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Adamson - Ashland

Here you can read online Adamson - Ashland full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Toronto;Ont, year: 2011, publisher: ECW Press;Misfit, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Adamson Ashland

Ashland: summary, description and annotation

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An assemblage of vivid prose-poetry, both gripping and furious, this collection navigates a macabre tour of nightmares, perverse secrets, and death-focused mythologies. Creating a world awash in violence and history, a landscape of gunslingers, madwomen, ghosts, and wolves is given greater shape with each concise, narrative verse. Enigmatic and thrilling, these compiled pieces lay the groundwork for Adamsons award-winning and best-selling novel, The Outlander. Combining neo-gothicism, surrealist snapshots, feminism, and postmodern parables, each lyric moment echoes the characteristics of the outlaws described withinseductive and a little bit dangerous.

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Copyright Gil Adamson 2011 Published by ECW Press 2120 Queen Street East - photo 1
Copyright Gil Adamson 2011 Published by ECW Press 2120 Queen Street East - photo 2
Copyright Gil Adamson, 2011 Published by ECW Press 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2 416-694-3348 / info@ecwpress.com All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any process electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of the copyright owners and ECW Press. The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the authors rights is appreciated. Library and Archives Canada Cataloguing in Publication Adamson, Gil
Ashland / Gil Adamson.

Poems.
ISBN 978-1-55490-985-8
Also Issued As:
978-1-55490-939-1 (PDF); 978-1-77041-015-2 (PBK) I. Title. PS8551.D3256A78 2011 C811'.54 C2010-906739-8 Editor for the press: Michael Holmes / a misFit book
Cover design: David Gee
Text Design: Tania Craan
Typesetting: Troy Cunningham The publication of Ashland has been generously supported by the Canada Council for the Arts, which last year invested $20.1 million in writing and publishing throughout Canada, by the Ontario Arts Council, by the Government of Ontario through Ontario Book Publishing Tax Credit, by the OMDC Book Fund, an initiative of the Ontario Media Development Corporation, and by the Government of Canada through the Canada Book Fund.

Ashland - image 3Ashland - image 4Ashland - image 5
To Kit
Death is what the living carry with them. A state of dread, like some uncanny foretaste of a bitter memory. But the dead do not remember and nothingness is not a curse.

Far from it. Cormac McCarthy, Suttree

Vigil The train was unable to stop until after the man named Verken was struck - photo 6
Vigil
The train was unable to stop until after the man named Verken was struck. Humming on its track of snow stars, it burst open the unhappy man, scraped up a new nightfall for us all. Mrs. Dumont has slashed herself across her withered thigh. Two young people recently married are now indifferent to one another.

The oldest trees on our main street are dying, all five together. Half the mines are closing due to extreme cold. The men cry over their starved children, bludgeon their wives out of sheer pity, bury them in barrels and pillow cases. No man or woman is so dear that Ashland will suffer for long or that the townspeople will be convinced to think as one. Vigil as you like, old age takes care of itself. Violence does the rest.

On Easter of last year, Mr. Verkens mother died, followed by his entire herd of cattle and a wife. He is survived by no one.

Brother and Me
Its a mad day to run away from home, brother. Trees fall drunk in the orchard, heads swarming with bees. Finally, the river has slapped the fields away, so no harvest, no singing, the roads all gobbled up.

Down in the city, women shoot darts, fed up with their lives, or so were told. They drown men in the river, sleep in movie theatres, sing the same song over and over until someone gets murderous. Today wind rushes the empty house, licks the dinner bell inside and out. We settle down to wait. Our lives are not what we expected.

Burning Field
Were waiting, eating bread and beer by the gate while, inside, he tears at her clothes, demands reckless things.
Burning Field
Were waiting, eating bread and beer by the gate while, inside, he tears at her clothes, demands reckless things.

All day ash floats in the air, coming from the brushfire. Hes broken down the barn door, waved the horse out into the burning field. Hes cut his arm open, shouting, Look at it! and we shuffle away, leave them to their drifting ship, pass a dry bit of meat from hand to hand. Soon, he has exhausted himself, fallen asleep, and she comes out. Her hands search our bodies, shaking with urgency.

Tunnel
My grandmother is on my back, her glamorous hands slapping at my cheeks like soft gloves.
Tunnel
My grandmother is on my back, her glamorous hands slapping at my cheeks like soft gloves.

I am her legs. I see forward with her eyes, while she buries her face in my long, wild hair. When I was young, she tied small gold bells to my bed to keep me awake. She ignored the neighbours like they were a truckload of pigeons. On the blackest evenings she took me to the railway tunnel to watch the burning eye of God coming. There are no stories, she warned me.

Everything is true.

Panic
Have you noticed how the air grows; dark, cold, and animals come out in you? Swaying ground, lurch in frost-red muscles. I am a limited intelligence, certainly, faint and gauzy and lost in branches too dark to see. Ground is not here, snaps out like a flag somewhere else, somewhere better, because I float, and cannot face life down here.
Flashlight
This listless family, breaking into the church, eating fish sandwiches by the shore, flicking pieces of the host at the swans. My brother has lost his service revolver.

All our sweaters are mossy. We sleep together and dislike strangers and walk backwards to erase our worries. Our ancestry goes back, we feel, to other planets, the melting of rock, the big bang. My father keeps journals. He sketches our wounds, records our memoirs. In one entry, we wander into ambush and are wiped out.

In other chapters, not so much blood. We cruise the pages slowly, hiss with laughter, slap each other saying, Look here, its you dying in this church, or, Ha ha, my horse got bit by a snake. We each see our own grim dispatch, demented and reeling or severed clean, our faces wavering in historys dim flashlight. My brother takes the book from me, sighs and blinks. And then he thumps it closed.

Work
In survival dreams I am bullet-proof, running.

I resemble a cave, I go through myself. I tell myself that I exist, but basically: Ha! There is no bone in my arm, no maharajah playing god in the hallway, no dark toothpick in the thigh. There is no point even trying. Selling chocolates in the furls of a childs brain, Im a fine, evil thing, adoring hands reaching out to me from doorways. At night, the moon comes down like a sickle and does its savage work and the gloved historians rush in, with terrible whoops of joy.

Uncle Enters Politics
The future sleeps out of you like a cloud of flies.

How proud you are, going down to the soap shops and bakeries, shaved to a waxy sheen! Youre a plaster shrimp strutting across a blue plate, shouting, Bite away! A beer in the alleyway before you declare a ban on drinking. A packed lunch forgotten on a wall. Never mind, youll shake some merchant till he rains. Time for a change of gears in this town, you think, and youd be right. How many children are raped in the movie houses, their insides gone black? How many infants left outside to wander alone? Why, even the mayor has sacked his own intellect, sits in the cemetery singing, stuffing grass into his pockets. You smile into the sun, begin to compose a new anthem of strength, with yourself in the message.

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