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Moscovitch - Little one & other plays

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Moscovitch Little one & other plays

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Three one-act plays from acclaimed author Hannah Moscovitch.

Moscovitch: author's other books


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praise for Little One Moscovitchs wryly funny scary nuanced script is - photo 1

praise for Little One Moscovitchs wryly funny scary nuanced script is - photo 2
praise for Little One
"Moscovitch's wryly funny, scary, nuanced script is gripping from its first minutes... a haunting theatre hour about the nature of love." Jon Kaplan, NOW Magazine "A truly creepy little offering by the gifted playwright Moscovitch... it's a taut, insightful piece of writing." Robert Crew, The Toronto Star "Suburban horror brilliantly rendered... Moscovitch's splendidly creepy one-act work [is] witty, smart and insidious." Martin Morrow, The Globe and Mail "Moscovitch might be the best playwright Toronto's got. Her story telling is provocative, and her use of language is elegant yet hilarious... Little One is a superb play." BlogTO "Hannah Moscovitch has been dubbed the It-Girl' of the next generation of playwrights... her latest offering Little One simply proves that she is no flash in the pan... her latest offering Little One simply proves that she is no flash in the pan...

Moscovitch's script is a delight, rife with wry un-saccharine humour, and discreet jabs at the
upper-middle class dystopian ideal." Plank Magazine

praise for Other People's Children
"... searing..." Richard Ouzounian, The Toronto Star "... complex and troubling... terrific." Lynn Slotkin, The Slotkin Letter / CIUT 89.5 FM
praise for In This World
"Relevant and unflinching!" The Gazette "Powerful theatre, with fully realized characters believably invested in the work's emotional stakes." Jon Kaplan, NOW Magazine "This is a terrific play. Hannah Moscovitch's dialogue is note perfect." Lynn Slotkin, The Slotkin Letter / CIUT 89.5 FM also by Hannah MoscovitchThe Russian Play & Other Short WorksEast of BerlinThis Is War
contents
Little One & Other Plays 2015 by Hannah Moscovitch In This World was first published by Signature Editions in Things That Go Bump Vol. 1: Plays for Young Adults, edited by Kit Brennan.

No part of this book may be reproduced, downloaded, or used in any form or by any means without the prior written permission of the publisher, except for excerpts in a review or by a licence from Access Copyright, www.accesscopyright.ca.

Cover design by Monnet Design 202-269 Richmond Street West Toronto ON M5V 1X1 - photo 3
Cover design by Monnet Design 202-269 Richmond Street West Toronto, ON, M5V 1X1 416.703.0013 info@playwrightscanada.com | playwrightscanada.com For professional or amateur production rights, please contact: Ian Arnold at Catalyst TCM 312-100 Broadview Ave., Toronto, ON M4M 3H3 416.645.0935 :: info@catalysttcm.com Library and Archives Canada Cataloguing in Publication Moscovitch, Hannah [Plays. Selections] Little one & other plays [electronic resource] / Hannah Moscovitch. -- First edition. Contents: Little one -- Other people's children -- In this world. Issued in print and electronic formats.

ISBN 978-1-77091-336-3 (pbk.).--ISBN 978-1-77091-337-0 (pdf).- ISBN 978-1-77091-338-7 (epub) I. Title. II. Title: Little one and other plays. PS8626.O837L58 2015 C812'.6 C2014-908395-5 C2014-908396-3 We acknowledge the financial support of the Canada Council for the Arts, the Ontario Arts Council (OAC), the Ontario Media Development Corporation, and the Government of Canada through the Canada Book Fund for our publishing activities.

Punctuation
Dash (): a dash at the end of a line of dialogue indicates a cut-off.
Punctuation
Dash (): a dash at the end of a line of dialogue indicates a cut-off.

Dash 2 (): a dash in the middle a line of dialogue indicates a quick change in thought or a stutter. Ellipsis (...): an ellipsis at the end of a line indicates a trail-off. Ellipsis 2 (...): an ellipsis in the middle of a line indicates a hesitation or a mental search for a thought or a word. Ellipsis 3 (... dialogue...) ellipses on either side of a line of dialogue indicates a person who is speaking over the other character or trying to interrupt the other character. Slash (/): indicates the point at which the character that speaks next interrupts the character that is currently speaking.

Hyphen (-): joins two words together and makes them one word. Colon (:): indicates the thoughts on either side of the colon are linked. Beat: approximately a one-count. Pause: approximately a three-count. Silence: approximately a six-count. Little One was nominated for the Dora Mavor Moore Award for Outstanding New Play in 2013. Little One was nominated for the Dora Mavor Moore Award for Outstanding New Play in 2013.

We are unusual and tragic and alive. Dave Eggers A Heartbreaking Workof Staggering Genius

characters
Aaron Claire We see AARON in a moment of decision, blinking, looking at us. He makes the decision: AARON fumbles with his cassette-tape player. He presses rewind. When the tape has clicked offit's stopped rewindinghe presses play. Transition.

In the darkness we see a female form and we hear a creepy, whisper-singing... CLAIRE (whisper-singing) Here comes the bride. Here comes the bride. Here comes the bride, all dressed in white. Low lights up on CLAIRE. Here they are, standing at the airport.

She's got a suitcase with Hello Kitty on it held together with duct tape. She's smiling and bowing and he's looking her up and down and they're both a little nervous because this is it: this is the first day of the rest of their lives. They get in the car and she tries out her English on him and he tries out his Vietnamese on her and they share a forced laugh. They arrive at the house and probably he's thinking: "She's just as pretty as she was in the photographs," and probably she's thinking: "What a big house." Beat. Then they go upstairs together and stand in the bedroom looking at the bed, both of them thinking: "Here is where the magic doesn't happen." Because after all this is the end point of her journey, this bed. Beat. Beat.

Then they go downstairs to the kitchen and they each have a sandwich, turkey on rye. She has a glass of juice from the fridge and he has a beer from the cooler in the garage. And in the back of both of their minds is the lumpy bed with sweaty sheets on it... Beat. It's gnawing at them, the thought of that bed, because, in a few short hours, they'll both be... Beat. Beat.

The next morning they drive to the civil registry for their seven a.m. appointment and there's some paperwork and a brief congratulations from the city clerk and then this is it: this is the first day of the rest of their lives. And the question you're wanting to ask is: what happened in the bed? Beat: she smiles. And what is that sound? Pounding. It's the middle of the night for Chrissakes. Pounding.

Transition. Lights flicker up on AARON. He speaks to the audience. AARON This weekend, at a work function for theall the residents at the hospital, I talked about her, Claire. It's uh... much, but she's probably why I went to med school, so I... talked about her, to the other surgical residents: I told the story of the dinner party with Roger and his wife Kim-Ly. talked about her, to the other surgical residents: I told the story of the dinner party with Roger and his wife Kim-Ly.

It'sit gives a quick snapshot of... Beat: AARON takes a stress breath. Clairemy sister ClaireI'm saying "Claire" but the social workers called Claire "Claire" because they didn't know her name. Claire... wasn't talking when they brought her inthey found her in a boarded-up condemned buildingand they had to call her something so she was "Claire." Beat.

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