Nicola Griffith - Stay

PUBLISHED BY NAN A. TALESE

AN IMPRINT OF DOUBLEDAY

a division of Random House, Inc.

Broadway, New York, New York

Doubleday is a trademark of Doubleday, a division of Random House, Inc.

Book design by Terry Karydes

This novel is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Library of Congress

Cataloging-in-Publication Data

Griffith, Nicola.

Stay: a novel / Nicola Griffith.1st ed.

p cm

PoliceGeorgiaAtlantaFiction. 2 Atlanta

(Ga.)Fiction. 3 PolicewomenFiction.

. LesbiansFiction I. Title.

PS3557.R48935 S73 2002

813'.54dc21 2001052474

ISBN 0-385-50300-8

Copyright 2002 by Nicola Griffith

All Rights Reserved

PRINTED IN THE UNITED STATES OF AMERICA

L A R V A

larva (from larva, L. for ghost, or mask)

1. a disembodied spirit, or ghost (obs.)

2. immature insect, such as a caterpillar

in the grub or larval stage the insect is wingless, designed for environments and purposes that are quite different from those of the adult form

F rom the roof of my cabin I can see only forest, an endless canopy of pecan and hickory, ash and beech and sugar maple. Wind flows through the trees and down the mountain, and the clearing seems like nothing but a step in a great green waterfall. Even the freshly split shingles make me think of water. Cedar is an aromatic wood; warmed by the autumn sunlight of a late North Carolina afternoon, it smells ancient and exotic, like the spice-laden hold of a quinquereme of Nineveh. It would be easy to close my eyes and imagine a long ago ocean cut by oarswater whispering along the hull, the taste of spraybut theres no point. Theres no one to tell, no longer a Julia to listen.

Grief changes everything. Its a brutal metamorphosis. A caterpillar at least gets the time to spin a cocoon before its internal organs dissolve and its skin sloughs off. I had no warning: one minute Julia was walking down the street, sun shining on black hair and blue dress, the next she lay mewling in her own blood. The bullet wound was bigger than my fist. Then she was on a white bed in a white room, surrounded by rhythmically pumping machines. She lasted six days. Then she had a massive stroke. They turned the machines off. The technician stripped off his gloves, and grief stripped me raw.

I set the point of a roofing nail against a shingle, lifted my hammer, and swang. The steel bit through the cedar right on a hidden imperfection, and the shingle split. The hammer shook in my fist. I put it down and laid my hands on my thighs. The shaking got worse.

A plane droned over the forest, out of sight even though the sky was clear, a hard October blue. Birds sang; a squirrel shrieked. The droning note deepened abruptly, grew louder, and resolved into a laboring car engine. There was only one road. I didnt want anything to do with visitors.

The ladder creaked under my boots, but once on the turf I moved silently. Truck and trailer were locked, and the cabin did not yet have windows to break. I collected the most valuable of the hand toolsthe froe and drawing knife by the sawhorse, the foot adze and broadaxe by the sections of split cedarstowed them in the old hogpen, and walked into the forest.

Parts of the southern Appalachian forests have been growing uninterrupted for two hundred million years. Unlike the north, this area has never been scoured to its rock bones by glaciers. It has been a haven for every species, plant and animal, that has fled the tides of ice which creep across the continent every few thousand years: the ark from which the rest of the East is reseeded after the ice melts. A refuge, my refuge.

On my right, brilliant white-spotted orange puffballs bloomed from the horizontal trunk of some huge tree that had fallen so long ago it was impossible to identify. It was being absorbed back into the forest: carpenter ants and fungi broke down the cellulose; raccoons and possums lived in the cavities and salamanders in the shade; deer and wild pigs ate the mushrooms. When the whole thing collapsed into rotted punk, more microbes would turn it into rich soil from which a new tree would grow. I touched its mossy bark as I passed. This was the world I belonged to now, this one, where when a living thing died it fed others, where the scents were of mouse droppings and sap, not exhaust fumes and cordite, and the air hummed with insects rather than screams and the roar of flame.

Ninety feet over my head the canopy of ash and white bass-wood shivered in the constant mountain breeze; it was never quiet, not even at night. I stood for a while and just listened.

The sudden, rapid drumming of a plicated woodpecker echoed from the dense growth ahead. I pushed through fetter-bush and fern and skirted a tangle of dogwoods, trying to pin down the source. It drummed again. North.

I found it forty feet up a huge yellow buckeye on a stream bank orange with jewelweed: big as a crow, clamped onto the bark by its strange backward-and-forward claws, and braced against the tree with its tail. Its scarlet head crest flashed forward and back in an eight-inch arc, over and over, a black-and-red jackhammer, and almost as noisy. Wood chips and plates of bark as big as my hand showered the weeds. When it reached softer wood, its tongue went to work, probing for carpenter ants, licking them up like a child dipping her tongue in sugar. Perhaps woodpeckers developed an instinct for which trees were rotten with ants, the way a police officer can spot the criminal in a crowd. It was efficient and brutal. When it was done, it launched itself from the tree and disappeared downstream, leaving the remaining ants wandering about in the wreckage of their shattered community. I wondered if the bird ever gave any thought to those left behind. I never had.

I emerged from the jewelweed and sat on a boulder by the rushing stream. Damselflies hummed; a chipmunk chup-chup-chupped next to a fallen pecan; birds began their evening song. Tree shadow crept to the edge of the far bank, then across the water. I let it all pour through my head, emptying it.

When I stirred, it was twilight under the trees; in the valleys it would be full dark. If my visitors had been smart, they would have turned their lights on to drive back down the mountain. I stretched, then walked along the stream bank, savoring the cool scent of moss and mud, following its curve north until it met the trail that led south and west to my cabin.

Three hundred yards from the clearing there were no birds singing, no squirrels scuttling through the undergrowth. The long muscles in my arms and legs and down my back plumped and warmed as adrenaline dilated blood vessels. I flexed my hands, moved silently to the tree line.

Woods surround three quarters of the clearing, but the southern quarter falls down the mountain as a heath bald and, unhindered by trees, the last of the evening sun slanted over the grass and splashed gold on the windscreen of a dark blue Isuzu Trooper parked by the trailer. A man sat on the log by the fire pit, one leg crossed over the other, an unlabeled bottle by his foot. He was slight, with black hair long enough to hint at ringlets where it touched his collar, and although I couldnt see his eyes I knew what color they would be: Irish blue. He was whistling Kevin Barry through his teeth as though he might sit there forever.