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Grant Cameron - Tuned-In: The Paranormal World of Music

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Grant Cameron Tuned-In: The Paranormal World of Music

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Copyright 2018 by Gr - photo 1Copyright 2018 by Grant Cameron Cover Produced by Matt Lacasse All rights - photo 2


Copyright 2018 by Grant Cameron Cover Produced by Matt Lacasse All rights - photo 3Copyright 2018 by Grant Cameron Cover Produced by Matt Lacasse All rights - photo 4

Copyright 2018 by Grant Cameron Cover Produced by Matt Lacasse All rights - photo 5

Copyright 2018 by Grant Cameron

Cover Produced by Matt Lacasse.

All rights reserved.

No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed "Attention: Permissions Coordinator," at the address below.

Printed in the United States of America

First Printing, April 2017

ISBN-13: 978-1541366077

ISBN-10: 1541366077

Itsallconnected Publishing

445 Hudson Street

Winnipeg, Manitoba

Canada R3T OR1

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Grant Cameron is the recipient of the Leeds Conference International Researcher of the Year and the UFO Congress Researcher of the Year awards. He became involved in Ufology beginning in May 1975 as the Vietnam War was ending when he had several personal sightings of an Unidentified Flying Object which locally became known as "Charlie Red Star."

These sightings led to a decade of research into the Canadian government's early engagement of the flying saucer phenomenon. Cameron became the leading authority on both the government program and on Wilbert B. Smith, who had headed it up. This led to almost two decades of subsequent research into the role of the President of the United States and extraterrestrial contact, much of which is available at the Presidents' UFO Website - www.presidentialufo.com , and at Cameron's blog site http://whitehouseufo.blogspot.ca/ .

Cameron has lectured widely in Canada, the United States, and Europe. He was one of the 43 witnesses who testified in front of six former members of the United States Congress (five Representatives and one Senator) in Washington, DC during the 2013 "Citizen's Hearing on UFO Disclosure." He has appeared on many television documentaries about UFOs and has been interviewed on nearly one hundred different radio programs, including frequent appearances on Coast to Coast AM.

Other books by Grant Cameron:

UFOs, MJ-12, and the Government

UFOs, Area 51, and Government Informants

Alien Bedtime Stories

The Clinton UFO Storybook

Inspired: The Paranormal Word of Creativity

Managing Magic: The Government's UFO Disclosure Plan

Charlie Red Star: True Reports of One of North Americas Biggest UFO Sightings

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Table of Contents
INSPIRATION

In connecting with us

We connect to you

The message is one of love

Tune into a higher frequency and align with the light

Trust in yourselves

Spend quiet time in nature

Observe the elements

Feel the wind, admire the trees, and hear the animals

We set these out for you

They are there as a symbol for you to remember

To remember yourself and to connect

To go inside, go within

Be still

Experience it, the everything in the now

The information you will receive in this space

Is more empowering and more important than anything you can read

It is the inspiration

Divine inspiration

What each of you does with it is up to you

But the vastness of this message

Is unique to each of you

So, you will interpret this differently

This is so you can share it, but in different way

One might paint, one sing, one play it through an instrument

The message flows through each one differently

But when its shared, you feel it through your interpretation

But its the same massage

Expressed individually, uniquely, through different ways

This is why we said The message is in the music

Desta Barnabe - channeled message.

Introduction

Sometimes it drives me crazy. In absolute silence, I hear music. I hear music, I hear rhythms, I hear bird songs. I live in an aural world. It's never totally empty. 16-Grammy Award winning singer Sting talking about music in his head that he can't shut off.

What if you slept, and what if in your sleep you dreamed, and what if in your dream you went to heaven and there plucked a strange and beautiful flower, and what if when you awoke you had the flower in your hand. Ah, what then? Samuel Taylor Coleridge

As I write this introduction, the idea that I would ever write a book on music still makes me uneasy. The reason for this is simple. I am in most ways a music idiot.

I took piano lessons for a couple months before my parents realized the mistake they had made and pulled me out. Even though my whole family is musical I cannot play even the simplest song on any instrument. I never intentionally listen to music, and even after two years researching music and the paranormal I still don't listen. I have only bought two records in my entire life - one 45 and one long play 33.

The only reason I got into the musical world is that a UFO experiencer/abductee, whom I respect deeply, told me that the aliens had told him the message was in the music. However, this alone was not enough to drag me down the music rabbit hole.

What dragged me into the world of music were two songs that my friend believed to contain the message. One was "Kashmir" by Led Zeppelin, and "After the Gold Rush" by Neil Young.

The reference to Young was the bait that made me willing and ready to spend time looking at the connection between the aliens and rock and roll. I didn't have much faith in the music connection, but I had been in the world of the paranormal paying close attention to coincidence or synchronicity.

When I heard that Young may be carrying a message from the aliens, I was very interested. That is because Young grew up in the same Canadian city where I grew up and have lived my entire life - Winnipeg. It is not a major city, and many may never have heard of it. As I was being told he might have a message from the aliens, I was immediately thinking in the back of my mind, "What are the chances that someone coming from the insignificant place I live in would be carrying the alien message?"

That one synchronicity made me do a check and the light went on when I read the lyrics to "After the Gold Rush." It was an environmental message which I already knew experiencers were getting from the aliens. In a recent survey of experiencers, 37.50 % answered yes to the question, "Did the ETs give you an environmental message regarding the Earth?"

I was further convinced when I discovered that other famous musicians, who themselves appeared to be experiencers, had also done versions of the song "After the Gold Rush."

I was convinced but knew that it would not be easy to sell the crazy idea that aliens were influencing music to raise consciousness. I had been in the paranormal investigation field long enough to know that as Max Planck once said, new ideas get adopted only when there are enough funerals of older individuals who still buy into the old ideas they were indoctrinated with in school.

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