Ann Charters - The Story and Its Writer: An Introduction to Short Fiction, Tenth Edition
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- Joan Acocella: How Angela Carter Became Feminisms Great Mythologist, excerpted from Metamorphosis: How Angela Carter Became Feminisms Great Mythologist by Joan Acocella in The New Yorker, March 13, 2017, pp. 7176. Reprinted by permission of the author.
- Sherman Alexie: The Lone Ranger and Tonto Fistfight in Heaven, from The Lone Ranger and Tonto Fistfight in Heaven, copyright 1993, 2005 by Sherman Alexie. Used by permission of Grove/Atlantic, Inc. and Nancy Stauffer Associates Literary Agency. Any third party use of this material, outside of this publication, is prohibited
- Paula Gunn Allen: Whirlwind Man Steals Yellow Woman from Spider Womans Granddaughters by Paula Gunn Allen. Introduction and notes copyright 1989 by Paula Gunn Allen. Republished with permission of Beacon Press. Permission conveyed through Copyright Clearance Center, Inc.
- Sherwood Anderson:Form, Not Plot, in the Short Story, copyright 1924 by Sherwood Anderson. Copyright renewed 1952 by Eleanor Coppenhaver Anderson. Reprinted from A Story Tellers Story by Sherwood Anderson (Ann Arbor: The University of Michigan Press, 2005) by permission of the publisher.
- Margaret Atwood: Happy Endings from Good Bones and Simple Murders by Margaret Atwood, copyright 1983, 1992, 1994, by O. W. Toad Ltd. Used by permission of Nan A. Talese, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission. Reading Blind excerpted from Writing with Intent: Essays, Reviews, Personal Prose 19832005 by Margaret Atwood. Copyright 2005. Reprinted by permission of Basic Books, an imprint of Hachette Book Group, Inc. Excerpted also from Moving Targets: Writing with Intent 19822004, copyright 2005 by Margaret Atwood. Reproduced with permission from House of Anansi Press, Toronto. www.houseofanansi.com
- Isaac Babel: Guy de Maupassant first published in 1932; translation by Raymond Rosenthal and Waclaw Selski. From The Collected Stories, Isaac Babel, 1955, S.G. Phillips, Inc. Reprinted by permission of Writers House.
- James Baldwin: Sonnys Blues, 1957 by James Baldwin, was originally published in Partisan Review. Copyright renewed. Collected in Going to Meet the Man, published by Vintage Books. Reprinted by arrangement with the James Baldwin Estate. Autobiographical Notes from Notes of a Native Son by James Baldwin. Copyright 1955, renewed 1983 by James Baldwin. Reprinted by permission of Beacon Press, Boston. Permission conveyed through Copyright Clearance Center.
- Toni Cade Bambara: The Lesson, copyright 1972 by Toni Cade Bambara; from Gorilla, My Love by Toni Cade Bambara. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.
- Lynda Barry: Two Questions 2008 by Lynda Barry, from What It Is by Lynda Barry (Drawn & Quarterly, Montreal, Quebec, www.drawnandquarterly.com). Reprinted by permission.
- John Barth: A Few Words about Minimalism from Further Fridays: Essays, Lectures, and Other Nonfiction 19841994 by John Barth, 1995. Used by permission of The Wylie Agency LLC.
- Donald Barthelme: The School by Donald Barthelme, collected in Sixty Stories, 1981, 1982 by Donald Barthelme. Used by permission of The Wylie Agency LLC.
- Roland Barthes: Excerpt from The Death of the Author (1967) in Aspen, no. 56, 1967.
- Charles Baxter: On the Very Short Story, excerpt from work originally titled Introduction by Charles Baxter, included in Sudden Fiction International, ed. R. Shapard & J Thomas, 1989, published by W. W. Norton and Company. Reprinted by permission of Charles Baxter.
- Alison Bechdel: The Fellowship appeared in The New Yorker, October 10, 2016, and is reprinted by permission of the author.
- Lucia Berlin: My Jockey, from A Manual for Cleaning Women by Lucia Berlin. Copyright 2015 by the Literary Estate of Lucia Berlin LP. Reprinted by permission of Farrar, Straus and Giroux.
- Roberto Bolao: The Insufferable Gaucho, 2003 by The Heirs of Roberto Bolao, translation 2010 by Chris Andrews. Appeared in The New Yorker, October 1, 2007. Collected in The Insufferable Gaucho by Roberto Bolao (New Directions, 2010). Reprinted by permission of New Directions Publishing Corp.
- Wayne C. Booth: A Rhetorical Reading of OConnors Everything That Rises Must Converge from A Rhetoric of Irony, by Wayne C. Booth. Copyright 1974 by the University of Chicago Press. Reprinted by permission of the author and the University of Chicago Press.
- Jorge Luis Borges: The South, excerpted from Collected Fictions by Jorge Luis Borges, translated by Andrew Hurley. Copyright 1998 Maria Kodama. Translation copyright 1998 Penguin Random House LLC. Reprinted by permission of Penguin Random House LLC, Penguin Canada, a division of Penguin Random House Canada Limited, and The Wylie Agency. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Random House LLC for permission. Excerpt (Borges and I) from A Personal Anthology, copyright 1967 by Grove Press. Used by permission of Grove/Atlantic, Inc. Any third party use of this material, outside of this publication, is prohibited.
- Ray Bradbury: August 2026: There Will Come Soft Rains, published in Colliers May 6, 1950. Copyright 1950 by the Crowell Collier Publishing Company, renewed 1977 by Ray Bradbury. Reprinted by permission of Don Congdon Associates, Inc.
- Matthew C. Brennan: Plotting against Chekhov: Joyce Carol Oates and The Lady with the Dog from Notes on Modern American Literature, Winter 1985. Item 13. Copyright 1985 Matthew C. Brennan. Reprinted by permission of the author.
- Cleanth Brooks and Robert Penn Warren: A New Critical Reading of The Fall of the House of Usher. Excerpt from Understanding Fiction, 1943. Excerpt from The Formalist Critic, The Kenyon Review, Winter 1951, V. XIII, No. 1.
- Frederick Busch: Ralph the Duck Copyright 1985, 1986, 1988, 1989 by Frederick Busch, from The Stories of Frederick Busch by Frederick Busch, edited by Elizabeth Strout. Used by permission of W. W. Norton & Company, Inc.
- Keith E. Byerman: Words and Music: Narrative Ambiguity in Sonnys Blues from Studies in Short Fiction 19 (1982): 36772. Reprinted by permission of the author.
- Alejo Carpentier: Journey to the Seed translated by Jean Franco. Viaje a la semilla, Guerra Del Tiempo. Tres Relatos Y Una Novela. Herederos de Alejo Carpentier, 1958. Reprinted by permission of Agencia Literaria Carmen Balcells S.A., Barcelona.
- Angela Carter: The Company of Wolves from The Bloody Chamber and Other Stories by Angela Carter. Published by Victor Gollanz, 1979. Copyright Angela Carter. Reproduced by permission of the estate of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London, W11 1JN.
- Raymond Carver:
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