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Bohn - Reading Visual Poetry

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Reading Visual Poetry examines works created in Spain, Latin America, France, Italy, Brazil, and the United States. Besides explicating individual works, it investigates the dynamics involved in reading (and viewing) visual poetry.

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Acknowledgments

M OST OF CHAPTER 4 WAS WRITTEN IN ENGLAND DURING THE FIRST three months of 2008. I would like to thank the Institute of Advanced Study, Durham University, for awarding me a distinguished research fellowship. I am grateful as well to the Wolfsonian Museum, Florida International University, for a visiting research fellowship in 2005 that enabled me to conduct preliminary research for chapter 5. Thanks also to Eduardo Kac for permission to reproduce three images in chapter 7. Earlier versions of several sections appeared in the following publications and are reprinted with their kind permission: Three Spanish Ultraist Poets, Revue des Littratures del lUnion Europen, no. 8 (December 2008), 1327; Visual Poetry in France after Apollinaire, Insights 1, no. 9 (2008), 213; Exploring the Concrete Labyrinth, CiberLetras, no. 17 (July 2007), n.p.; Breton et les faux-monnayeurs, Mlusine: Cahiers du Centre deRecherche sur le Surralisme 26 (2006), 22328; and The Poetics of Flight: Futurist Aeropoesia, MLN 121, no. 1 (January 2006), 20724.

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