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Northup Solomon - Twelve Years a Slave

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Northup Solomon Twelve Years a Slave

Twelve Years a Slave: summary, description and annotation

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Perhaps the best written of all the slave narratives, Twelve Years a Slave is a harrowing memoir about one of the darkest periods in American history. It recounts how Solomon Northup, born a free man in New York, was lured to Washington, D.C., in 1841 with the promise of fast money, then drugged and beaten and sold into slavery. He spent the next twelve years of his life in captivity on a Louisiana cotton plantation. After his rescue, Northup published this exceptionally vivid and detailed account of slave life. It became an immediate bestseller and today is recognized for its unusual insight and eloquence as one of the very few portraits of American slavery produced by someone as educated as Solomon Northup, or by someone with the dual perspective of having been both a free man and a slave.--Page [4] of cover.;General editor essay / Henry Louis Gates Jr -- Introduction / Ira Berlin -- Suggestions for further reading -- Twelve Years A Slave: -- Editors Preface -- Chapter 1: -- Introductory -- Ancestry -- Northup family -- Birth and parentage -- Mintus Northup -- Marriage with Anne Hampton -- Good Resolutions -- Champlain canal -- Rafting excursion to Canada -- Farming -- Violin -- Cooking -- Removal to Saratoga -- Parker and Perry -- Slaves and slavery -- Children -- Beginning of sorrow -- Chapter 2: -- Two strangers -- Circus company -- Departure from Saratoga -- Ventriloquism and legerdemain -- Journey to New York -- Free papers -- Brown and Hamilton -- Haste to reach the circus -- Arrival in Washington -- Funeral of Harrison -- Sudden sickness -- Torment of thirst -- Receding light -- Insensibility -- Chains and darkness -- Chapter 3: -- Painful meditations -- James H Burch -- Williams slave pen in Washington -- Lackey, Radburn -- Assert my freedom -- Anger of the trader -- Paddle and cat-o-ninetails -- Whipping -- New acquaintances -- Ray, Williams, and Randall -- Arrival of little Emily and her mother in the pen -- Maternal sorrows -- Story of Eliza -- Chapter 4: -- Elizas sorrows -- Preparation to embark -- Driven through the streets of Washington -- Hail, Columbia -- Tomb of Washington -- Clem Ray -- Breakfast on the streamer -- Happy birds -- Aquia Creek -- Fredericksburgh -- Arrival in Richmond -- Goodin and his slave pen -- Robert, of Cincinnati -- David and his wife -- Mary and Lethe -- Clems return -- His subsequent escape to Canada -- Brig Orleans -- James H Burch -- Chapter 5: -- Arrival at Norfolk -- Frederick and Maria -- Arthur, the freeman -- Appointed steward -- Jim, Cuffee, and Jenny -- Storm -- Bahama Banks -- Calm -- Conspiracy -- Long-boat -- Small-pox -- Death of Robert -- Manning, the sailor -- Meeting in the forecastle -- Letter -- Arrival at New Orleans -- Arthurs rescue -- Theophilus Freeman, the consignee -- Platt -- First night in the New Orleans slave pen -- Chapter 6: -- Freemans industry -- Cleanliness and clothes -- Exercising in the show room -- Dance -- Bob, the fiddler -- Arrival of customers -- Slaves examined -- Old gentleman of New Orleans -- Sale of David, Caroline and Lethe -- Parting of Randal and Eliza -- Small-pox -- Hospital -- Recovery and return to Freemans slave pen -- Purchaser of Eliza, Harry, and Platt -- Elizas agony on parting from little Emily -- Streamboat Rodolph -- Departure from New Orleans -- William Ford -- Arrival at Alexandria, on Red River -- Resolutions -- Great Pine Woods -- Wild cattle -- Martins summer residence -- Texas road -- Arrival at Master Fords -- Rose -- Mistress Ford -- Sally, and her children -- John, the cook -- Walter, Sam, and Antony -- Mills on Indian Creek -- Sabbath days -- Sams conversion -- Profit of kindness -- Rafting -- Adam Taydem, the little white man -- Cascalla and his tribe -- Indian Ball -- John M Tibets -- Storm approaching -- Chapter 8: -- Fords embarrassments -- Sale to Tibests -- Chattel mortgage -- Mistress Fords plantation on Bayou Boeuf -- Description of the latter -- Fords brother-in-law, Peter Tanner -- Meeting with Eliza -- She still mourns for her children -- Fords overseer, Chapin -- Tibeats abuse -- Keg of nails -- First fight with Tibeats -- His discomfiture and castigation -- Attempt to hang me -- Chapins interference and