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Tracy - Half-Hazard: Poems

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Tracy Half-Hazard: Poems

Half-Hazard: Poems: summary, description and annotation

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Half-Hazard is the Winner of the Emily Dickinson First Book Award from the Poetry Foundation for a debut by an American poet over forty.
Half-Hazard is a book of near misses, would-be tragedies, and luck. As Kristen Tracy writes in the title poem, Dangers here. Perils there. Itll go how it goes. The collection follows her wide curiosity, from growing up in a small Mormon farming community to her exodus into the forbidden world, where she finds snakes, car accidents, adulterers, meteors, and death-marked mice. These wry, observant narratives are accompanied by a ringing lyricism, and Tracys knack for noticing whats so funny about trouble and her natural impulse to want to put all the broken things back together. Full of wrong turns, false loves, quashed beliefs, and a menagerie of animals, Half-Hazard introduces a vibrant new voice in American poetry, one of resilience, faith, and joy.

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Note to the Reader on Text Size would work. We jiggled the toilet handle to try to fix the problem. We recommend that you adjust your device settings so that all of the above text fits on one line; this will ensure that the lines match the authors intent. If you view the text at a larger than optimal type size, some line breaks will be inserted by the device. If this occurs, the turn of the line will be marked with a small indent. More Advance Praise for Half-Hazard When Kristen Tracys dazzling Half-Hazard arrived in the mail, I had been reading the critic John Berger and thinking about his claim that to deliver the true ambiguity of experience requires the most demanding verbal precision.

Berger writes about authenticity in literature, and here it is, poem after authentic poem, as thrilling a read as Ive had in a long time. Here is an unmistakable talent, someone with the verbal dexterity of a Sylvia Plath, who finds ways to stay alive amid the difficulties of love and loving. The things / we kiss good-bye make room for all we kiss hello, she concludes in Field Lesson, just one of the many memorable moments in this first-rate debut. Stephen Dunn What animal grace in these poems of the human stumble and dance on the road to becoming human. These songs of lively observation are wise and wiser. Watch out for laughter as it rides the ocean of tears that slams at the shore of all of us ragged inhabitants, animal and human, right here, in these poems.

There is no ducking the political. From What We Did before Our Apocalypse: Underneath the table / we all held hands and prayed. We watched an old man insult / nearly everybody and then let him fondle the nukes. This first collection of poetry by Kristen Tracy is a keeper. Joy Harjo Theres a serious, addictive playfulness to the poems in Half-Hazard . The comic-inflected, subversive voice of this debut makes metaphors strike with the lightning of one-liners and turns of phrase turn transformative.

Kristen Tracy writes with a sense of sustained invention that, poem by poem, gathers into a vivid, figurative fabric. Stuart Dybek If youre a rabbit or cow or mouse or human, beware this bookthere is risk here for all who breathe. The cure? Embrace this book, for Kristen Tracys curiosity and resilience, her appreciation for the collision as well as the near-miss, her affection for the hangers-on as well as the thrivers, will engage you if this sounds at all like who you are or want to beLove hears me coming and waits / on every stairand why wouldnt it? Bob Hicok

HALF-HAZARD
Half-Hazard Poems - image 1 Also by Kristen Tracy Books for Tweens Camille McPhee Fell under the Bus The Reinvention of Bessica Lefter Bessica Lefter Bites Back Too Cool for This School Project Unpopular Project Unpopular: Totally Crushed Books for Teens Lost It Crimes of the Sarahs A Field Guide for Heartbreakers Sharks & Boys Death of a Kleptomaniac Hung Up
HALF-HAZARD
POEMS KRISTEN TRACY Winner of the Emily Dickinson First Book Award from the Poetry Foundation Graywolf Press Copyright 2018 by Kristen Tracy The author and Graywolf Press have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the authors copyright, please notify Graywolf Press at: us.macmillanusa.com/piracy.

