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Robert Musil - Diaries : Robert Musil 1899-1942

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Robert Musil Diaries : Robert Musil 1899-1942

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The Diaries of Robert Musil are a secret look into the life and mind of a writer whose fiction embodies one of the twentieth centurys daring leaps of consciousness. Ranked with Franz Kafka, Marcel Proust, and James Joyce in the pantheon of European modernists, Musil attempted to apply the precision of his scientific training to the utmost bounds of the imagination. In a series of notebooks kept through most of his literary career, Musil reflected, often through stunning epigrams, on his childhood, his erotic life, his methods of creative thought and his fellow writers. An indispensable guide to his fiction, essays and plays, the pages of the diaries provide a skeleton key for his complex unfinished masterpiece The Man Without Qualities. Known for extreme personal reticence among his contemporaries, Musil in the diaries (which were never intended for publication), speaks nakedly of himself and the chaotic events he lived through.This selection from the diaries is based on the exhaustive 1976 German edition prepared by Adolf Fris?. Most of its sketches, anecdotes and personal reflections have been translated into English. An acute political and cultural observer, Musil recorded in these pages his experiences of Berlin at the outbreak of World War I and service in the Austrian army on the Italian Front. The last notebooks chronicle Hitlers rise to power and Musils exile in Switzerland. The diaries are valuable in a number of ways: as a first-hand historical document of life in twentieth century central Europe, as a kind of unwitting autobiography of a great novelist, and as a writers workbook that details the moods of artistic adventure.In the diaries Robert Musil challenged himself to think about a reality beyond the world that could be apprehended by logic, to entertain the possibilities of forbidden eroticism, to imagine the hidden mystical life of Fascist Europe, and to turn the question of sexual gender into the puzzle of identity.

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DIARIES
1899-1941

BY ROBERT MUSIL

Original German Version
of THE DIARIES Edited by
Adolf Fris
Selected, Translated, Annotated,
and with a Preface by
Philip Payne
Edited and with an Introduction by
Mark Mirsky

BASIC

BOOKS

A Member of The Perseus Books Group

-iii-

Copyright 1976, 1983 by Rowohlt Verlag GmbH Translation copyright C Philip Payne, 1998

Photographs copyright Robert Musil Museum of Literature, Klagenfurt

Published by Basic Books, A Member of the Perseus Books Group.

Excerpts in English translation from the Diaries appeared in the magazine, Fiction, Volume 12, Numbers 2&3, Volume 13, Numbers 1&2, Volume 14, Number 1.

All rights reserved. Printed in the United States of America. No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Basic Books, 10 East 53rd Street, New York, NY 10022-5299.

Library of Congress Cataloging-in-Publication Data

Musil, Robert, 1880-1942.

[Tagebcher. English. Selections]

Diaries, 1899-1942 / by Robert Musil; selected, translated, annotated, and with a preface by Philip Payne; edited and with an introduction by Mark Mirsky; original German edition edited by Adolf Fris.

p. cm.

"The present work is a selection from Robert Musil, Tagebcher, edited by Adolf Fris (Reinbek bei Hamburg: Rowohlt, 1976)" -- Pref.

Includes bibliographical references and index.

ISBN 0-465-01650-2 (cloth); ISBN 0-465-01651-0 (pbk.)

1. Musil, Robert, 1880-1942 -- Diaries. 2. Authors, Austrian -- 20th century -- Biography. I. Payne, Philip, 1942. II. Mirsky, Mark, 1939-.

III. Title.

PT2625.U8T3413 1999

838'.9103-dc21

[b]

98-36990

CIP

10 9 8 7 6 5 4 3 2 1

-iv-


CONTENTS
Translator's Note
Preface by Philip Payne
Introduction by Mark Jay Mirsky
A Note on This Edition
1 Notebook 4: 1899? to 1904 or later
2 Notebook 3: 1899? to 1905-1906
3 Notebook 24: 1904 to 1905
4 Notebook 11: 2 April 1905 to 1908
or later, circa 1918-1919
5 Notebook 15: 11 February 1907
to 24 April 1907
6 Notebook 5: 8 August 1910 to
October 1911 or later
7 Notebook 6: 29 November 1911
to 7 March 1912 and later
8 Notebook 7: 30 March 1913
to 11 January 1914
9 Notebook 17: May 1914 to
August 1914 or later
10 Notebook I: Circa 1915 to 1920
11 Little Notebook Without a Number:
At the latest 1916 to 1918-1919
12 Notebook 8: 1920
13 Notebook 9: 1919 to 1920
14 Notebook 10: 1918 to 1921 (1929, 1939)

-v-

15 Notebook 19: 1919 to 1921
16 Notebook 21: 1920 to 1926
17 Notebook 25: 1921 to 1923?
18 Notebook 26: 1921 to 1923?
19 Notebook 28: 1928 to June 1930
20 Notebook 30: Circa March 1929
to November 1941 or later
21 Notebook 31: 7 February 1930
to Spring 1936
22 Notebook 34: 17 February 1930
to Early Summer 1938
23 Notebook 33: 1937 to about end of 1941
24 Notebook 32: Circa Spring 1939
to about end of 1941
25 Notebook 35: 6 November 1939
to 6 November 1941
Notes
List of Omissions

-vi-

TRANSLATOR'S NOTE

The present work is a selection from Robert Musil, Tagebcher, edited by Adolf Fris (Reinbek bei Hamburg: Rowohlt, 1976). I am deeply indebted to Adolf Fris for his help in the selection and allowing me to make use of the apparatus of his edition for this English translation -- this use is so extensive that I have not acknowledged each separate reference to his notes. (Occasionally, in various notes I refer to Fris's edition as follows: Heft 4, 23 [Notebook 4, p. 23].)

Editorial conventions used in this translation are broadly the same as those used in the German edition:

Each new diary entry begins flush at the left-hand margin.

Paragraphs within entries are indented.

Editorial annotations appear in square brackets thus: A list of all the major points of abridgment in the text appears in the List of Omissions at the back of this edition.

Musil's own brackets (to amend entries during composition or at a later date) are represented by open and close parentheses thus: (...).

Musil's additions and amendments to his entries -- he frequently returned to his diaries for ideas and inspiration and sometimes corrected or otherwise commented on his original text -- are indicated by curly brackets thus: {... }.

Very occasionally a word or phrase which Musil deleted has been retained in the translation and is enclosed in arrow brackets thus: <... > .

A number of Musil's eccentricities in punctuation have been preserved from the Fris edition, three periods where the American reader would expect four, two periods where usage dictates three, and a varying scheme of italicization.

Since I refer frequently to Musil major work, Der Mann obne Eigenschaften, edited by Adolf Fris (Reinbek bei Hamburg: Rowohlt, 1978), this edition appears abbreviated throughout as MoE. A new translation of this

-vii-

novel, The Man without Qualities, edited by Burton Pike, translated by Sophie Wilkins and Burton Pike ( New York: Knopf, 1995), is referred to throughout as MwQ. I would like to thank Burton Pike for his help and encouragement with the preparation of this translation of Musil Diaries.

I also would like to acknowledge the help and advice I received from colleagues in England and Germany, particularly the following: at the Arbeitsstelle filr Robert-Musil-Forschung at the University of the Saar, Professor Marie-Louise Roth and Professor Pierre Behar, Dr. Annette Daigger, Korinna Teschner, Patrik Feltes, and Silvia Bonacchi; at Lancaster University, Graham Bartram, David Craig, and Keith Hanley. My mother has undertaken most of the word-processing of this translation from the first manuscripts to the final draft and kept a watchful classicist's eye on my use of English!

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