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Jeff Shaara - A Novel of Pearl Harbor

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Jeff Shaara A Novel of Pearl Harbor

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To Wake the Giant is a work of historical fiction Apart from the well-known - photo 1
To Wake the Giant is a work of historical fiction Apart from the well-known - photo 2

To Wake the Giant is a work of historical fiction. Apart from the well-known actual people, events, and locales that figure in the narrative, all names, places, and incidents are the product of the authors imagination or are used fictitiously. Any resemblance to current events or locales, or to living persons, is entirely coincidental.

Copyright 2020 by Jeffrey M. Shaara

Maps copyright 2020 by David Lindroth Inc.

All rights reserved.

Published in the United States by Ballantine Books, an imprint of Random House, a division of Penguin Random House LLC, New York.

B ALLANTINE and the H OUSE colophon are registered trademarks of Penguin Random House LLC.

Hardback ISBN9780593129623

Ebook ISBN9780593129630

randomhousebooks.com

Book design by Caroline Cunningham, adapted for ebook

Cover design: Carlos Beltrn

Cover photograph: U.S. Navy

ep_prh_5.5.0_c0_r0

Contents

War is not an act of God. It is a crime of man.

C ORDELL H ULL, U . S . S ECRETARY OF S TATE 193344

LIST OF MAPS
MAP OF OAHU IN 1941 THE ROUTE THE JAPANESE TOOK TO HAWAII THE ROUTE THE - photo 3

MAP OF OAHU IN 1941

THE ROUTE THE JAPANESE TOOK TO HAWAII

THE ROUTE THE JAPANESE PLANES FLEW TO PEARL HARBOR

U.S. SHIPS POSITIONED IN PEARL HARBOR

TO THE READER
Throughout our history certain dates have had enormous significance serving - photo 4

Throughout our history, certain dates have had enormous significance, serving as reminders or even symbols of an event that profoundly changed our world. In American history alone, there are those dates taught to every student: July 4, 1776. June 6, 1944. November 22, 1963. September 11, 2001. And there is one more: December 7, 1941. On that day, in a mere two hours, an aerial assault by the Japanese destroyed or damaged much of the American military fleet and air power in and around Pearl Harbor, Hawaii.

This story covers a full year, from December 1940 through the events and horrific tragedy of December 7, 1941. It is a story of sincere efforts to avoid a war confronting sincere efforts to start one, as well as a story of both heroics and blind incompetence. And it is a story about people on opposing sides, both old and young, who are men of character and courage, men with keen insight and brilliance; and others who are men of immense ego, incompetence, and an astonishing level of blindness. But there is no one villain, and no single hero.

One challenge in telling this story is to avoid judgment of the participants on both sides. Many, or even most, Americans were encouraged by the media to believe that the Japanese were funny little people or a godless horde, as though they were a swarm of insects. I have inserted throughout this story actual quotes from various officials that, with our benefit of hindsight, display astounding ignorance. But such racism went both ways, as many Japanese viewed many Americans as rich, fat and lazy, spineless and weak, easy targets who would recoil in terror from any aggressive attack. And thus do wars start.

I did not expect how personal this history would become. My goal, always, is to dig into the minds of the characters so that I feel comfortable putting words in their mouths. My greatest priority is to do justice to those who earned it and to let those men or their families know they are not forgotten.

To Wake the Giant is told mainly from the points of view of three men in three very different locations.

In Washington, D.C., Cordell Hull is President Franklin D. Roosevelts secretary of state, the diplomat responsible for bridging the dangerous gap between the United States and Japan. As such, he is exactly in the middle between Roosevelt, the American military chiefs, and the Japanese ambassador. Hull understands, more than anyone else in his government, that it is his duty to ensure good relations between the United States and every other country on earthincluding, of course, Japan.

In Japan, Admiral Isoroku Yamamoto, a political moderate, is confronted by the growing power of the militants in his own government who advocate for war against the worlds great powers. Knowing that Japan cannot win such a war, he must ensure Japans survival by any means necessary. And thus Admiral Yamamoto devises a plan, a bold strike against the Americans that might grant Japan the time it needs to greatly strengthen its military.

In a small town in northeast Florida, Tommy Biggs is a nineteen-year-old with a talent for baseball and nothing else in his life. The Depression has crushed much of rural America, and Tommys father is one of the victims. Enduring his fathers chronic anger and his mothers despair, Biggs aches for a way out. The opportunity is unexpected, but Biggs suddenly finds an escape from the miserable poverty that engulfs his family and his community.

Throughout this story are several other points of view and many names, known and unknown, yet all of them are important to these events.

I have taken liberties that must be mentioned (or youll certainly mention them to me). In the Japanese language, names are given as last/first: Yamamoto Isoroku. In English usage, obviously, it is the other way around. Realizing that the number of Japanese characters in this story might cause some confusion, I have adopted the English standard, first name/last name. In addition, though the Japanese use the metric system (meters, kilometers, et cetera), for claritys sake I have employed the American system of feet and miles. If this book is ever printed in Japanese, Im certain they will make the necessary changes. I hope I am forgiven.

A total of three hundred thirty-five men survived the destruction of the USS Arizona. When I began working on this book in early 2019, there were exactly six of them still living. As I write this, there are two. As you read this, there could be fewer still. Or none at all. If there is one good reason for me to tackle this story, it is this: We must know, we must understand, and we must remember. Those who were there can no longer tell their own story.

Finally, my apologies for a bit of self-indulgence. The creation of this book has been a surprisingly difficult experience. Without trying to overdramatize this, there were times when the story simply became too emotional to write, or too consuming to stop. That has happened to me a few times in past books, but not as often as it happened here. I deeply appreciate the support and tolerance and affection from my family: my wife, Stephanie, and daughter, Emma. Theyve put up with a lot during the writing of this book. I hope I can make it up to them.

J EFF S HAARA, A PRIL 14, 2020

INTRODUCTION In many ways World War Two in the Pacific begins with the - photo 5
INTRODUCTION
In many ways World War Two in the Pacific begins with the Japanese victory - photo 6
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