speech -- Unhappy reflections -- Abrupt departure of Tibeats, Cook and Ramsay -- Lawson and the brown mule -- Message to the pine woods -- Chapter 9: -- Hot sun -- Yet bound -- Cords sink into my flesh -- Chapins uneasiness -- Speculation -- Rachel, and her cup of water -- Suffering increases -- Happiness of slavery -- Arrival of Ford -- He cuts the Cords which bind me, and takes the rope from my neck -- Misery -- Gathering of the slaves in Elizas cabin -- Their kindness -- Rachel repeats the occurrences of the day -- Lawson entertains his companions with an account of his ride -- Chapins apprehensions of Tibeats -- Hired to Peter Tanner -- Peter expounds the scriptures -- Description of the stocks -- Chapter 10: -- Return to Tibeats -- Impossibility of pleasing him -- He attacks me with a hatchet -- Struggle over the broad-axe -- Temptation to murder him -- Escape across the plantation -- Observations from the fence -- Tibeats approaches, followed by the hounds -- They take my track -- Their loud yells -- They almost overtake me -- I reach the water -- Hounds confused -- Moccasin snakes -- Alligators -- Night in the Great Pacoudrie Swamp -- Sounds of life -- North-West course -- Emerge into the pine woods -- Slave and his young master -- Arrival at Fords -- Food and rest -- Chapter 11: -- Mistress garden -- Crimson and golden fruit -- Orange and pomegranate tress -- Return to Bayou Beouf -- Master Fords remarks on the way -- Meeting with Tibeats -- His account of the chase -- Ford censures his brutality -- Arrival at the plantation -- Astonishment of the slaves on seeing me -- Anticipated flogging -- Kentucky John -- Mr Eldret, the planter -- Eldrets Sam -- Trip to the big cane brake -- Tradition of Suttons Field -- Forest trees -- Gnats and mosquitoes -- Arrival of black women in the big cane -- Lumber women -- Sudden appearances of Tibeats -- His provoking treatment -- Visit to Bayou Boeuf -- Slave pass -- Southern hospitality -- Last of Eliza -- Sale to Edwin Epps.;Chapter 12: -- Personal appearance of Epps -- Epps, drunk and sober -- Glimpse of his history -- Cotton growing -- Mode of ploughing and preparing ground -- Of planting -- Of hoeing, of picking, of treating raw hands -- Difference in cotton pickers -- Patsey a remarkable one -- Tasked according to ability -- Beauty of cotton field -- Slaves labors -- Fear on approaching the Gin-house -- Weighting -- Chores -- Cabin life -- Corn mill -- Uses of the gourd -- Fear of oversleeping -- Fear continually -- Mode of cultivating corn -- Sweet potatoes -- Fertility of the soil -- Fattening hogs -- Preserving bacon -- Raising cattle -- Shooting -- Matches -- Garden products -- Flowers and verdure -- Chapter 13: -- Curious Axe-helve -- Symptoms of approaching illness -- Continue to decline -- Whip ineffectual -- Confined to the cabin -- Visit by Dr Wines -- Partial recovery -- Failure at cotton picking -- What may be heard on Epps plantation -- Lashes graduated -- Epps in a Whipping mood -- Epps in a dancing mood -- Description of the dance -- Loss of rest no excuse -- Epps characteristics -- Jim Burns -- Removal from Huff Power to Bayou Boeuf -- Description of Uncle Abram; of Wiley; of Aunt Phebe; of Bob, Henry, and Edward; of Patsey; with a genealogical account of each -- Something of their past history, and peculiar characteristics -- Jealousy and lust -- Patsey, the victim -- Chapter 14: -- Destruction of the cotton crop in 1845 -- Demand for laborers in St Marys Parish -- Sent thither in a drove -- Order of the march -- Grand Coteau -- Hired to Judge Turner on Bayou Salle -- Appointed driver in his sugar house -- Sunday services -- Slave furniture; how obtained -- Party at Yarneys in Centreville -- Good fortune -- Captain of the steamer -- His refusal to secret me -- Return to Bayou Boeuf -- Sight of Tibeats -- Patseys sorrows -- Tumult and contention -- Hunting the coon and opossum -- Cunning of the latter -- Lean condition of the slave -- Description of the fish trap -- Murder of the man from Natchez -- Epps challenged by Marshall -- Influence of slavery -- Love of freedom -- Chapter 15: -- Labors on sugar plantations -- Mode of planting cane -- Of hoeing cane -- Cane ricks -- Cutting cane -- Description of the cane knife -- Winrowing -- Preparing for succeeding crops -- Description of Hawkins sugar mill on Bayou Boeuf -- Christmas holidays -- Carnival season of the children of bondage -- Christmas supper -- Red, the favorite color -- Violin, and the consolation it