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Gentill - A decline in prophets

Here you can read online Gentill - A decline in prophets full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Australia, year: 2011, publisher: Pantera Press, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Gentill A decline in prophets

A decline in prophets: summary, description and annotation

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The second book of the acclaimed Rowland Sinclair Mysteries. In 1932, the RMS Aquitania embodies all that is gracious and refined, in a world gripped by crisis and doubt. Returning home on the luxury liner after months abroad, Rowland Sinclair and his companions dine with a suffragette, a Bishop and a retired World Prophet. The Church encounters less orthodox religion in the Aquitanias chandeliered ballroom, where men of God rub shoulders with mystics in dinner suits. The elegant atmosphere on board is charged with tension, but civility prevails until people start to die. Then things get a bit awkward. And Rowland finds himself unwittingly in the centre of it all. Im afraid, Sinclair has a habit of being in the wrong place every possible time. I would think twice about standing next to him. God forbid, Rowland, you should return home without some sort of scandal leading some kind of insane cult! A Rowland Sinclair Novel * Winner of Davitt Award for Best Adult Crime Fiction 2012.

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A note from the publisher Dear Reader If you enjoy riveting stories with - photo 1

A note from the publisher

Dear Reader,

If you enjoy riveting stories with engaging characters and strong writing, as I do, youll love A Decline in Prophets. Historical crime fiction at its best, Sulari Gentill brings together art, money, crime, religion and murder in an extraordinary tale set in 1932 on the luxury cruise liner RMS Aquitania. The second book in the Rowland Sinclair Series, its the sequel to A Few Right Thinking Men. She had me hooked from her very first page, and I couldnt put the story down.

If you havent picked up a Pantera Press book before, you should know that simply by enjoying our books, youll also be contributing to our unique approach: good books doing good thingsTM. Were passionate about discovering the next generation of well-loved Australian authors, and nurturing their writing careers. Weve also given our business a strong profits for philanthropy foundation, focussed on literacy, quality writing, the joys of reading and fostering debate.

Let me mention one program were thrilled to support: Lets Read. Its already helping 100,000 pre-schoolers across Australia develop a love of books and the building blocks for learning how to read and write. Were excited that Lets Read now also operates in remote Indigenous communities in Far North Queensland, Cape York, and Torres Strait. Lets Read was developed by the Centre for Community Child Health and is being implemented in partnership with The Smith Family.

Simply buying this book will help us support these kids. Thank you.

Want to do more? If you visit www.PanteraPress.com/Donate you can personally donate to help The Smith Family expand Lets Read, find out more about this great program, and also more on the other programs Pantera Press supports.

Please enjoy A Decline in Prophets.

And for news about our other books, sample chapters, author interviews and much more, please visit our website: www.PanteraPress.com

Happy reading,

Alison Green

First published in 2011 by Pantera Press Pty Limited wwwPanteraPresscom Text - photo 2

First published in 2011 by Pantera Press Pty Limited wwwPanteraPresscom Text - photo 3
First published in 2011 by Pantera Press Pty Limited
www.PanteraPress.com

Text Copyright Sulari Gentill, 2011
Sulari Gentill has asserted her moral rights to be identified as the author of this work.

Design and Typography Copyright Pantera Press Pty Limited, 2011
PanteraPress, three-slashes colophon device, and good books doing good things are trademarks of Pantera Press Pty Limited

This book is copyright, and all rights are reserved.
We welcome your support of the authors rights, so please only buy authorised editions.

This is a work of fiction, though it is based on some real events. Names, characters, organisations, dialogue and incidents are either products of the authors imagination or are used fictitiously, and any resemblance to actual people, living or dead, firms, events or locales is coincidental.

Without the publishers prior written permission, and without limiting the rights reserved under copyright, none of this book may be scanned, reproduced, stored in, uploaded to or introduced into a retrieval or distribution system, including the internet, or transmitted, copied or made available in any form or by any means (including digital, electronic, mechanical, photocopying, sound or audio recording, and text-to-voice). This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent recipient.

Please send all permission queries to:
Pantera Press, P.O. Box 1989 Neutral Bay. NSW Australia 2089 or

A Cataloguing-in-Publication entry for this book is available from the National Library of Australia.

ISBN 978-0-9807418-9-6
eBook ISBN 978-1-9219970-1-3

Cover and internal design: Luke Causby, Blue Cork
Front cover image: Getty Images, Hulton Archive [#JE2886-001]
Back cover image: Getty Images, Hulton Archive [#JC8953-001]
Typesetting by Kirby Jones
Printed and bound in Australia by McPhersons Printing Group
Author Photo by J.C. Henry, Lime Photography

Pantera Press policy is to use papers that are natural, renewable and recyclable products made from wood grown in sustainable forests. The logging and manufacturing processes are expected to conform to the environmental regulations of the country of origin.

To all the prophets and profiteers I have known.

Prologue

DEATH WORE A DINNER SUIT

H is manners were perfect. Murder made sophisticated conversation while dancing the quickstep. He was light on his feet.

Annie Besant shuddered and closed her eyes. How clearly she saw the spreading crimson stain on the starched white dress shirt. That much was revealed but no more. She surveyed the room. So many immaculately tailored menall dashing, some charming, at least one was dangerous.

An old woman now, her celebrated clairvoyance was not what it once had been. The foresight was vague, useless for anything but tormenting her with a premonition of violence. The feeling was furtive, an occasional glimpse of a deep predatory darkness that lurked amongst the gaiety and cultured frivolity of the floating palace. A cold creeping certainty that one of the elegant gentlemen who gathered to dine, intended to kill.

1

RMS AQUITANIA

The RMS Aquitania is like an English country house Its great rooms are perfect - photo 4

The RMS Aquitania is like an English country house. Its great rooms are perfect replicas of the fine salons and handsome apartments that one finds in the best of old English manor halls. The decorations are too restrained ever to be oppressive in their magnificence. There is no effort to create an atmosphere of feverish gaiety by means of ornate and colourful furnishings. The ship breathes an air of elegance that is very gratifying to the type of people that are her passengers.

The Cunard Steam Ship Company Ltd

I t was undeniably a civilised way to travel particularly for fugitives.

Overhead, crystal chandeliers moved almost imperceptibly with the gentle sway of the ship. If the scene over which they hung had been silent, one may have noticed the faint tinkle of the hand-cut prisms as they made contact. As it was, however, the Louis XVI Restaurant was busy, ringing with polite repartee and refined laughter as the orchestra played an unobtrusive score from the upper balcony.

The tables in the dining room were round, laid with crisp white linen and a full array of cutlery in polished silver. Each sat twelve, the parties carefully chosen from amongst the first class passengers of the transatlantic liner. Waiters wove efficiently and subtly through the hall. Though neither as large nor as fast as the newer ships in the Cunard Line, the RMS Aquitania boasted a luxury and opulence that was unsurpassed. Her passengers cared less about arriving first than they did about doing so in the most elegant manner possible.

Rowland Sinclair, of Woollahra, Sydney, hooked his walking stick over the back of his chair before he sat down. He dragged a hand through his dark hair, irritated with the inordinately long time it seemed to be taking his leg to heal. It had been over seven months now since Edna had shot him. Early in the mornings the limp was negligible, but after a day contending with the constant roll of the deck, the damaged muscles in his thigh ached and he relied on the stick.

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