Schama - Citizens
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PENGUIN BOOKS
CITIZENS
This is the most marvellous book I have read about the French Revolution in the last fifty years beautifully written, fully illustrated, and throughout enlightened with a great deal of compassion as well as humour Richard Cobb, The Times
Provocative, occasionally perverse and invariably magnificent his picture of France in 1793 and 1794 is a tragic masterpiece, never sentimental yet at times almost unbearable in its controlled passion Philip Ziegler, Daily Telegraph
A master storyteller Schamas tale is vivid, dramatic, thought-provoking Otto Friedrich, Time
Schama has written a stunning book, one that displays to the full his wide-ranging intelligence, marvellous prose style and acute visual sense what we have here is a rather special way of seeing, a rare ability to coax the past out of its surviving images Linda Colley, London Review of Books
His prose has a wide gamut of effects, eloquent, witty and moving, and is always intensely alive. There is a freshness in all he does, and above all a kind of ease P. N. Furbank, Sunday Telegraph
A work of rare brilliance that teems with vibrantly drawn portraits of the major participants, from General Lafayette to Robespierre His narrative never flags As no other recent historian of the revolution, Schama brings back to life the excitement and harrowing terror of an epochal human event Jim Miller, Newsweek
ABOUT THE AUTHOR
Simon Schama is University Professor in Art History and History at Columbia University in New York, and one of the best-known scholars in Britain in any field. He is the prize-winning author of numerous books, including Dead Certainties (Unwarranted Speculations), Landscape and Memory, Rembrandts Eyes and three volumes of A History of Britain. He is also the writer-presenter of historical and art-historical documentaries for BBC Television. He lives outside New York City with his wife and children.
SIMON SCHAMA
A Chronicle of the French Revolution
PENGUIN BOOKS
PENGUIN BOOKS
Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia
Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2
Penguin Books India (P) Ltd, 11 Community Centre, Panchsheel Park, New Delhi 110 017, India
Penguin Group (NZ), cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank 2196, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
www.penguin.com
First published in the USA by Alfred A. Knopf, Inc. 1989
First published in Great Britain by Viking 1989
Published in Penguin Books 1989
This edition published 2004
1
Copyright Simon Schama, 1989
Maps copyright Jean Paul Tremblay, 1989
All rights reserved
The moral right of the author has been asserted
Except in the United States of America, this book is sold subject
to the condition that it shall not, by way of trade or otherwise, be lent,
re-sold, hired out, or otherwise circulated without the publishers
prior consent in any form of binding or cover other than that in
which it is published and without a similar condition including this
condition being imposed on the subsequent purchaser
EISBN: 9-780-1-4190604-1
FOR JACK PLUMB
Javais rvune rpublique que tout le monde
et adore. Je nai pu croire que les hommes
fussent si froces et si injustes.
CAMILLE DESMOULINS
to his wife from prison
April 4, 1794
Twas in truth an hour
Of universal ferment; mildest men
Were agitated; and commotions, strife
Of passion and opinion filld the walls
Of peaceful houses with unquiet sounds.
The soil of common life was at that time
Too hot to tread upon; oft said I then,
And not then only, what a mockery this
Of history; the past and that to come!
Now do I feel how I have been deceived,
Reading of Nations and their works, in faith,
Faith given to vanity and emptiness;
Oh! laughter for the Page that would reflect
To future times the face of what now is!
WILLIAM WORDSWORTH
The Prelude (1805 text)
Book IX 16477
Lhistoire accueille et renouvelle ces gloires dshrites;
elle donne nouvelle vie ces morts, les ressuscite. Sa justice
associe ainsi ceux qui nont pas vcu en mme temps, fait
rparation plusieurs qui navaient paru quun moment pour
disparatre. Ils vivent maintenant avec nous qui nous sentons
leurs parents, leurs amis. Ainsi se fait une famille, une cit
commune entre les vivants et les morts.
JULES MICHELET
Preface to Histoire
du XIXe Sicle, Vol. II
PART ONE
Alterations:
The France of Louis XVI
PART TWO
Expectations
PART THREE
Choices
PART FOUR
Virtue and Death
(Photographic acknowledgements are given in parentheses)
. Antoine Callet, Louis XVI in Coronation Robes, in the Muse Bargoin, Clermont-Ferrand (photo: Lauros-Giraudon/Bridgeman Art Library)
. Jacques-Louis David, The Oath of the Horatii (1785), in the Muse du Louvre, Paris (photo: AKG-Images/Erich Lessing)
. Elisabeth Vige-Lebrun, Marie-Antoinette and her Children (1785), in the Muse du Chteau, Versailles (photo: AKG-Images)
. Anglique Allais, Portrait of Honor Gabriel Victor Riquetti, Comte de Mirabeau, in the Muse Carnavalet, Paris (photo: copyright Photothque des Muses de la Ville de Paris)
. Antoine Vestier, Jean-Henri, Chevalier de Latude (1789), in the Muse Carnavalet, Paris (photo: Lauros-Giraudon/Bridgeman Art Library)
. Claude Cholat, The Storming of the Bastille, 14 July 1789, in the Muse Carnavalet, Paris (photo: AKG-Images)
. Pierre Franois Palloy, model of the Bastille made from its masonry (1789), in the Muse Carnavalet, Paris (photo: Lauros-Giraudon/Bridgeman Art Library)
. Louis-Philibert Debucourt, Lafayette as Commandant of the National Guard (1790), in the Muse de la Ville de Paris (photo: AKG-Images)
. Anon, To Versailles! To Versailles! (1789), in the Muse de la Ville de Paris (photo: AKG-Images)
. Jacques-Louis David, The Tennis Court Oath (1791), in the Muse du Louvre, Paris (photo: AKG-Images)
. Louis-Jean-Jacques Durameau, Pierre-Victurnien Vergniaud (1792), in the Muse Lambinet, Versailles (photo: Lauros-Giraudon/Bridgeman Art Library)
1792, in the Muse de la Revolution, Vizille (photo: Visual Arts Library/Bridgeman Art Library)
. Jacques-Louis David, Head of Lepeletier de Saint-Fargeau (photo: copyright Bibliothque Nationale, Paris)
. Anatole Devosge (after Jacques-Louis David), Lepeletier de Saint-Fargeau on his Death-bed, in the Muse des Beaux-Arts, Dijon (photo: copyright RMN, Paris)
. Villeneuve, Matire reflection pour les jongleurs couronnes, in Muse Carnavalet, Paris (photo: copyright Photothque des Muses de la Ville de Paris)
. Joseph Boze, Portrait of Jean-Paul Marat (1793), in the Muses Royaux des Beaux-Arts de Belgique, Brussels (photo: Bridgeman Art Library)
. Jacques-Louis David, The Death of Marat
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