afforded -- Christmas dance -- Lively, the coquette -- Sam Roberts, and his rivals -- Slave songs -- Southern life as it is -- Three days in the year -- System of marriage -- Uncle Abrams contempt of matrimony -- Chapter 16: -- Overseers -- How they are armed and accompanied -- Homicide -- His execution at Marksville -- Slave-drivers -- Appointed driver on removing to Bayou Boeuf -- Practice make perfect -- Epps attempt to cut Platts throat -- Escape from him -- Protected by the mistress -- Forbids reading and writing -- Obtain a sheet of paper after nine years effort -- Letter -- Armsby, the mean white -- Partially confide in him -- His treachery -- Epps suspicions -- How they were quieted -- Burning the letter -- Armsby leaves the Bayou -- Disappointment and despair -- Chapter 17: -- Wiley disregards the counsels of Aunt Phebe and Uncle Abram, and is caught by the patrollers -- Organization and duties of the latter -- Wiley runs away -- Speculations in regard to him -- His unexpected return -- His capture on Red River, and confinement in Alexandria jail -- Discovered by Joseph B Roberts -- Subduing dogs in anticipation of escape -- Fugitives in the great pine woods -- Captured by Adam Taydem and the Indians -- Augustus killed by dogs -- Nelly, Eldrets slave woman -- Story of Celeste -- Concerted movement -- Lew Cheney, the traitor -- Idea of insurrection -- Chapter 18: -- ONeil, the tanner -- Conversation with Aunt Phebe overheard -- Epps in the tanning business -- Stabbing of Uncle Abram -- Ugly wound -- Epps is jealous -- Patsey missing -- Her return from Shaws -- Harriet, Shaws black wife -- Epps enraged -- Patsey denies his charges -- She is tied down naked to four stakes -- Inhuman flogging -- Flaying of Patsey -- Beauty of the day -- Bucket of salt water -- Dress stiff with blood -- Patsey grows melancholy -- Her idea of god and eternity -- Of heaven and freedom -- Effect of slave-whipping -- Epps oldest son -- Child is father to the man -- Chapter 19: -- Avery, of Bayou Rouge -- Peculiarity of dwellings -- Epps builds a new house -- Bass, the carpenter -- His noble qualities -- His personal appearance and eccentricities -- Bass and Epps discuss the question of slavery -- Epps opinion of Bass -- I make myself known to him -- Our conversation -- His surprise -- Midnight meeting on the Bayou bank -- Bass assurances -- Declares war against slavery -- Why I did not disclose my history -- Bass writes letters -- Copy of his letter to Messrs Parker and Perry -- Fever of suspense -- Disappointments -- Bass endeavors to cheer me -- My faith in him -- Chapter 20: -- Bass faithful to his word -- His arrival on Christmas Eve -- Difficulty of obtaining an interview -- Meeting in the cabin -- Non-arrival of the letter -- Bass announces his intention to proceed North -- Christmas -- Conversation between Epps and bass -- Young Mistress McCoy, the beauty of Bayou Boeuf -- Ne plus ultra of dinners -- Music and dancing -- Presence of the Mistress -- Her exceeding beauty -- Last slave dance -- William Pierce -- Oversleep myself -- Last whipping -- Despondency -- Cold morning -- Epps threats -- Passing carriage -- Strangers approaching through the cotton field -- Last hour on Bayou Boeuf -- Chapter 21: -- Letter reaches Saratoga -- Is forwarded to Anne -- Is laid before Henry B Northup -- Statute of May 14, 1840 -- Its provisions -- Annes memorial to the governor -- Affidavits accompanying it -- Senator Soules letter -- Departure of the agent appointed by the governor -- Arrival at Marksville -- Hon John P Waddill -- Conversation on New York politics -- It suggests a fortunate idea -- Meeting with Bass -- Secret out -- Legal proceedings instituted -- Departure of Northup and the sheriff from Marksville for Bayou Boeuf -- Arrangements on the way -- Reach Epps plantation -- Discover his slaves in the cotton field -- Meeting -- Farewell -- Chapter 22: -- Arrival in New Orleans -- Glimpse of Freeman -- Genois, the recorder -- His description of Solomon -- Reach Charleston -- Interrupted by custom house officers -- Pass through Richmond -- Arrival in Washington -- Burch arrested -- Shekels and thorn -- Their testimony -- Burch acquitted -- Arrest of Solomon -- Burch withdraws the complaint -- Higher tribunal -- Departure from Washington -- Arrival at Sandy Hill -- Old friends and familiar scenes -- Proceed to Glens Falls -- Meeting with Anne, Margaret, and Elizabeth -- Solomon Northup Staunton -- Incidents -- Conclusion -- Appendix -- Index.

