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Strumwasser - Politically incorrect: women artists and female imagery in early modern Europe

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Strumwasser Politically incorrect: women artists and female imagery in early modern Europe
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Politically Incorrect: Women Artists and Female Imagery in Early Modern Europe celebrates women who met the challenge of being female professionals and succeeded as artists at a time when such accomplishments were not expected or encouraged. Concentrating on social history as well as the history of art, the book inspires readers to think about the context in which the women of Early Modern Europe lived.

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Politically Incorrect: Women Artists and Female Imagery in Early Modern Europe

Gina Strumwasser

California State University, Fresno

Bassim Hamadeh, Publisher

Christopher Foster, Vice President

Michael Simpson, Vice President of Acquisitions

Jessica Knott, Managing Editor

Stephen Milano, Creative Director

Kevin Fahey, Cognella Marketing Program Manager

Melissa Accornero, Acquisitions Editor

Copyright 2012 by University Readers, Inc. All rights reserved. No part of this publication may be reprinted, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information retrieval system without the written permission of University Readers, Inc.

First published in the United States of America in 2012 by University Readers, Inc.

Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

16 15 14 13 12 1 2 3 4 5

Printed in the United States of America

ISBN: 978-1-62131-200-0

List of Figures Part I The Limbourg Brothers February Page from the Trs - photo 1

List of Figures

Part I The Limbourg Brothers February Page from the Trs Riches Heures du Duc - photo 2

Part I

The Limbourg Brothers, February Page , from the Trs Riches Heures du Duc de Berry , Chantilly, Muse Cond.

. The Limbourg Brothers, June Page , from the Tr s Riches Heures du Duc de Berry , Chantilly, Muse Cond.

. The Limbourg Brothers, September Page , from the Trs Riches Heures du Duc de Berry , Chantilly, Muse Cond.

. Pietro Lorenzetti, Birth of the Virgin, Siena, Museo dellOpera del Duomo.

Fig. 1-5. Domenico Ghirlandaio, Birth of St. John the Baptist , Florence, Cappella Maggiore, Santa Maria Novella.

Fig. 1-5a. Detail. Domenico Ghirlandaio, Birth of St. John the Baptist , Florence, Cappella Maggiore, Santa Maria Novella.

Fig. 1-6. Ambrogio Lorenzetti, Allegory of the Good Government in the City, Siena, Sala della Pace (also titled Sala dei Nove), Palazzo Pubblico.

. Anon. French, Page with Thamyris, from Giovanni Boccaccio , Concerning Famous Women (De Claris Mulieribus), Paris, Bibliothque Nationale.

. Detail. Anon. French, Page with Thamyris, from Giovanni Boccaccio , Concerning Famous Women (De Claris Mulieribus), Paris, Bibliothque Nationale.

. Anon. French, Page with Marcia, detail from Giovanni Boccaccio, Concerning Famous Women (De Claris Mulieribus) , Paris, Bibliotheque Nationale.

. Anon. French, Christine de Pisan in Her Study and the Building of the City of Ladies, Paris, Bibliothque Nationale.

. Caterina van Hemessen , Self-Portrait at the Easel, Basel, ffentliche Kunstsammlung.

. Caterina van Hemessen, Young Woman Playing the Virginals , Cologne, Wallraf-Richartz Museum.

. Portrait of Properzia de Rossi , Illustration from Le Vite by Giorgio Vasari, edition of 1568.

. Properzia de Rossi, Crest of the Grassi Family , Bologna, Museo Civico Medievale.

. Properzia de Rossi, Joseph and the Wife of Potiphar , Bologna, Museo di San Petronio.

. Detail. Properzia de Rossi, Joseph and the Wife of Potiphar , Bologna, Museo di San Petronio.

. Lavinia Fontana, Self-Portrait in a Studiolo ( or Study) , Florence, Galleria degli Uffizi, Corridoro Vasariano.

. Lavinia Fontana, Portrait of a Noblewomen , Washington D.C., National Museum of Women in the Arts.

. Jan van Eyck, Arnolfini Wedding Portrait , London, National Gallery.

. Lavinia Fontana, Self-Portrait at the Spinet Accompanied by a Handmaiden , Rome, Accademia Nazionale di San Luca.

. Sofonisba Anguissola, Self-Portrait with a Book , Vienna, Kunsthistorisches Museum.

. Sofonisba Anguissola, Self-Portrait at the Easel , Lancut, Muzeum Zamek.

