Seasonal Suicide Notes is the funniest book of the year. This is comedy of a rare quality. Lewis is a seriously funny man. Graham Ball, The Sunday Express
Seasonal Suicide Notes is the most brilliantly funny and genuinely thought-provoking book of the year. Along with the lunatic jokes and napalm-coated insults, it is also a savage but cogent todays literary world, puffed up to bursting with hype and spin, toadies and timeservers, networkers and overnight geniuses, Roger Lewis is a much needed prick. Christopher Hart, The Sunday Times
This is one of the strangest books you will ever read. It is also the funniest. And the most reckless Buy the book, and be grateful you dont live next door. Byron Rogers, The Spectator
If they ever award gold medals for comic genius, Roger Lewis will be a shoo-in for gold. This brief but hilarious memoir really should come with a health warning. Reading it may result in dislocation of the funny bone. If you like the taste of acid drops then give yourself a treat. Simon Griffith, The Mail on Sunday
I cannot think of anyone I love or admire who would not enjoy receiving and reading this book. Its dark, savage, scabrous and enraged. A bilious hymn of hate against everything wrong with modern life, it is also the funniest, truest, most engaging thing Ive read all year. Lewis is the drinking companion we all wish we had and reading this book you get the delicious sense that its you and him against the world. Michael Gove, The Times
Beautifully crafted both funny and oddly cheering. Roland White, The Sunday Times Comedy Book of the Year
I suppose if you are not the target of Lewiss abuse, you may find it even more amusing than if you are, which is saying something. Simon Grays diaries may have found a successor. Philip Hensher, The Spectator Book of the Year
These sulphorous annual round robin letters are not just cry-makingly funny and profane: there are also arresting insights into art, literature and life. there are flashes of beautiful seriousness and the comedy is exquisitely well-observed. Sinclair McKay, The Daily Telegraph
A brilliantly splenetic diatribe Lewis rages against everything. And an accomplished and funny job he makes of it, too. Virginia Blackburn, The Daily Express
You cant help but be sucked into the world of writer Roger Lewis. Seasonal Suicide Notes is, by turns, funny, tragic, tender and vicious The combination of bile and self-knowledge is what gives it its comic edge. Stephen Moss, The Guardian
Lewis is a five-star malcontent. His book is therefore killingly funny the humour is the blackest, but ai also finds room for a subtler, more wanly moving sense of the absurdity of life. Lewis knows what he is about as a writer. Sam Leith, The Daily Mail
Ironically, Roger Lewiss dyspeptic chronicle of a disenchanted soul is so sharply observant and deliriously funny that it makes you glad to be alive. Rupert Christiansen, The Daily Telegraph
Hilariously angry Hilariously rude Yet here is the odd thing there is something strangely cheering and life-affirming about it all. Terence Blacker, The Independent
For
Gyles B., Duncan F., Steve M., and Francis W.
who laugh at my jokes
Previous Orchidaceae
Rewards and Fairies an edition
Stage People a harlequinade
The Memoirs and Confessions of a Justified Sinner an introduction
The Life and Death of Peter Sellers an elegy
Charles Hawtrey: The Man Who Was Private Widdle a dirge
Anthony Burgess a Cubist portrait
Forthcoming
The Kill Fees Trilogy: Growing Up With Comedians on clowns Ratbags and Sleazeballs on women and men Get a Life! on the art and science of biography
Mister Jesus a gospel
When I Was Young and Twenty and I Had a Dainty Quim madrigals
Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see because I do not happen to be a Somebody why my diary should not be interesting The Diary of a Nobody, by George and Weedon Grossmith, London, 1892
Did I have a serious side? Both sides of me are serious. Its pretty serious finding whats funny. You know when I was most serious? When I laughed at myself. Mae West
The author and his father in their younger years
W HO KILLED R OGER L EWIS ? Nick Prescott round and we drank my fathers whisky cupboard dry. (Scotch he d been given free by customers and farmers.) But the prevailing attitude remained if I thought myself so high and mighty and unlikely to be fulfilled standing behind the counter of a butchers shop, then what I had dinned into me was, You made your bed. You lie in it. I had no encouragement, only cheap jeering. Or so I thought. Im probably wrong. I was and remain too fearful and sensitive. Why cant I remember that I had my two-grand Blackwells bill paid off? It was put through the accounts as combine harvester repairs. I still miss old Tog.
The only child in history whose role model was Uncle Quentin, the bad-tempered boffin from The Famous Five, I was an enormous success academically, because what other opportunities were going to come my way? (I wasnt so much of a success that I got frequently kidnapped, however which was Uncle Quentins fate.) But this the First, the prizes, the Oxford junior fellowship never to sit on a Committee or attend a Faculty Board Meeting. Other (still unbroken) vows included never in my life to set foot on a golf course or enter a McDonalds or KFC. But it was perfectly clear in the eighties doing English that if you possessed flash and dazzle, be a journalist.
It also didnt help that I was passionately interested in nutty actors, theatre, movies subjects that a quarter-of-century ago werent able to be studied at Oxford, where the syllabus stopped with Tennyson. Perhaps if Charles Hawtrey was a minor 17th-century figure instead of a mummer in the Carry Ons, Id have been invited to Balliol to conduct my research, but its too late now. Here and there polytechnics might have been starting up courses in media studies, but that wasnt going to be what I wanted to do either. I had a horror of impenetrable academic jargon, and I couldnt see why concision and liveliness were frowned upon why writing badly and boringly was a path to permanent tenure and financial security. So I took the risk and went to France and wrote The Life and Death of Peter Sellers, giving it all Id got; a headlong rococo text people are still coming to terms with, i.e, at 1,200 pages, possibly even now finishing. It did quite well mainly because daughters bought it for their old dads, whod laughed at The Goon Show and had heard of Harry Secombe. Few people saw that it wasnt a book about Peter Sellers it was a book about a person writing a book about Peter Sellers. Laurence Sterne died in 1768 exactly a century before the establishment of my fathers slaughterhouse concern incidentally and I wonder sometimes, crossly, swaggeringly and pompously, if in the meanwhile English literature has advanced a single inch.
If I missed the boat at university they started to want to give jobs to people who knew about Structuralism and Semiotics, things I thought were simply frightful balls; and my simple pleasure in language, paint and performance for their own sakes was considered quaint and old-fashioned, a throwback to the days of David Cecil and John Bayley then I next made the mistake, on returning from Normandy, of never living in London. If I was hiding away in the provinces, it was because I needed a big house for my money, which youd think wouldnt be a controversial decision, or one worth penalising. With three children I was requiring the Gentlemans Residence in Herefordshire, not a bijou former artisans cottage in Ealing or Wandsworth. But this has meant that I have never been part of the London literary clique. I am not an operator. I am part of no network. Sad mother Julie Myerson asked me only the other day, Is writing what you do full-time? Sorry, I probably ought to know this. Arseholes to you, then.
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