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PENGUIN Picture 1 CLASSICS

TWELVE YEARS A SLAVE

SOLOMON NORTHUP was a free man kidnapped into slavery in Washington, D.C., in 1841. Shortly after his escape, he published his memoirs to great acclaim and brought legal action against his abductors, though they were never prosecuted. The details of his life thereafter are unknown, but he is believed to have died in Glen Falls, New York, around 1863.

IRA BERLIN is Distinguished University Professor of History at the University of Maryland. He has written broadly on the history of the larger Atlantic world, especially on African and African American slavery and freedom. His many books include The Making of African America, Slaves Without Masters, Generations of Captivity, and Many Thousands Gone: The First Two Centuries of Slavery in North America, winner of the Bancroft Prize and the Frederick Douglass Book Prize and a finalist for the National Book Critics Circle Award.

HENRY LOUIS GATES, JR . is Alphonse Fletcher University Professor and director of the W. E. B. Du Bois Institute for African and African American Research at Harvard University. He is editor in chief of the Oxford African American Studies Center and TheRoot.com, and host of Faces of America (PBS). He is general editor for a Penguin Classics series of African American works, including The Portable Charles W. Chesnutt, edited with an introduction by William L. Andrews; Gods Trombones by James Weldon Johnson, with a foreword by Maya Angelou; Iola Leroy by Frances Ellen Watkins Harper, with an introduction by Hollis Robbins; and The Life of John Thompson, a Fugitive Slave by John Thompson, edited with an introduction by William L. Andrews.

SOLOMON NORTHUP Twelve Years a Slave Introduction by IRA BERLIN General - photo 2

SOLOMON NORTHUP

Twelve Years a Slave

Introduction by
IRA BERLIN

General Editor
HENRY LOUIS GATES, JR.

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First published in the United States of America by Derby and Miller 1853

This edition with an introduction by Ira Berlin published in Penguin Books 2012

1 3 5 7 9 10 8 6 4 2

Introduction copyright Ira Berlin, 2012

General introduction copyright Henry Louis Gates, Jr., 2008

All rights reserved

LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA

Northup, Solomon, b. 1808.