.Judith Leyster, Self-Portrait , Washington D.C., National Gallery of Art.

Fig. 1-21. Maria de Grebber, Portrait of the Priest Augustinus de Wolff, Utrecht, Rijksmuseum Het Catharijneconvent. (Museum website: www.catharijneconvent.nl/)

. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting , Windsor Castle, The Royal Collection.

. Felice Maria Casoni, Portrait medal of Lavinia Fontana , obverse, 1611, London, British Museum.

. Marguerite Grard, The First Step , Cambridge, Fogg Art Museum, Harvard University Art Museums.

. Elisabeth Louise Vige-Lebrun, Self Portrait in a Straw Hat , London, National Gallery.

Part II

. Jean Pucelle , Betrayal and Annunciation from the Book of Hours of Jeanne dEvreux, New York, Metropolitan Museum, Cloisters Collection.

. Detail. Jean Pucelle , Annunciation from the Book of Hours of Jeanne dEvreux, New York, Metropolitan Museum, Cloisters Collection.

. Giovanni Lanfranco, Annunciation , St. Petersburg, Hermitage Museum.

Fig. 2-3 Lavinia Fontana, Annunciation, Baltimore, Walters Museum of Art. (Museum Website: thewalters.org/)

. Robert Campin (Master of Flemalle and Workshop), The Merode Altarpiece, center panel of the Annunciation, New York, Metropolitan Museum, Cloisters Collection.

. Duccio, The Maesta Altarpiece , Siena, Museo dellOpera del Duomo.

. Elisabetta Sirani, Virgin and Child , London, Warburg.

. Mary Casssatt, Mother About to Wash Her Sleepy Child , Los Angeles, Los Angeles County Museum of Art.

. Leonardo da Vinci, Madonna of the Rocks , Paris, Muse du Louvre.

. Raphael, La Belle Jardini re , Paris, Muse du Louvre.

F. Caravaggio, Madonna of the Pilgrims , Rome, Church of Saint Agostino.

. Hugo van der Goes, Portinari Altarpiece , Florence, Galleria degli Uffizi.

. Giotto, Lamentation , Padua, Arena Chapel (also titled Scrovegni Chapel).

. Caravaggio, Entombment of Christ , Rome, Pinacoteca Vaticana.

. Donatello, St. Mary Magdalen , Florence, Duomo Museum.

. Anon. Spanish, 11001300, Noli me tangere , Madrid, Museo Aqueologico Nacional.

. Lavinia Fontana, Noli me tangere , Florence, Galleria degli Uffizi.

. Giovanni Savoldo, St. Mary Magdalen at the Sepulchre , Los Angeles, Getty Center and Museum.

. Antonello da Messina, Virgin Annunciate , Palermo, Galleria Nazionale della Sicilia.

Fig. 2-19. Leonardo da Vinci, Angel of the Annunciation (after Leonardo), Basel, Offenliche Kunstsammlung. (Museum website: www.wga.hu/database/museums/kunstmus.html )

. Titian, St. Mary Magdalen , Florence, Palazzo Pitti.

. Gianlorenzo Bernini, St. Mary Magdalen , Siena, Cathedral, Chigi Chapel.

. Gian Lorenzo Bernini, St. Teresa of Avila in Ecstasy , Rome, Church of Santa Maria della Victoria.

. Detail. Gian Lorenzo Bernini, Bozetto , St. Teresa of Avila in Ecstasy , St. Petersburg, Hermitage Museum.

. Detail. Gian Lorenzo Bernini, St. Teresa of Avila in Ecstasy , Rome, Church of Santa Maria della Victoria.

. Detail. Gian Lorenzo Bernini, St. Teresa of Avila in Ecstasy , Rome, Church of Santa Maria della Victoria.

. Detail. Gian Lorenzo Bernini, St. Teresa of Avila in Ecstasy , Rome, Church of Santa Maria della Victoria.101

. Unknown Artist 15th c., Speculum humanae salvationis, detail Judith Slaying Holofernes , Paris, Bibliotheque nationale de France.

. German 15th c., Biblia Pauperum, Annunciation with the Fall of Eve and Gideons Fleece , Washington DC, National Gallery of Art.

. Lorenzi Ghiberti, Florence, Gates of Paradise (East Doors of the Baptistery).

. Detail. Lorenzi Ghiberti, The Story of Jacob and Esau , Florence, Gates of Paradise (East Doors of the Baptistery).

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