Loni Love - I Tried to Change So You Dont Have To: True Life Lessons
Here you can read online Loni Love - I Tried to Change So You Dont Have To: True Life Lessons full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2020, publisher: Hachette Books, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:I Tried to Change So You Dont Have To: True Life Lessons
- Author:
- Publisher:Hachette Books
- Genre:
- Year:2020
- Rating:4 / 5
- Favourites:Add to favourites
- Your mark:
- 80
- 1
- 2
- 3
- 4
- 5
I Tried to Change So You Dont Have To: True Life Lessons: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "I Tried to Change So You Dont Have To: True Life Lessons" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Loni Love: author's other books
Who wrote I Tried to Change So You Dont Have To: True Life Lessons? Find out the surname, the name of the author of the book and a list of all author's works by series.
I Tried to Change So You Dont Have To: True Life Lessons — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "I Tried to Change So You Dont Have To: True Life Lessons" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
Copyright 2020 by Loni Love
Cover design by Terri Sirma
Cover photographs Heidi Gutman
Cover copyright 2020 by Hachette Book Group, Inc.
Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.
The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.
Hachette Go, an imprint of Hachette Books
Hachette Book Group
1290 Avenue of the Americas
New York, NY 10104
HachetteGo.com
Facebook.com/HachetteGo
Instagram.com/HachetteGo
First Edition: May 2020
Hachette Books is a division of Hachette Book Group, Inc.
The Hachette Go and Hachette Books name and logos are trademarks of Hachette Book Group, Inc.
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.
ISBNs: 978-0-306-87372-0 (hardcover), 978-0-306-87374-4 (ebook)
E3-20200310-DA-NF-ORI
For Niko (and every girl whos been through tough times), work hard and keep laughing and everything will turn out fine.
Explore book giveaways, sneak peeks, deals, and more.
Tap here to learn more.
In reading this book you should remember that I am a comedian. (I am also a television host and actress and an electrical engineer.) This is my memoir and it tells you about my life. But its a tale told by a comedian and I believe that this entitles me to a good number of liberties. I have reordered and combined events and people. And I changed a whole lot of names and identifying details. And I have exaggerated and made some things up altogether to (I hope), make you smile or even laugh. But I have not changed the reality of my life, where I came from, and how I got from there to where I am now.
D ont you just love that feeling when something good happens and you get to say to yourself, All my hard work has finally paid off. Like after a good divorce settlement or when you finally win ten dollars on a scratch-off after buying a lottery ticket every week for eighteen years.
For me, one of those moments happened on April 29, 2018, at the Pasadena Civic Center. Let me paint you a picture: I looked hot, decked out in a chic and glamorous chin-length wig I call my Anna Wintour and rocking a floor-length dress covered in all kinds of silver crystal and sequins. That heavy-ass gown weighed almost as much as I do.
I settled into my velvet chair in the cavernous auditorium and looked around. The room was filled with the biggest names in daytime television: Vanna White, Alex Trebek, Judge Judy, and the entire cast of The Young and the Restless. Rubbing shoulders with all those stars felt like an accomplishment on its own. But I was there as more than just a spectator. The event was the Daytime Emmy Awards show and I, along with the fabulous Adrienne Houghton, Jeannie Mai, and Tamera Mowry-Housley, had been nominated for our work cohosting the syndicated daytime talk show The Real. Wed only been on air five years, but we were up against three of the highest-rated talk shows on daytime TV: The Talk, The View, and Live with Kelly and Ryan.
Even though we worked our asses off to earn a seat at that table, we didnt think we had a shot at winning. We didnt have the big budget or the legacy of a show like The View, which has been a daytime staple for more than two decades. We couldnt afford to do lavish gift giveaways for our audiences, and we didnt book Hollywoods most coveted stars, like Tom Hanks or Denzel Washington. Not only that, we didnt look like the other shows, either. On The Real every host is a woman of color. We were the first and only daytime talk show without a white cohost. When we first hit the air, critics said wed never last.
Chris Harrison, the host from The Bachelor, was presenting the Emmy for our category. Just like he does on The Bachelor, Chris served the award with extra drama. He leaned into the mic and announced the winner with a few excruciatingly well-timed pauses: And the Emmy goes to[pause]the cohosts of[pause] When he finally said The Real, I was so stunned that for a second I didnt move. Then I came to my senses, jumped from my seat, and bolted to the stage. I was determined to grab that award before somebody from the National Academy of Television Arts and Sciences jumped in and said they changed their minds.
If youd been seated in the audience that night, you would have known immediately that we hadnt expected to win. The four of us were like a bunch of kittens running every which way. While I was hightailing it to the front of the room, Adrienne was running in the other direction, toward our staff who were seated a few rows behind us. She wanted to give them all a hug. Meanwhile, Jeannie was taking off her shoes getting ready to sprint like a track star, and Tam was busy kissing her husband, Adam, which is why you should never go to an awards show with a date.
I was the first one to make it onstage. I clutched the golden statuethe same award that Id seen Oprah Winfrey, Ellen DeGeneres, and Kelly Ripa win many times beforeand looked out into the crowd. I had worked so hard for this moment of recognition. Despite the missteps and disappointments along the waythe failed auditions, the deals that went nowhere, the big breaks that fizzled into nothingId finally arrived. As the rest of the girls leaped onstage to join me, I clutched our Emmy, savored the moment, and burst into tears.
* * *
I didnt get to Hollywood the way a lot of other people do. I wasnt a child star or the child of a star. I didnt write for a college humor magazine, study acting in New York, or know anyone in the industry. In fact, until I was in my twenties, my idea of hitting the big time meant holding down a regular nine-to-five desk job, with benefits. Where I come from, having an employee dental plan meant you were living the dream.
I grew up in the Brewster-Douglass Housing Projects on the east side of Detroit during the height of the crack epidemic. Back then, it felt like there were two options for girls like me: I could be a drug dealers girlfriend, or I could be the best friend of a drug dealers girlfriend and hope I got an invite when he treated her to a Big Mac and fries. I didnt grow up with fantasies of having a glamorous life because around me all I saw was struggle. Maybe one day meeting Tito Jackson was as big as I dared to dream. But that doesnt mean I wasnt doing everything I could to improve my circumstances.
As a kid, I was always going the extra mile. When I joined the school orchestra in fourth grade and the music teacher told the class to each pick an instrument, I didnt run like the rest of the kids to sign up for the violin, oboe, or even the sassy triangle. I picked something big, bold, and beautiful: the French horn. And when I needed to make some extra money as a teenager to buy clothes for school, I didnt start selling drugs, even though opportunities were everywhere. Instead, I started a little grocery delivery service, making trips to the corner store for Brewster-Douglass senior citizens who needed a tin of Spam, a pack of Newports, or a tub of off-brand cottage cheese.
Font size:
Interval:
Bookmark:
Similar books «I Tried to Change So You Dont Have To: True Life Lessons»
Look at similar books to I Tried to Change So You Dont Have To: True Life Lessons. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book I Tried to Change So You Dont Have To: True Life Lessons and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.