Twelve years a slave / Solomon Northup; introduction by Ira Berlin;
general editor Henry Louis Gates, Jr.

p. cm.(Penguin Classics)

Includes bibliographical references and index.

ISBN: 978-1-101-61467-9

1. Northup, Solomon, b. 1808. 2. SlavesUnited StatesBiography. 3. Slaves writings, American. 4. African AmericansBiography. 5. Plantation lifeLouisianaHistory19th century. 6. SlaveryLouisianaHistory19th century. I. Gates, Henry Louis. II. Title.

E444.N87 2012

306.362092dc23

[B] 2012012550

Printed in the United States of America

Set in Sabon

Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

The scanning, uploading and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the authors rights is appreciated.

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I have long nurtured a deep and abiding affection for the Penguin Classics, at least since I was an undergraduate at Yale. I used to imagine that my attraction for these booksgrouped together, as a set, in some independent bookstores when I was a student, and perhaps even in some todaystemmed from the fact that my first-grade classmates, for some reason that I cant recall, were required to dress as penguins in our annual all-school pageant, and perform a collective side-to-side motion that our misguided teacher thought she could choreograph into something meant to pass for a dance. Piedmont, West Virginia, in 1956, was a very long way from Penguin Nation, wherever that was supposed to be! But penguins we were determined to be, and we did our level best to avoid wounding each other with our orange-colored cardboard beaks while stomping out of rhythm in our matching orange, veined webbed feet. The whole scene was madness, one never to be repeated at the Davis Free School. But I never stopped loving penguins. And I have never stopped loving the very audacity of the idea of the Penguin Classics, an affordable, accessible library of the most important and compelling texts in the history of civilization, their black-and-white spines and covers and uniform type giving each text a comfortable, familiar feel, as if we have encountered it, or its cousins, before. I think of the Penguin Classics as the very best and most compelling in human thought, an Alexandrian library in paperback, enclosed in black and white.

I still gravitate to the Penguin Classics when killing time in an airport bookstore, deferring the slow torture of the security lines. Sometimes I even purchase two or three, fantasizing that I can speed-read one of the shorter titles, then make a dent in the longer one, vainly attempting to fill the holes in the liberal arts education that our degress suggest we have, over the course of a plane ride! Mark Twain once quipped that a classic is something that everybody wants to have read and nobody wants to read, and perhaps that applies to my airport purchasing habits. For my generation, these titles in the Penguin Classics form the canonthe canon of the texts that a truly well-educated person should have read, and read carefully and closely, at least once. For years I rued the absence of texts by black authors in this series, and longed to be able to make even a small contribution to the diversification of this astonishingly universal list. I watched with great pleasure as titles by African American and African authors began to appear, some two dozen over the past several years. So when Elda Rotor approached me about editing a series of African American classics and collections for Penguins Portable Series, I eagerly accepted.

Thinking about the titles appropriate for inclusion in these series led me, inevitably, to think about what, for me, constitutes a classic. And thinking about this led me, in turn, to the wealth of reflections on what defines a work of literature or philosophy somehow speaking to the human condition beyond time and place, a work somehow endlessly compelling, generation upon generation, a work whose author we dont have to look like to identify with, to feel at one with, as we find ourselves transported through the magic of a textual time machine; a work that refracts the image of ourselves that we project onto it, regardless of our ethnicity, our gender, our time, our place. This is what centuries of scholars and writers have meant when they use the word classic, anddespite all that we know about the complex intersubjectivity of the production of meaning in the wondrous exchange between a reader and a textit remains true that classic texts, even in the most conventional, conservative sense of the word classic, do exist, and these books will continue to be read long after the generation the text reflects and defines, the generation of readers contemporary with the texts author, is dead and gone. Classic texts speak from their authors graves, in their names, in their voices. As Italo Calvino once remarked, A classic is a book that has never finished saying what it has to say.

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