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Sam Schrager - The Trial Lawyers Art

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title The Trial Lawyers Art author SchragerSamuel Alan - photo 1

title:The Trial Lawyer's Art
author:Schrager,Samuel Alan.
publisher:Temple University Press
isbn10 | asin:1566397995
print isbn13:9781566397995
ebook isbn13:9780585365169
language:English
subjectTrial practice--United States, Forensic oratory, Persuasion(Rhetoric).
publication date:1999
lcc:KF8915.S263 1999eb
ddc:347.73/75
subject:Trial practice--United States, Forensic oratory, Persuasion(Rhetoric).
Page iii
The Trial Lawyer's Art
Sam Schrager
Page iv Temple University Press Philadelphia 19122 Copyright 1999 by - photo 2
Page iv
Temple University Press, Philadelphia 19122
Copyright 1999 by Temple University.
All rights reserved
Published 1999
Printed in the United States of America
Text design by Gary Gore
Picture 3 The paper used in this publication meets the requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984
Poem on page 36: From SHAKER, WHY DON'T YOU SING by Maya Angelou. Copyright 1983 by Maya Angelou. Reprinted by permission of Random House, Inc.
Library of Congress Cataloging-in-Publication Data
Schrager, Samuel Alan.
The trial lawyer's art / Sam Schrager.
p. cm.
Includes bibliographical references and index.
ISBN 1-56639-673-5 (cloth : alk. paper)
1. Trial practiceUnited States. 2. Forensic oratory.
3. Persuasion (Rhetoric). I. Title.
KF8915.S263 1999
347.73'75dc21 98-39076
Page v
In memory of Bill and Perle Schrager
Page vii
Picture 4
We have heard talk of justice. Is there anybody who knows what justice is? No one on earth can measure out justice. Can you look at any man and say what he deserveswhether he deserves hanging by the neck until dead or life in prison or thirty days in prison or a medal?
Clarence Darrow
Picture 5
Our activity, then, is largely concerned with moral matters, but as performers we do not have a moral concern with them. As performers we are merchants of morality.
Erving Goffman
Page ix
Contents
Acknowledgments
xi
Introduction: A Storytelling Craft
1
1. Drama
17
Picture 6
Two Decisive Hours
18
Picture 7
Momentum
25
Picture 8
Nailing Things Down
31
2. Style
39
Picture 9
The Trial
38
Picture 10
Poetics of Identification
64
Picture 11
Repertoires
69
Picture 12
Strains in Performance
78
Interlude: A Legendary Lawyer
89
3. Identity
102
Picture 13
Sources of Emotion
104
Picture 14
Local Inflections
117
Picture 15
Gendered Plotlines
133
Picture 16
A Mix of Class, Gender, and Race
143
4. Deception and Truth
174
Picture 17
The Client
175
Picture 18
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