• Complain

Elliott Jasmine - Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist

Here you can read online Elliott Jasmine - Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Sandy;Bedfordshire, year: 2018, publisher: Red Wheel Weiser;Fiction & Feeling, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Elliott Jasmine Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist
  • Book:
    Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist
  • Author:
  • Publisher:
    Red Wheel Weiser;Fiction & Feeling
  • Genre:
  • Year:
    2018
  • City:
    Sandy;Bedfordshire
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

A fierce and voluble refutation of the patriarchy and its soul-crushing oppression of female power. These writers make clear that as witches, femmes, and queers, they will use their own strength, ingenious rituals, beauty routines, and spells to rise above and beyond the limits of racism/classism and objectifications set by a male-dominated society. While bound by a thread of magic, these are inspiring feminist writings for readers of feminist literature, however identified. Library Journal

Edgy and often deeply personal, the twenty-one essays collected here come from a wide variety of writers. Some identify as witches, others identify as writers, musicians, game developers, or artists. What they have in common is that theyve created personal rituals to summon their own power in a world that would prefer them powerless. Here, they share the rituals they use to resist self-doubt, grief, and depression in the face of sexism, slut shaming, racism,...

Elliott Jasmine: author's other books


Who wrote Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist? Find out the surname, the name of the author of the book and a list of all author's works by series.

Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

This edition first published in 2019 by Weiser Books an imprint of Red - photo 1

This edition first published in 2019 by Weiser Books an imprint of Red - photo 2

This edition first published in 2019 by Weiser Books, an imprint of
Red Wheel/Weiser, LLC
With offices at:
65 Parker Street, Suite 7
Newburyport, MA 01950
www.redwheelweiser.com

Copyright 2018, 2019 by Katie West and Jasmine Elliott

Foreword copyright 2019 by Kristen J. Solle

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from Red Wheel/Weiser, LLC. Reviewers may quote brief passages. Previously published in 2018 by Fiction & Feeling Limited, ISBN: 978-0-9957164-3-8.

The authors within this publication retain copyright for their work.

Unfuckable 2018 Cara Ellison

Trash-Magic: Signs & Rituals for the Unwanted 2018 Maranda Elizabeth

Uncensoring My Ugliness 2018 Laura Mandanas

Femme as in Fuck You: Fucking with the Patriarchy One Lipstick Application at a Time 2018 Catherine Hernandez

Before I Was a Woman, I Was a Witch 2018 Avery Edison

Undressing My Heart 2018 Gabriela Herstik

Garden 2018 Marguerite Bennett

Reddit, Retin-A, and Resistance: An Alchemist's Guide to Skincare 2018 Sam Maggs

The Future is Coming for You 2018 Deb Chachra

My Witch's Sabbath of Short Skirts, Long Kisses, and BDSM 2018 Mey Rude

Buzzcut Season 2018 Larissa Pham

The Harpy 2018 Meredith Yayanos

Fingertips 2018 merritt k

Red Glitter 2018 Sophie Saint Thomas

Touching Pennies, Painting Nails 2018 Sim Bajwa

Ritual in Darkness 2018 Kim Boekbinder

Gayuma 2018 Sara David

Pushing Beauty Up Through the Cracks 2018 Katelan Foisy

Ritualising My Humanity 2018 J. A. Micheline

Simulating Control 2018 Nora Khan

I Am, Myself, a Body of Water 2018 Leigh Alexander

ISBN: 978-1-57863-670-9

Library of Congress Cataloging-in-Publication Data available upon request.

Cover design by Kathryn Sky-Peck

Interior by Katie West

Typeset in Fanwood and Weiss

Printed in Canada

MAR

10 9 8 7 6 5 4 3 2 1

www.redwheelweiser.com/newsletter

Contents
Foreword

If the broom
fits witch it
is time to
ride it
act up
resist

the Yerbamala Collective

What does it mean to resist? When resist is the slogan of a multibillion-dollar political machine. When #resist is a viral meme. When resist is printed on shirts and hats and stickers you get for joining the right email list, and resistance has been co-opted by the very systems you're trying to resist?

