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Laux - The book of men: poems

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Laux The book of men: poems
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    The book of men: poems
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A collection of poems by Dorianne Laux that explore themes related to love, war, and urban culture.

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THE BOOK OF MEN
ALSO BY DORIANNE LAUX
Facts About the Moon Awake What We Carry Smoke The Poets Companion:
A Guide to the Pleasures of Writing Poetry
(with Kim Addonizio)
THE BOOK OF MEN
Poems
Dorianne Laux
Picture 1
W. W. NORTON & COMPANY
New York London Copyright 2011 by Dorianne Laux All rights reserved For information about permission to reproduce selections from this book, write to Permissions, W. W. Norton & Company, Inc.,
500 Fifth Avenue, New York, NY 10110 Library of Congress Cataloging-in-Publication Data Laux, Dorianne.
The book of men : poems / Dorianne Laux. cm.
ISBN: 978-0-393-08091-9
I. cm.
ISBN: 978-0-393-08091-9
I.

Title.
PS3562.A8455B66 2011
811'.54dc22 2010037722 W. W. Norton & Company, Inc.
500 Fifth Avenue, New York, N.Y. 10110
www.wwnorton.com W. W. Norton & Company Ltd.
Castle House, 75/76 Wells Street, London W1T 3QT 2 3 4 5 6 7 8 9 0 for Philip Levine To pass among them, or touch any one, or rest my arm ever so lightly round his or her neck for a momentwhat is this, then? WALT WHITMAN

THE BOOK OF MEN
CONTENTS
ONE
STAFF SGT.

METZ

Metz is alive for now, standing in line at the airport Starbucks in his camo gear and buzz cut, his beautiful new camel-colored suede boots. His hands are thick-veined. The good blood still flows through, given an extra surge when he slurps his latte, a fleck of foam caught on his bottom lip. I can see into the canal in his right ear, a narrow darkness spiraling deep inside his head toward the place of dreaming and fractions, ponds of quiet thought. In the sixties my brother left for Vietnam, a war no one understood, and I hated him for it. When my boyfriend was drafted I made a vow to write a letter every day, and then broke it.

I was a girl torn between love and the idea of love. I burned their letters in the metal trash bin behind the broken fence. It was the summer of love and I wore nothing under my cotton vest, my Mexican skirt. I see Metz later, outside baggage claim, hunched over a cigarette, mumbling into his cell phone. Hes more real to me now than my brother was to me then, his big eyes darting from car to car as they pass. I watch him breathe into his hands.

I dont believe in anything anymore: god, country, money or love. All that matters to me now is his life, the body so perfectly made, mysterious in its workings, its oiled and moving parts, the whole of him standing up and raising one arm to hail a bus, his legs pulling him forward, all muscle and sinew and living gristle, the countless bones of his foot trapped in his boot, stepping off the red curb.

A SHORT HISTORY OF THE APPLE
The crunch is the thing, a certain joy in crashing through living tissue, a memory of Neanderthal days. EDWARD BUNYARD , The Anatomy of Dessert, 1929
Teeth at the skin. Anticipation. Then flesh.

Grain on the tongue. Eves knees ground in the dirt of paradise. Newton watching gravity happen. The history of apples in each starry core, every papery chambers bright bitter seed. Woody stem an infant tree. William Tell and his lucky arrow.

Orchards of the Fertile Crescent. Bushels. Fire blight. Scab and powdery mildew. Cedar apple rust. The apple endures.

Born of the wild rose, of crab ancestors. The first pip raised in Kazakhstan. Snow White with poison on her lips. The buried blades of Halloween. Budding and grafting. John Chapman in his tin pot hat.

Oh Westward Expansion. Apple pie. American as. Hard cider. Winter banana. O eat. O eat.

BAKERSFIELD, 1969
I used to visit a boy in Bakersfield, hitchhike to the San Diego terminal and ride the bus for hours through the sun-blasted San Fernando Valley just to sit on his fold-down bed in a trailer parked in the side yard of his parents house, drinking Southern Comfort from a plastic cup.
BAKERSFIELD, 1969
I used to visit a boy in Bakersfield, hitchhike to the San Diego terminal and ride the bus for hours through the sun-blasted San Fernando Valley just to sit on his fold-down bed in a trailer parked in the side yard of his parents house, drinking Southern Comfort from a plastic cup.

His brother was a sessions man for Taj Mahal, and he played guitar, too, picked at it like a scab. Once his mother knocked on the tin door to ask us in for dinner. She watched me from the sides of her eyes while I ate. When I offered to wash the dishes she told me she wouldnt stand her son being taken advantage of. I said I had no intention of taking anything and set the last dish carefully in the rack. He was a bit slow, like hed been hit hard on the back of the head, but nothing dramatic.

We didnt talk much anyway, just drank and smoked and fucked and slept through the ferocious heat. I found a photograph he took of me getting back on the bus or maybe stepping off into his arms. Im wearing jeans with studs punched into the cuffs, a T-shirt with stars on the sleeves, a pair of stolen bowling shoes and a purse I made while I was in the loony bin, wobbly Xs embroidered on burlap with gaudy orange yarn. I dont remember how we met. When I look at this picture I think I might not even remember this boy if he hadnt taken it and given it to me, written his name under mine on the back. I stopped seeing him after that thing with his mother.

I didnt know I didnt know anything yet. I liked him. Thats what I remember. That, and the I-dont-know-what degree heat that rubbed up against the trailers metal sides, steamed in through the cracks between the door and porthole windows, pressed down on us from the ceiling and seeped through the floor, crushing us into the damp sheets. How we endured it, sweat streaming down our naked bodies, the air sucked from our lungs as we slept. Taj Mahal says If you aint scared, you aint right .

Back then I was scared most of the time. But I acted tough, like I knew every street. What I liked about him was that he wasnt acting. Even his sweat tasted sweet.

LATE-NIGHT TV
Again the insomnia of August, a night sky buffed by the heat, the air so still a ringing phone three blocks away sings through the fans slow moving blades. The sleeping cat at the foot of the bed twitches in a pool of dusty sheets, her fur malt-colored, electric.

Time to rub the shoulders tight knots out with a thumb, flip on the TV, watch a man douse a white blouse with ink before dipping that sad sleeve into a clear bucket. What cup of love poured him into this world? Did his mother touch her lips to his womb-battered crown and inhale his scent? Did his new father lift him and name him? He was fed, clothed, taught to talk. Someone must have picked him up each time he wobbled and fell. There might have been a desk, a history book, pencils in a box, a succession of wheeled toys. By what back road did he travel to this late-night station? By what imperceptible set of circumstances does he arrive in my bedroom on a summer night, pinching a shirt collar between his fingers, his own invention locked in a blue box, a rainbow slashed across it? Somewhere in the universe is a palace where each of us is imprinted with a map, the one path seared into the circuits of our brains. It signals us to turn left at the green light, right at the dead tree.

We know nothing of how it all works, how we end up in one bed or another, speak one language instead of the others, what heat draws us to our lifes work or keeps us from a dream until its nothing but a blister we scratch in our sleep. His voice is soothing, his teeth crooked, his arms strong and smooth below rolled-up cuffs. I have the power to make him disappear with one touch, though if I do the darkness will swallow me, drown me. Time to settle back against the pillows and gaze deeply into the excitement welling in his eyes. Its a miracle , he whispers as the burnt moon slips across the sky.

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