A VOICE is your first passport. You reach people with whatever noise you find effective. Then come the words that glom you to your listener like an invisible umbilical cord, each word a scramble with its own history that you throw like dice into the lakebut this is Mark Lanegans lake and each time the songs writhe in the water you hear the light and the darkness that illuminate him. When reading Marks lyrical thoughts, its impossible for a person to tune out the voice that burrows deep inside. Of course, separation is possible, but an unnecessary step to understand the infinite stages of soul-searching crafted within the penned thoughts of raging gentility that is Mark Lanegan. There is darkness here for sure, but it is a mark of toleration.
As someone who has tolerated an affection for darkness there is his own unique need to be educated by itshow me how many levels of dark you have and we can codify them for our conversation and admire them for their variety. This education is not a way of explaining your devils away. It is the reflection of how we care for pain. It is not there to punish us for our history of carelessness, but to illuminate the debris of our affections. Singing has this way of illuminating the debriswe breathe out the melodies that we are allowed to inhaleas if a calculus of our breathing is a prerequisite for listening. We breathe as we listen.
Those who listen and those who sing are grateful for these corners to look around. J OHN C ALE Los Angeles, February 2017
W HEN LOOKING at Mark Lanegans lyric poems you see just how quick and willing he is to throw himself under the bus. Quick and willing but with an almost delicate resignation, as if under the bus is his natural resting place. Under the bus is home. Reading these lyric poemsa lifes workyou start to feel as if youre watching a time lapse of darkening weather. The storms come in and the storms go out and sometimes they rage, but in the end were becalmed.
And theres Mark, sitting in his formerly drunken boat, a wry smile on his face. Good, have I done good? You want to say, Yes, youve done good. Even Jesus with his little starry crown probably thinks so. Through the waves of darkness and the literal and metaphoric bottoming out there exists a sweetness, a kindness for the reader and the listenerand sometimes even for the writer/singer. But usually the self-directed mercy is strained, as if the writers shortcomings are beyond forgiveness. He came in this world aloneSpent all his time aloneHe left this life alone Again, Jesus. He came in this world aloneSpent all his time aloneHe left this life alone Again, Jesus.
But the writer/singer, too. Marks Jesus, and the Jesus and writer/singer of Leonard Cohens Suzanne. A baffled, existential Jesus, showing up as us, staring into the void, and going quietly and sadly into the good night. This lifetime of work ages, just as the writer/singer ages. By the end of this collection some of the rage has abated, some of the violence softened. The stars and the moonArent where theyre supposed to be And theres that other through line: liquor and drugs. The stars and the moonArent where theyre supposed to be And theres that other through line: liquor and drugs.
This is how Mark and I met, at an event for people whod ended up loving liquor and drugs a bit too much. When youve been at the bottom you end up humbled. And humiliated, broken by the choice between delusion and sickness and death or honesty and humility and some type of life. Mark has chosen honesty and humility and some type of life, and the honesty and the humility inform all of these words and songs. You dont love meWhats to love, anyway? The cry of the broken, as if to say, Why would I bother to live? Life is wasted on me. But somehow, strangely, we end up alive when our betters are long dead.
Every addict has woken up at some point and thought, nonplussed and disappointed, Why am I still alive? But were alive. Oddly. Somehow. And as we come back to some semblance of sanity and life we always remember our debasements and horrors and viciousness and fear. And it informs everything we are and end up being. Hopefully.
But underneath theres still the self-doubt, the plague of the knowledge that were lesser than. My favorite lines in Marks lyric poem book are these: Im sorryIm sorryIm sorry Its what we say to everyone. To ourselves. To the people who raised us. To the people whove loved us. Im sorry And through these beautiful words theres honesty and grace and humility and even some libido. Im sorry And through these beautiful words theres honesty and grace and humility and even some libido.
But underneath is that sweet refrain. Im sorry We couldve done better. We couldve been better. Were sorry. My sin is done, and it wont be forgiven But it will, it has, and somehow, somewhere we know the truth of that.
T HIS BOOK is a collection of song lyrics.
T HIS BOOK is a collection of song lyrics.
When I was a kid, music, books, and films were my saviors, but I never thought I would actually play or write anything myself like most things in life I fell into it by accident and at first the only motivation for being creative was an intense, restless dissatisfaction in the way I felt and an attempt to change it. The reason I pumped gas at Texaco, cleaned restrooms, washed dishes and cooked breakfast at truck stops, repossessed TVs and appliances, moved furniture, painted houses, sold drugs, used drugs, tried to join the circus, tried to join the army, drank alcohol until blackout time after time, got into confrontations with strangers over real or imagined slights, entered into countless doomed and dysfunctional relationships, stole things, sold things I stole, had sex wherever possible, and walked a seemingly endless nonsensical parade acting out in either secretive or public ways was the same reason I joined a band. The opportunity presented itself, I said yes, and then sometimes quickly, sometimes slowly, and on many occasions painfully, I learned how to do it. Ive never been very smart, just lucky. M ARK L ANEGAN