In Becoming Dangerous, witchy femmes, queer conjurers, and magical rebels offer answers. Through twenty-one wildly different essays, the authors lay bare their prismatic perspectives on what it means to challenge the social, political, and cultural forces that seek to marginalize and erase them. Rituals of reclamation. Aesthetic spellcraft. Tapping into the earth for answers. Cracking open your ancestral powers. These are their routes to redemption, the way these writers summon the strength to resist.

Now more than ever, witches, occultists, and magicians are joining the magical resistance. Healing circles for survivors, mass hexes against fascists and abusers, and collective protection spells are proliferating. The pervasive notion that the political and the spiritual are contradictory is slowly being dispelled.

When I started teaching my college course, The Legacy of The Witch, at the New School five years ago, incorporating social justice into discussions about witchcraft seemed novel to the students taking the class. Fascinating, yes, but removed from reality, they'd say. They perceived the political realm as devoid of grace and of magic. They understood witchcraft to be all aesthetic and no action. But every year since then, as the American government has doubled down on exclusionary, punitive, and oppressive policies, my students arrive more and more primed to view the necessity of studying the two in tandem. Many even come to the table well-versed in both subjects, already part of magical communities putting on their own protests and using ritual as intimate parts of their own acts of resistance.

When studying witchcraft and social justice movements of the past and present, cyclical patterns emerge. As a fraught political climate simmers and comes to a roil, the occult is often the next mode of defense, of reproach. This holds today as much as it did in the age of second wave feminism and neopaganism, and in the time of suffragists and Spiritualism. Historically, many of the greatest acts of resistance have been informed by spiritual practice. And some of the most nourishing spiritual practices have been borne within society's stifling political strictures, like so many buds finally bursting through fallow soil.

In 1843, Isabella Baumfree received an otherworldly call to serve. She christened herself Sojourner Truth. She traversed the country to share and teach and extemporize about womanhood and inequity and the painful realities of racism and sexism that were tearing America apart. Truth, a former slave, was a devout Christian. By today's standards, she was much more. Historian Nell Irvin Painter argues that Truth's syncretic spiritual practice, a mix of West African animistic beliefs, American folk magic, and Dutch Calvinism and Methodism makes her a witch in the contemporary sense of the word. Her rituals were public, massive and mesmeric, drawing hundreds hypnotized by her impassioned oratory as she planted the seeds that would later bloom into Womanism and Intersectionality.

In 1974, a community of lesbians in Wolf Creek, Oregon birthed Womanspirit, the first quarterly magazine dedicated to both spirituality and feminism. In the midst of the women's liberation movement, these women were frustrated with the limitations of patriarchal religion but didn't want to eschew spirituality altogether. They took the formation of consciousness-raising groups that were central to early feminism and saw the magic inherent within such sharing circles. Feminism tells us to trust ourselves, wrote Jean Mountaingrove, one of the founders of Womanspirit. We began to trust our own feelings, we began to believe in our own orgasms. These were the first things. Now we are beginning to have spiritual experiences and, for the first time in thousands of years, we trust it.

In 2017, an anonymous group of anti-fascist witches joined together to hex the white supremacist capitalist heteropatriarchy. Under the Yerbamala Collective moniker, this amorphous cadre of activists released free, downloadable zines and spellbooks decrying racism, sexism, transphobia, Islamophobia, and, above all, complacency. Complacency is anti-magic, one poem of theirs declares. Witches of all genders ride now.

The Yerbamala Collective is a purposefully porous group of witches so numerous you might as well call us the stars, a member told Janus Kopfstein in an interview published on Medium. We are everywhere, behind every fascist, waiting for the fist to be our own. We started as a conversation between friends, which spread to other friends around the country. We covened together in the encrypted byways of the internet to form our first response and rally cry... We are claiming our righteous anger and using that too as a fuel. This fight will take so much away from us. It's important we remember who we are: divine beings with divine power.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist»

Look at similar books to Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist»

Discussion, reviews of the book Becoming dangerous: witchy femmes, queer conjurers, and magical rebels on summoning the power to resist and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.