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Christopher Benfey - If: The Untold Story of Kiplings American Years

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Christopher Benfey If: The Untold Story of Kiplings American Years

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A LSO BY C HRISTOPHER B ENFEY Red Brick Black Mountain White Clay - photo 1
A LSO BY C HRISTOPHER B ENFEY

Red Brick, Black Mountain, White Clay: Reflections on Art, Family, and Survival

A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade

The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan

Degas in New Orleans: Encounters in the Creole World of Kate Chopin and George Washington Cable

The Double Life of Stephen Crane

PENGUIN PRESS An imprint of Penguin Random House LLC penguinrandomhousecom - photo 2

PENGUIN PRESS

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2019 by Christopher Benfey

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Image credits:

: Kipling Wimpole Archive, Special Collections, University of Sussex.

: The Minuteman, Daniel Chester French. Library of Congress, Prints and Photographs Division, LC-D416-72901.

: MS Am 1094 (2245) f. 61, Houghton Library, Harvard University.

: Batemans National Trust / Charles Thomas.

: Felice Beato, via Wikimedia Commons.

: Rudyard Kipling, Just So Stories (1912), via Wikimedia Commons.

: Photograph by Neal Rantoul.

: Image courtesy of Rice-Aron Library, Marlboro College, Rudyard Kipling Collection, and The Landmark Trust, USA.

: Image courtesy of Rice-Aron Library, Marlboro College, Rudyard Kipling Collection, and The Landmark Trust, USA.

: Clifford K. Berryman, via Wikimedia Commons.

: The Fog Warning, by Winslow Homer, 1885 Museum of Fine Arts, Boston.

: John Lockwood Kipling (18371911), via Wikimedia Commons.

: Mark Twain Papers, Bancroft Library, University of California, Berkeley.

Library of Congress Cataloging-in-Publication Data

Names: Benfey, Christopher E. G., 1954 author.

Title: If : the untold story of Kiplings American years / Christopher Benfey.

Description: New York : Penguin Press, 2019.

Identifiers: LCCN 2018058060 (print) | LCCN 2018060255 (ebook) | ISBN 9780735221444 (ebook) | ISBN 9780735221437 (hardback)

Subjects: LCSH: Kipling, Rudyard, 1865-1936TravelUnited States. | Authors, English19th centuryBiography. | Authors, English20th centuryBiography. | Literature and societyUnited StatesHistory19th century. | BISAC: BIOGRAPHY & AUTOBIOGRAPHY / Literary. | HISTORY / United States / 19th Century.

Classification: LCC PR4856 (ebook) | LCC PR4856 .B39 2019 (print) | DDC 828/.809 [B]dc23

LC record available at https://lccn.loc.gov/2018058060

Version_1

To my father

IF

If you can keep your head when all about you

Are losing theirs and blaming it on you,

If you can trust yourself when all men doubt you,

But make allowance for their doubting too;

If you can wait and not be tired by waiting,

Or being lied about, dont deal in lies,

Or being hated, dont give way to hating,

And yet dont look too good, nor talk too wise:

If you can dreamand not make dreams your master;

If you can thinkand not make thoughts your aim;

If you can meet with Triumph and Disaster

And treat those two impostors just the same;

If you can bear to hear the truth youve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

And stoop and build em up with worn-out tools:

If you can make one heap of all your winnings

And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

And never breathe a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: Hold on!

If you can talk with crowds and keep your virtue,

Or walk with Kingsnor lose the common touch,

If neither foes nor loving friends can hurt you,

If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds worth of distance run,

Yours is the Earth and everything thats in it,

Andwhich is moreyoull be a Man, my son!

CONTENTS
P ROLOGUE : T HIS S TRAN GE E XCUSE
1.

Rudyard Kipling was born in Bombay in 1865 and educated in England. Readers have always associated this towering writer with colonial India, where he spent his early childhood and his literary apprenticeship, and with England, where he lived, in relative isolation, during the final decades of his life. Few readers are familiar with his exuberant American years, however, during the heart of the American Gilded Age. And yet Kipling wrote The Jungle Book, Captains Courageous, the first draft of Kim, his first just so stories, and some of his greatest poems on the crest of a Vermont hillside overlooking the Connecticut River, with a view of Mount Monadnock like a gigantic thumbnail pointing heavenward. A principal aim of this book is to introduce todays readers to a largely unfamiliar writer: an American Kipling.

During his astonishingly productive sojourn in New England, the key creative period in his entire career, Kiplings American accent took his English visitors by surprise. Arthur Conan Doyle brought his golf clubs to Vermont; the inventor of Sherlock Holmes taught Kipling to whack a ball around the rolling hills and shared Thanksgiving dinner with his Americanized host. Kipling announced, more than once, that he was preparing to write the Great American Novel. Among his close friends were American luminaries like Mark Twain, William James, Henry Adams, and Theodore Roosevelt. Kipling would have remained in Brattleboro, with his American wife and their two daughters, if a family quarrelalong with a pointless dispute between England and the United States over the border of Venezuelahad not cut short his New England idyll. His departure from Brattleboro in 1896, he confessed, was the hardest thing he ever had to do. There are only two places in the world where I want to live, Bombay and Brattleboro, he said. And I cant live in either.

A tantalizing sense of what if hangs over Kiplings American years, and complicates his present cultural status. His vivid creations are among the most familiar in the English language. Children all over the world are familiar with The Jungle Book. They thrill to Mowglis adventures among his adoptive family of wolves or the mongoose Rikki-Tikki-Tavis epic battles with cobras. Tales such as How the Camel Got His Hump and The Elephants Child, from Kiplings Just So Stories, remain beloved bedtime reading. Kim, Kiplings shimmering novel of international intrigue and spiritual quest, is a favorite for countless readers, young and old. And teenagers continue to be exposed to the hammering exhortations of If:

If you can keep your head when all about you

Are losing theirs and blaming it on you,

If you can trust yourself when all men doubt you,

But make allowance for their doubting too...

If you can dreamand not make dreams your master;

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