Participation is the lifeblood of an oral history; speaking with so many funny, talented, and smart people was not a chore but a delight. To all the interviewees who shared their stories, thoughts, and professional lives, no amount of gratitude is sufficient.
As he did with previous editions of this book, Lorne Michaels neither requested nor received input on its content. Amid the many tales and myths about him, one fact is inarguable: he is a man who can make things happen and prevent things from happening. Fortunately, in this case, he elected to do the former, and that is much appreciated.
Thanks are also due, once again, to those who helped on the original and paperback editions of Live from New York. More than a decade has passed, but their efforts are still remembered and much appreciated. This time out, researcher Adam Khatib joined the team and proved invaluably skillful. He, Benjamin Korman, and Reed Dunlea formed an A-Team of ace transcribers. Rya Gershcovich marched into the forest of celebrityhood and helped track down important interview subjects. To that end, much appreciation extends to their agents, managers, and publicists. Dana Edelson, Colin Graham, Heather Karpas, and Lauren Roseman simply made things better and easier.
Back at Little, Brown, special thanks goes to Reagan Arthur, Judy Clain, Heather Fain, and Evan Schnittman, all of whom brought indispensable experience to the project. Ben Allen, Peggy Anderson, Barbara Clark, Catherine Cullen, Nicole Dewey, Peggy Freudenthal, Pamela Marshall, and Allie Sommer each made a valuable contribution as well.
Although change is a major theme of Live from New York, one thing remained, comfortingly, unchanged over the past dozen years: Sloan Harris continues to be an agent without peer and a beacon of light in stormy seas. The idea for this book was first mentioned to him at lunch one day, and by close of business a few hours later, the project had been pushed to prominence at Little, Brown.
Unfortunately, change has taken place there. The departure of Geoff Shandler, one of the finest editorial guardians imaginable, represents a serious, dispiriting loss. His professionalism will be greatly missed, but thankfully our personal ties (including those with his wonderful wife and children) survive, and with it, a friendship that will withstand any and all changes that might lie ahead.
Applause for
James Andrew Miller and Tom Shaless
The SNL book.
Bill Hader, New York Times Book Review
The definitive history of SNL.
People
Live from New York feels like the party to which weve waited to be invited for years, the one where everyone is free to dish and tell all.
Gene Seymour, Chicago Sun-Times
Required reading for any Saturday Night Live obsessive.
Entertainment Weekly
Live from New York captures page after page of witty and wonderful recollections. An engaging oral history and a gold mine for serious SNL fans, the book is also compelling reading for those with a casual curiosity about the show, its battles with censors, the backstage addictions, the drunken hosts, and the perpetual cycle of creative boom, bust, and boom.
Eric Boehlert, Salon
For fans of the show both devoted and casual, Live from New York is an incredible read.
Vulture
A revealing reminder that the most recent years of SNL have been just as memorable as the eras long past. The update to Live from New York is a fun trek back through the shows most successful moments in recent years, and combined with the rest of the original book, it shows SNLs stunning willingness to reinvent itself during its four decades on the air.
Erica Lies, Splitsider
A guilty pleasure of the highest order. Funnier, sadder, seedier, more moving, more alive than Saturday Night Live itself. Live from New York shines.
Lev Grossman, Time
Live from New York pulls back the curtain on the last twelve years of Saturday Night Live.
Steve Inskeep, National Public Radio
Reads like a backstage confidential. Live from New York isnt just straight from the horses mouth. Here, the stable spills while the many perspectives are adeptly shaped by Shales and Miller. This may be entertainment history but it reads like live from Studio 8H.
Sherryl Connelly, New York Daily News
A dream journal of epic proportions. This is what lifelong fans had been clamoring for: an oral history of its birth and reception, production and creative process, and celebrity and political machinery, as told by the people who were there. It is as compelling to loyalists, reminiscent to occasional viewers, and educational to show novices as any book about this institution is likely to attract.