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Michael Thelwell - Duties, pleasures, and conflicts: essays in struggle

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    Duties, pleasures, and conflicts: essays in struggle
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title Duties Pleasures and Conflicts Essays in Struggle author - photo 1

title:Duties, Pleasures, and Conflicts : Essays in Struggle
author:Thelwell, Michael.
publisher:University of Massachusetts Press
isbn10 | asin:0870235230
print isbn13:9780870235238
ebook isbn13:9780585221137
language:English
subjectAfrican Americans--Civil rights, African Americans--Fiction, United States--Race relations.
publication date:1987
lcc:E185.615.T49 1987eb
ddc:973/.0496073
subject:African Americans--Civil rights, African Americans--Fiction, United States--Race relations.
Page iii
Duties, Pleasures, and Conflicts
Essays in Struggle
Michael Thelwell
Introduction by James Baldwin
Page iv New material copyright 1987 by The University of Massachusetts - photo 2
Page iv
New material copyright 1987 by The University of Massachusetts Press
All rights reserved
Printed in the United States of America
Set in Linoterm Sabon
Printed by Cushing-Malloy and bound by John Dekker & Sons
Library of Congress Cataloging-in-Publication Data will be found on the last printed page.
Chapters in the present work first appeared in the following publications:
Picture 3
"The Organizer" in Story: The Yearbook of Discovery 1968, edited by Whit and Hallie Burnett (New York: Four Winds Press, 1968). Copyright 1968 by Scholastic Magazine, Inc.
Picture 4
"Bright an' Mownin' Star (1)" in Massachusetts Review 7, no. 4 (1966). Copyright 1966 by The Massachusetts Review.
Picture 5
"Bright an' Mownin' Star (2)" in Okike: An African Journal of New Writing, no. 6 (December 1974), ed. Chinua Achebe. Copyright 1974 Okike Magazine.
Picture 6
"The August 28th March on Washington" in Prsence Africaine 21, no. 49 (1964). Copyright 1964 by Prsence Africaine, Paris.
Picture 7
"Fish Are Jumping an' the Cotton Is High" in Massachusetts Review 7, no. 2 (1966). Copyright 1966 by The Massachusetts Review.
Picture 8
"The Politics of Necessity and Survival in Mississippi" was published in two parts in Freedomways 6, nos. 2 and 3 (1966). Copyright 1966 by Freedomways Association, Inc.
Picture 9
"Toward Black Liberation" in Massachusetts Review 7, no. 4 (1966). Copyright 1966 by SNCC. Reprinted by permission of The Massachusetts Review.
Picture 10
"Negroes with Guns," as "Black Studies and White Universities," in Ramparts 7, no. 12 (May 1969).
Picture 11
"Black Studies: A Political Perspective" in Massachusetts Review 10, no. 4 (1969). Copyright 1969 by The Massachusetts Review.
Picture 12
"James Baldwin: Native Alien" in Motive Magazine 24, no. 8 (1964). Copyright 1964 by the Board of Education of the Methodist Church.
Picture 13
"Baldwin's New York Novel" in The Black American Writer: Fiction (London: Everett/Edwards, 1969). Copyright 1969 by Everett/Edwards, Inc.
Picture 14
"Mr. William Styron and the Reverend Turner" in Massachusetts Review 9, no. 1 (1968). Copyright 1968 by The Massachusetts Review.
Picture 15
"The Turner Thesis" in Partisan Review 35, no. 3 (1968). Copyright 1968 by The Partisan Review.
Picture 16
An earlier version of the first two letters of "Contra Naipaul" was first published in The New York Times Book Review, June 24, 1979, copyright 1979 by The New York Times Company. Reprinted by permission.
Picture 17
"The Gods Had Perished" was published as the introduction to Amos Tutuola, The Palm-Wine Drinkard (New York: Grove Press, 1980); copyright 1980 by Grove Press.
Picture 18
"Modernist Fallacies and the Responsibilities of the Black Writer" was first published by the Institute for Advanced Study of the Humanities, University of Massachusetts, Amherst. Copyright 1983 by Michael Thelwell.
Page v
For Roberta, Chinua and Mikiko
and
in memory of
Ralph Featherstone
David M. Sibeko
Walter Rodney
Three of the most principled and
committed black men of my generation.
Among the most effective and admirable of us,
they were murdered in the struggle.
Page vii
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