Ken Bruen (ed.) - Dublin Noir

ALSO IN THE AKASHIC NOIR SERIES:

D.C. Noir, edited by George Pelecanos

Brooklyn Noir, edited by Tim McLoughlin

Brooklyn Noir 2: The Classics,edited by Tim McLoughlin

Chicago Noir,edited by Neal Pollack

San Francisco Noir, edited by Peter Maravelis

FORTHCOMING:

Manhattan Noir, edited by Lawrence Block

Baltimore Noir,edited by Laura Lippman

Twin Cities Noir, edited by Julie Schaper & Steven Horwitz

Los Angeles Noir,edited by Denise Hamilton

London Noir,edited by Cathi Unsworth

Havana Noir, edited by Achy Obejas

Wall Street Noir, edited by Peter Spiegelman

Miami Noir, edited by Les Standiford

Bronx Noir, edited by S.J. Rozan

Lone Star Noir, edited by Edward Nawotka

This collection is comprised of works of fiction. All names, characters, places, and incidents are the product of the authors imaginations. Any resemblance to real events or persons, living or dead, is entirely coincidental.

Series concept by Tim McLoughlin and Johnny Temple

Published by Akashic Books
2006 Akashic Books

Dublin map by Sohrab Habibion
Editorial assistance: Emmet Henry and Chris Gough

ISBN-13: 978-1-888451-92-4
ISBN-10: 1-888451-92-0
Library of Congress Control Number: 2005925466
All rights reserved

Akashic Books
PO Box 1456
New York, NY 10009
Akashic7@aol.com
www.akashicbooks.com

TABLE OF CONTENTS

INTRODUCTION
ONLY CONNECT

B rooklyn Noir was a huge success, set a bunch of authors to write about one place, simple and highly effective.

Now in Akashic Books noir pipeline are Manhattan, Baltimore, Miami, Los Angeles, Havana, London and thats just the beginning. Here is Dublin Noir.

At first, it was straightforwardDublin authors to write on their city Then we turned the concept on its head, as you do in noir. The Irish are fascinated by how we appear to the world, so lets have a look, we thought, at how this city appears from the outside. In addition to a couple of us locals, lets take a cross section of the very best of todays crime writers from America, as well as Britain, Europe, and Canadathe successful ones, the new blood, and those between. We knew wed get a lot of Yeats and Ulysses, but what else ?

The challenge we posed to the authors we invited to join this collection was simple: Show us your Dublin, and show it noir.

Tourists booking holidays in Ireland inevitably do Dublin first and seem to always end up in Temple Bar, our very own Times Squarereplete with the squalor, the drugs, the homeless, and the wandering psychos. Two years ago, Pat Boran, the legendary director of the Dublin Arts Festival, invited me to do a reading in Temple Bar. During my gig, a woman up and died. It added to my already noir rep and has certainly given me pause about returning there. Temple Bar, naturally, features in many of the stories, and the authors certainly capture the noir element. The Tourist Board, not fond of me in the best of times, has responded with a bounty on my head. I take that, I think, as flattery.

Irelands alleged surging economythe Celtic Tiger has thrust Dublin onto the world stage, though here the citys not exactly seen through rose-tinted glasses. Black Irish humor shines in all the stories, as if instinctively the writers knew: You want it Dublin, then you want it funny as sin, dark as the smile on Joyces face when he found he was on the index of banned books. To be Irish is to dance on the Titanic; laughter is indeed the best revenge, its our way of evening the score.

You wont find many leprechauns or bodhrans hereand not one top o the mornin. The Quiet Man has gone dark, and with a vengeance. If nothing else, this collection will kill stone-dead the Irish caricature of shite talk and blarney. In the days of Brit occupation, to be outside Dublin was to be outside the pale. This collection is so far from that parameter, you cant even see the boundary.

Like Irish logic at its most convoluted, this volume offers up a story that moves from Budapest to Dublin written by a Texan. In another, Ray Banks, from Manchester, England, presents a vision of Dublin as fierce as any Celts. One of the collections tastiest moments comes when Peter Spiegelmans femme fatale tells his protagonist, Yer pretty feckin Irish for a New York Jew, Jimmyyoull fit right in in Dublin. The one guarantee from every story in this book is a skewed perspective on this most volatile of locales.

We set John Rickards, an impossibly young writer, loose in Dublina British mindset carried in an American styleto see what would happen. James O. Born, a Miami homicide detective, gives us a radical (to put it mildly) take on the Irish tourist industry. Laura Lippman and Sarah Weinman masterfully bust up our sketchy designs on an all-guy lineup.

And how could we do this without the culchie take? So we have the Galway view on Dublin, always going to be contentious. If nothing else, we knew it would make Nora Barnacle smile.

The dictum, Only connect, was brought home to me in Las Vegas. James Crumley, renowned mystery writer, asked, Wouldnt it be something to connect all these different countries, have them united in crime?

Dublin, locus of so many literary legends, seemed a fine place to connect some dots. Enjoy.

Ken Bruen
Galway, Ireland
January 2006

T here were three words that Christy didnt want to hear.

He sent PJ, said Little Mike, pulling his head in the apartment window.

Those were the three words.

Hes on the way up.

Those five werent great either.

Shit, swore Christy. One bloody can of Fanta. One can.

Little Mike shrugged. After the high wind, his black hair looked drawn on with a crayon. Its the principle with Warren. Steal a little, steal a lot. He dont care, Christy.

Christy chewed on a nail. I was waitin and I was thirsty and the fridge was right there. Hummin. So one bloody can.

Little Mike tried to flatten his hair. He does that. Its like a test. Leave you waiting in his shop, surround you with product, see if you can keep your paws off. Go against your nature. Did you ever hear the story about the fox and the scorpion?

Christy threw whatever was handy at Little Mike. Fuck off with your scorpion. The whole world knows that story. Every time the shit hits the fan, some fucking wise man trots out the fox and the bloody scorpion. I am up to here with those two, honest to Jaysus.

Mike rubbed his crown, where the Fanta can had clipped him. I was only sayin, he said, sulky now.

Christy folded immediately. He had enough enemies, and one of them was on his way up the eight flights.

Sorry, brother, he said, knuckling the spot where the can struck. Ive a bad case of the freaks. This fucker is an animal. Did you hear what he did to Father Hillary?

The Paschal candle thing?

Christy shuddered. Jesus Christ. You know how big those things are? Some of em have studs too.

Hillary was a nice old eejit. I mean, what did he do?

Wouldnt split the Sunday take, I heard. Sixty-forty, Warren says. Hillary says go to hell, so PJ did the job with the candle. Christy was pacing now. A priest. A bloody priest. What will he do to me?

Little Mike wasnt the best with rhetorical questions. Jesus, now youre asking. Id say hell break a few things, make an example of you. Zero tolerance, as hes always saying.

That, and do you like the cars new bulletproof windows? I mean, they look the very fucking same. Whats to like about them?