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Stanford - The She-Pope

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Stanford The She-Pope
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THE EXTRAORDINARY STORY OF THE ENGLISH WOMAN WHO FOOLED THE VATICAN. The legend of Pope Joan - the woman who, dressed as a man, headed the Catholic church in the early ninth century - has always been a subject of fascinated speculation but rarely, until now, the subject of serious research. As the future over women in the catholic priesthood continues, and the Church, which once took her story as gospel, now tries to play down the rumours, it is time for a reappraisal. Here Peter Stanford, author of The Devil: A Biography, reveals what can, and cannot, be known of this incredible story, and of the extraordinary woman behind it. In this fascinating account, ranging from secret histories to conspiracy theories, medieval carvings to tarot cards, women priests to cross-dressing clerics, and from romantic fiction to hard facts, he delivers a major study of historical detective work.

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About the Book

The legend of Pope Joan the woman who, dressed as a man, headed the Catholic church in the early ninth century has always been a subject of fascinated speculation but rarely, until now, the subject of serious research. As the future over women in the catholic priesthood continues, and the Church, which once took her story as gospel, now tries to play down the rumours, it is time for a reappraisal. Here Peter Stanford, author of The Devil: A Biography, reveals what can, and cannot, be known of this incredible story, and of the extraordinary woman behind it. In this fascinating account, ranging from secret histories to conspiracy theories, medieval carvings to tarot cards, women priests to cross-dressing clerics, and from romantic fiction to hard facts, he delivers a major study of historical detective work.

About the Author

Peter Stanford is a journalist and broadcaster who writes and reviews regularly in the Independent Saturday Magazine, the Sunday Times and the Sunday Telegraph. He presents The Mission on Channel 5 and has been a panellist on the popular BBC series The Moral Maze, Vice or Virtue and Future Watch. A former editor of the Catholic Herald, he presented the award-winning Channel 4 series Catholics and Sex and co-wrote the accompanying book. His other books include biographies of Lord Longford and Cardinal Basil Hume, and the international bestseller The Devil: A Biography, which was made into a major BBC TV series. In December 1998 he produced and presented a BBC Everyman documentary based on The She-Pope. He lives in London with his wife and son and is Chairman of the disability charity ASPIRE.

Also by Peter Stanford
Believing Bishops
Catholics and Sex
Cardinal Hume and the Changing Face of English Catholicism
Lord Longford An Authorised Life
The Devil A Biography
THE SHE-POPEPeter Stanford
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the authors and publishers rights and those responsible may be liable in law accordingly.
Epub ISBN 9781446427873
Version 1.0
Published by Arrow Books 1999
3 5 7 9 10 8 6 4
Copyright Peter Stanford 1998
Peter Stanford has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work.
First published in Great Britain in 1998 by William Heinemann
Arrow Books
The Random House Group Limited
20 Vauxhall Bridge Road, London, SW1V 2SA
www.randomhouse.co.uk
Arrow Books is part of the Penguin Random House group of companies whose - photo 1
Arrow Books is part of the Penguin Random House group of companies whose addresses can be found at
global.penguinrandomhouse.com
The Random House Group Limited Reg. No. 954009
A CIP catalogue record for this book is available from the British Library
ISBN 9780749320676
For Siobhan
and Kit
Acknowledgements
Searching out a character that the Church has tried so hard to bury has often been an uphill struggle and would not have been completed without the help and assistance of the following: Simonetta Alder, Sister Lavinia Byrne IBVM, Professor David Canter, Caryl Churchill, Jim and Lena Cross, Audrey and Faith de Candole, Moya Frenz St Leger, Caroline Goodfellow of the Museum of Childhood, Wendy Hefford of the Victoria and Albert Museum, Fiona and Peter Jerreat, Dr Martin Kauffman of the Bodleian Library, Sara Maitland, Dr Rosalind Miles, Professor Gangolf Schrimpf, Ian Skidmore, Bruce Stewart, Michael Walsh, Julie Wheelwright, John Wilkins, Lalla Winkley and her colleagues at Catholic Womens Ordination and David Zak. Carmela Inguanta made good the very large holes in my knowledge of Italian, Jarmilla Vavrova my complete absence of Czech while Maria Locher expanded on my three words of German.
Three people in our own times have worked to unravel the mystery of Pope Joan the French literary historian Alain Boureau, the venerable Catholic feminist, Joan Morris, who died in 1985, and the Italian historian Cesare DOnofrio. I am grateful to the last for all his help and to Ivan May for his permission to quote from the writings of his late aunt, Joan Morris, many of which are now stored in the Fawcett Library. The Catholic Central Library in London, a little-known and underused gem, has once again afforded me able and warm assistance. Rosemary and Darroll Pardoe, fellow searchers after Pope Joan, have also been generous with their assistance.
My editors, Tom Weldon and Charlotte Mendelson in London and Marian Wood and Rachel Klauber-Speiden in America, my agent Derek Johns, Lucinda Coxon and my brother Martin Stanford have all offered practical encouragement. And my wife Siobhan has, as ever, been there with support and advice at the crucial moments.
Part One
The Holy She
Part Two
The Painter and the Portrait
Chapter One
Rome has spoken; the case is concluded
Saint Augustine of Hippo
In overcrowded cities like London, you get used to living without a view. Save for a favoured few whose homes are cheek by jowl with the great parks, historic churches, or the river, there is seldom anything of interest outside your window unless you are an inveterate curtain twitcher or an aspiring member of Neighbourhood Watch. Holidays, however, are different. You find yourself in strange and intriguing places. You are an outsider with the incentive and the time to find a spot where you can sit back and watch the world go by.
My late-spring sojourn in Rome had been hastily arranged. A friend offered his flat and I wanted to get away. It all seemed perfect, fated even, for those tempted by predestination. But the summer heat had come early and after a couple of over-ambitious rambles around the streets and shrines of this warm nest of the Renaissance, sunstroke threatened and lethargy set in.
The apartment was what estate agents might call ingeniously planned tiny and claustrophobic. It did, however, have one redeeming feature, enormous floor-to-ceiling windows that overwhelmed the studio room. I would collapse most afternoons into the big, deep, pink armchair in front of this opening, catching whatever breeze was around and pretending to read one of the doorstopper tomes I had brought with me classically long, potentially enthralling but in my weakened state hardly page-turners. More often than not, I was content to gaze out on the square below.
It could hardly be described as beautiful, in the way that, say, the Piazza Navona is majestically beautiful in its perfect proportions. It had no equivalent of Berninis Four Rivers Fountain in the centre. Indeed, it was barely a square more like the confluence of a number of streams where the via dei Querceti widens and flows into several other roads.
The people made it a place. Italians have a marvellous habit of living their lives with great drama on the street. For them this small space was stage enough. The world outside my window was a daily soap opera with the flower seller, the greengrocer and the newspaper vendor interacting with each other. Occasionally they were interrupted by a passing pilgrim or the ironworkers and stone masons who have made this area, at the foot of the Coelian Hill, their quarter. It was a play in a thousand tiny acts, shared intimacies, significant looks, cold shoulders, heated exchanges, wounded exits stage right to the slightly seedy coffee bar, all observed without fear of being spotted from my box in the sky.
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