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Neal Stephenson - Quicksilver: Volume One of the Baroque Cycle

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Neal Stephenson Quicksilver: Volume One of the Baroque Cycle

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Neal Stephensons Quicksilver is here. A monumental literary feat that follows the authors critically acclaimed New York Times bestseller Cryptonomicon, it is history, adventure, science, truth, invention, sex, absurdity, piracy, madness, death, and alchemy. It sweeps across continents and decades with the power of a roaring tornado, upending kings, armies, religious beliefs, and all expectations.It is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight. It is a chronicle of the breathtaking exploits of Half-Cocked Jack Shaftoe - London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds - risking life and limb for fortune and love while slowly maddening from the pox ... and Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent a contentious continent through the newborn power of finance.A gloriously rich, entertaining, and endlessly inventive novel that brings a remarkable age and its momentous events to vivid life - a historical epic populated by the likes of Samuel Pepys, Isaac Newton, William of Orange, Benjamin Franklin, and King Louis XIV - Quicksilver is an extraordinary achievement from one of the most original and important literary talents of our time.And its just the beginning ...

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Quicksilver Volume One of the Baroque Cycle - image 1

VOLUME ONE
OF THE
BAROQUE CYCLE

N EAL S TEPHENSON

Quicksilver Volume One of the Baroque Cycle - image 2

Picture 3
To the woman upstairs
Picture 4

Picture 5
Contents
Picture 6
Picture 7
Picture 8

State your intentions, Muse. I know youre there.

Dead bards who pined for you have said

Youre bright as flame, but fickle as the air.

My pen and I, submerged in liquid shade,

Much dark can spread, on days and over reams

But without you, no radiance can shed.

Why rustle in the dark, when fledged with fire?

Craze the night with flails of light. Reave

Your turbid shroud. Bestow what I require.

But youre not in the dark. I do believe

I swim, like squid, in clouds of my own make,

To you, offensive. To us both, opaque.

Whats constituted so, only a pen

Can penetrate. I have one here; lets go.

Those who assume hypotheses as first principles of their speculations... may indeed form an ingenious romance, but a romance it will still be.

Roger Cotes, preface to Sir Isaac Newtons Principia Mathematica, second edition, 1713

Boston Common
OCTOBER 12, 1713, 10:33:52 A.M.

E NOCH ROUNDS THE CORNER JUST as the executioner raises the noose above the womans head. The crowd on the Common stop praying and sobbing for just as long as Jack Ketch stands there, elbows locked, for all the world like a carpenter heaving a ridge-beam into place. The rope clutches a disk of blue New England sky. The Puritans gaze at it and, to all appearances, think. Enoch the Red reins in his borrowed horse as it nears the edge of the crowd, and sees that the executioners purpose is not to let them inspect his knotwork, but to give them all a narrowand, to a Puritan, tantalizingglimpse of the portal through which they all must pass one day.

Bostons a dollop of hills in a spoon of marshes. The road up the spoon-handle is barred by a wall, with the usual gallows outside it, and victims, or parts of them, strung up or nailed to the city gates. Enoch has just come that way, and reckoned he had seen the last of such thingsthat thenceforth it would all be churches and taverns. But the dead men outside the gate were common robbers, killed for earthly crimes. What is happening now on the Common is of a more Sacramental nature.

The noose lies on the womans gray head like a crown. The executioner pushes it down. Her head forces it open like an infants dilating the birth canal. When it finds the widest part it drops suddenly onto her shoulders. Her knees pimple the front of her apron and her skirts telescope into the platform as she makes to collapse. The executioner hugs her with one arm, like a dancing-master, to keep her upright, and adjusts the knot while an official reads the death warrant. This is as bland as a lease. The crowd scratches and shuffles. There are none of the diversions of a London hanging: no catcalls, jugglers, or pickpockets. Down at the other end of the Common, a squadron of lobsterbacks drills and marches round the base of a hummock with a stone powder-house planted in its top. An Irish sergeant bellowsbored but indignantin a voice that carries forever on the wind, like the smell of smoke.

Hes not come to watch witch-hangings, but now that Enochs blundered into one it would be bad form to leave. There is a drum-roll, and then a sudden awkward silence. He judges it very far from the worst hanging hes ever seenno kicking or writhing, no breaking of ropes or unraveling of knotsall in all, an unusually competent piece of work.

He hadnt really known what to expect of America. But people here seem to do thingshangings includedwith a blunt, blank efficiency thats admirable and disappointing at the same time. Like jumping fish, they go about difficult matters with bloodless ease. As if they were all born knowing things that other people must absorb, along with faery-tales and superstitions, from their families and villages. Maybe it is because most of them came over on ships.

As they are cutting the limp witch down, a gust tumbles over the Common from the North. On Sir Isaac Newtons temperature scale, where freezing is zero and the heat of the human body is twelve, it is probably four or five. If Herr Fahrenheit were here with one of his new quicksilver-filled, sealed-tube thermometers, he would probably observe something in the fifties. But this sort of wind, coming as it does from the North in the autumn, is more chilling than any mere instrument can tell. It reminds everyone here that if they dont want to be dead in a few months time, they have firewood to stack and chinks to caulk. The wind is noticed by a hoarse preacher at the base of the gallows, who takes it to be Satan himself, come to carry the witchs soul to hell, and who is not slow to share this opinion with his flock. The preacher is staring Enoch in the eye as he testifies.

Enoch feels the heightened, chafing self-consciousness that is the precursor to fear. Whats to prevent them from trying and hanging him as a witch?

How must he look to these people? A man of indefinable age but evidently broad experience, with silver hair queued down to the small of his back, a copper-red beard, pale gray eyes, and skin weathered and marred like a blacksmiths ox-hide apron. Dressed in a long traveling-cloak, a walking-staff and an outmoded rapier strapped longside the saddle of a notably fine black horse. Two pistols in his waistband, prominent enough that Indians, highwaymen, and French raiders can clearly see them from ambuscades (hed like to move them out of view, but reaching for them at this moment seems like a bad idea). Saddlebags (should they be searched) filled with instruments, flasks of quicksilver, and stranger matterssome, as theyd learn, quite dangerousbooks in Hebrew, Greek, and Latin pocked with the occult symbols of Alchemists and Kabalists. Things could go badly for him in Boston.

But the crowd takes the preachers ranting not as a call to arms but a signal to turn and disperse, muttering. The redcoats discharge their muskets with deep hissing booms, like handfuls of sand hurled against a kettledrum. Enoch dismounts into the midst of the colonists. He sweeps the robe round him, concealing the pistols, pulls the hood back from his head, and amounts to just another weary pilgrim. He does not meet any mans eye but scans their faces sidelong, and is surprised by a general lack of self-righteousness.

God willing, one man says, thatll be the last one.

Do you mean, sir, the last witch? Enoch asks.

I mean, sir, the last hanging.

Flowing like water round the bases of the steep hills, they migrate across a burying ground on the south edge of the Common, already full of lost Englishmen, and follow the witchs corpse down the street. The houses are mostly of wood, and so are the churches. Spaniards would have built a single great cathedral here, of stone, with gold on the inside, but the colonists cannot agree on anything and so it is more like Amsterdam: small churches on every block, some barely distinguishable from barns, each no doubt preaching that all of the others have it wrong. But at least they can muster a consensus to kill a witch. She is borne off into a new burying ground, which for some reason they have situated hard by the granary. Enoch is at a loss to know whether this juxtapositionthat is, storing their Dead, and their Staff of Life, in the same placeis some sort of Message from the citys elders, or simple bad taste.

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