel.

My shoes are from Payless. The brown hair brushing my shoulders is on the ragged side. Normally, I would have gone to Supercuts for a trim, but even thats now out of my price range.

I nod with feigned interest as Leslie Evelyn says, The elevator is original, of course. As is the main staircase. Not much in the lobby has changed since this place opened in 1919. Thats the great thing about these older buildingsthey were built to last.

And, apparently, to force people to invade each others personal space. Leslie and I stand shoulder to shoulder in the surprisingly small elevator car. But what it lacks in size it makes up for in style. Theres red carpet on the floor and gold leaf on the ceiling. On three sides, oak-paneled walls rise to waist height, where theyre replaced by a series of narrow windows.

The elevator car has two doorsone with wire-thin bars that closes by itself, plus a crisscross grate Leslie slides into place before tapping the button for the top floor. Then were off, rising slowly but surely into one of Manhattans most storied addresses.

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