This publication is made possible, in part, by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund, and a grant from the Wells Fargo Foundation. Significant support has also been provided by Target, the McKnight Foundation, the Lannan Foundation, the Amazon Literary Partnership, and other generous contributions from foundations, corporations, and individuals. To these organizations and individuals we offer our heartfelt thanks. Half-Hazard Poems - image 2

Half-Hazard Poems - image 3Winner of the 2017 Emily Dickinson First Book Award established by the Poetry Foundation to recognize an American poet over the age of forty who has yet to publish a first book.
Published by Graywolf Press 250 Third Avenue North, Suite 600 Minneapolis, Minnesota 55401 All rights reserved. www.graywolfpress.org Published in the United States of America ISBN 978-1-55597-822-8 Ebook ISBN 978-1-55597-873-0 2 4 6 8 9 7 5 3 1 First Graywolf Printing, 2018 Library of Congress Control Number: 2018934511 Cover design: Mary Austin Speaker Cover art: McLoughlin Bros, The Circus and Menagerie Picture Book (1890), courtesy VintageLithoArt.com for Alan Tracy (19771980) & Sheriann Tracy (19801995) This all could have been so different.

How could she have known that statistics show convincingly that when a bear attacks, the victim who fights back is likely to fare better than the one who plays dead? Attacked! John Long, ed. Goodness wont protect you; if youre too good you will die, but then it can be seen as a kind of reward. Kathryn Davis, Hell

HALF-HAZARD
I
Good-Bye, Trouble
I fell from a Bible. A half-blonde tease. With a good good start, I struck out God-filled and thrilled to claim a spot. Here? Where? There? I touched grease, dough, steels.

Raised my low country hem. Up. Up. I met the butcher, the baker, the transmission maker. What next? Girl-girl sin? Boy-girl err? No. No.

Trouble came. Pure purr. He led me off a hat-flat roof. All swish. He spun me near a slippery crag. And I let him, let him.

It wasnt all bad. Trouble makes trouble and soon Trouble went poof. Its not sin or err I live down now. Wow. Wow.

Presto
At the magic show I always wanted the tiger to reappear.
Presto
At the magic show I always wanted the tiger to reappear.

Did I have a pea-sized brain? The beast was in the box. And it was impossible to tell, but I thought the tiger looked blue, as blue as a little girl who has lost her purse with money inside for milk. I wanted someone to tell the tiger it could lead a completely different life if it stopped being so good at performing the trick. But who listens to me? The tiger was replaced by a lion with a caramel-brown face. It had a new trick. It opened its mouth and received a mans head.

He put it in sideways and it came out wet, hair sometimes sticking to the cats fat tongue. Bright bulbs lit up the lion from behind. Its big fur held the light as it balanced all four paws on a milking stool. It stayed steady, mouth open, so a man would not die, not in front of us.

What Kind of Animal
Atop his mower my father chewed the yard while I hid with my trembling rabbit in the garage. I wasnt perfect, one day she got loose.

Fox, dog, tomcat, it wasnt clear what found her. Behind the raspberry bushes, days away from having her first litter, my pet bled like a machine. Fully dismantled. Prey versus predator. I couldnt stand the story. What kind of animal has that kind of heart? When our chickens finally lured a weasel, to keep them safe, for days I fed the beast a small dish of food.

Lunch meat. Cereal. Popcorn. But it wasnt enough. Not even close.

YMCA, 1971
It took a quarter to keep the lights on that was all the machines knew.
YMCA, 1971
It took a quarter to keep the lights on that was all the machines knew.

And so my mother emptied her purse for change while my father tried to resuscitate a man on the tennis courts in the dark. But the man died. The paramedics called the heart attack massive, a widow-maker. My parents had just wed, neither one knew how to play tennis well, it was something they would pick up together. Years later, after their son died, after they divorced, this is the one story where their two sides continue to match. They say it felt like it was another ordinary day.

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