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Skoog - Mister Skylight

Here you can read online Skoog - Mister Skylight full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Port Townsend;Wash, year: 2009, publisher: Copper Canyon Press, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Skoog Mister Skylight
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    Mister Skylight
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    2009
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    Port Townsend;Wash
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A seductive maelstrom of a debut, largely inspired during eight years of eavesdropping in New Orleans.

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Note to the Reader Copper Canyon Press encourages you to calibrate your - photo 1
Note to the Reader Copper Canyon Press encourages you to calibrate your - photo 2
Note to the Reader Copper Canyon Press encourages you to calibrate your settings by using the line of characters below, which optimizes the line length and character size: Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque. Please take the time to adjust the size of the text on your viewer so that the line of characters above appears on one line, if possible. When this text appears on one line on your device, the resulting settings will most accurately reproduce the layout of the text on the page and the line length intended by the author. Viewing the title at a higher than optimal text size or on a device too small to accommodate the lines in the text will cause the reading experience to be altered considerably; single lines of some poems will be displayed as multiple lines of text. Thank you. Thank you.

We hope you enjoy these poems. This eBook edition was created through a special grant provided by the Paul G. Allen Family Foundation. Copper Canyon Press would like to thank Constellation Digital Services for their partnership in making this ebook possible.

for Jill
Copyright 2009 by Ed Skoog
All rights reserved Cover art: Michel Varisco, Open Window, from the Ruminations series, 2004. Silver gelatin print, 16 20 inches. Support Copper Canyon Press: If you have enjoyed this title, please consider supporting Copper Canyon Press and our dedication to bringing the work of emerging, established, and world-renowned poets to an expanding audience through eBooks:
www.coppercanyonpress.org/pages/donation.asp Contact Copper Canyon Press: To contact us with feedback about this title send an e-mail to:
Picture 3 The Chinese character for poetry is made up of two parts: word and temple.

It also serves as press-mark for Copper Canyon Press. Since 1972, Copper Canyon Press has fostered the work of emerging, established, and world-renowned poets for an expanding audience. The Press thrives with the generous patronage of readers, writers, booksellers, librarians, teachers, students, and funderseveryone who shares the belief that poetry is vital to language and living. I

During the War
I lived in two houses, one apartment, took notes on a cocktail napkin and a record store receipt my salary almost covered. I abandoned my longing to be more serious, and grew out my hair. Summer, I shaved to bury my mother, mourned a full season on the couch, television bright across shag carpet.

The train I rode around America was empty; the country was half-empty, like the zoo on Monday. I wept at the president, threatened to barefoot across the border, but in the end only rolled down the window to wave at a stranger who looked familiar.

Ruler of My Heart
Halfway through the first song I catch her, Irma Thomas bringing the station back from storm and flood, singing in slow 6/8 Ive had enough. I know she means she also doesnt know what secret sent every quarter down Markeys jukebox. Robber of my soul, she calls, and now in the gradual blue we beg you to come back, gold and breathing, who never goes away.
Season Finale
My last look around the house took so long that the vine climbing the rosebush climbed into my eyes, and a lizard climbed, too, mouthfirst from grass, its skin changing color from grass green to a green almost without green, the color of dust on feather. How changed from last winters midnight when I let the dog out and rats ran from the mimosa to the fence while shingles sparkled on the lawnmower shed, and in the grass, a cold lizard raised a claw.

How changed from the next weeks water writing its black line across plaster I cannot read in California, where I hold the cellphone hot while Lofstead, early returner, kicks the back door in to tell me of the damage. Images come fast to the small, impersonal screen, linoleum sandy and streaked, walls dice-dotted with mold, and through a broken window, the rosebush ash-gray, the yard ash-gray and without lizard.

Party at the Dump
What cant be seen under the thrown was home. The sky and its turbulent guard fresco the kestrel storm harmless and east, arrive like a hostage, an ear, a finger in the mail. Wind unhooks the mirliton vine, kisses each begonia. Cups fly. Cups fly.

There are times one ought to charge or fall back. What I win from masking-tape tic-tac-toe on the bedrooms nine windowpanes, I spend in silver, spend in empty hallway. No ones my brother tonight, watering his lawn. So I take my chair to the roof flat as the hour. Wind hangs laundry on the gable. The hour is suitcase and landmine.

The moon rises over the abandoned town like cutlery on the high shelf. Our fishing camp is hip-deep now, at the end of tidal song. Westbank cattle swim to the east bank, and wind turns wood in high cello. Sunset ripens and ruptures. If I were nothing Id be home by now in Hemet, or Anza, or Los Angeles, below the moons IV drip. From the pueblo of the anesthesiologist and soup spoon there is some wandering up.

No one there is my brother watering his lawn, and he calls to see how Im doing. And this is where I start, at Mr. Samuels Tire Shop on St. Claude Avenue. Life must be worth something for the loss of it to hurt so much. Take the foreign policy of weather, palmetto bugs caravanning up the lime tree.

Winds crater power lines, and from these, an empty and alone beauty busters down, bullies the shotgun house, keeps a body up late. Dogs know, the wild ones, wheel-scarred and healed, that the storm brings from hiding to scratch a deaf ear, to sneak short lifelong sneaks brave to live: I know the secret is to stay low, adventure between calendar and heart. Todays hurricane flag only waves in photos. The ocean opens Grand Isle like a casket. We hit the beach late, dimple blanket beside the fishing pier, where children seal, spell with sparklers the Fourth of July. Roman candles fire green artillery into the sea.

Teenagers park, sneak through scrub to beach, and burn driftwood distinctions between lie, lay, lain. My interest is in things that disappear, ten men in dark jackets staring asea, some foreign orchestra. Is that you in the seat ahead of me? Youve never been here before. This frog comes halfway in the open door of Butlers Bar and Restaurant. So it must be frog time. Saturday night scouring levees down into the gutters of Tchoupitoulas.

Then its Sunday and Im at your doorstep. Between Mr. Samuels and the cop garage: water. As a kid, I knew the magic show was a shape of eternity. And somewhere else the desert smells like fresh belts and sweetly tries to take us down. We went to look at what was being forged, a quarrel in the mountains, sketchbook avalanches covering up the world and its passports, any business what the mountain does.

Hostages wash up at the embassy, unharmed. Seven days after the storm those who did not want to leave, or did, find ground in the laughter of loss. When the wind turns along the fence, when the gray horse rounds the turn, blue arguments gnarl podiums of sky. Wind kneels its August februation. The boy with the web painted on his face pursues his thoughts through the vineyard. Endured. Endured.

No one resolves to untie them with massive, piglike hands that hold up sails, lugging together fables of capital and labor in futtock shroud. Knots have names, faces. Knots bear themselves forward. On the Skeleton Coast lie preserved words for help in seven languages in stones above high-tide line, but twelve skeletons lined up, unpronounceable silken words, remain from earlier encounterings. Some knots bob like seals past the breakers. Is the other end tied to something.

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