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A. D. Carson - I used to love to dream

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A. D. Carson I used to love to dream
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Copyright 2020 by A D Carson All rights reserved For questions or - photo 1

Copyright 2020 by A. D. Carson
All rights reserved

For questions or permissions, please contact um.press.perms@umich.edu

Published in the United States of America by the University of Michigan Press

First published July 2020

ISBN 978-0-472-99903-3 (online resource)

052, 055, 056, and 057 produced by Vintage.
053, 054, and 058 produced by Marcus Truth Fitzgerald.
059 produced by Deiontrae Lawrence.
052, 053, 054, 055, 057 mixed by A. D. Carson.
056 and 058 mixed by Marcus Truth Fitzgerald.
059 mixed by Mike Moxham.
Mastered by Mike Moxham.

contents
Page 1 Page 2
i used
to love
to dream
Page 3

i used
to love
to dream
is the third in a series of mixtap/e/ssays titled sleepwalking. the title of the series is borrowed from the narrator of ralph ellisons invisible man, who, in the course of describing his acceptance of his invisible identity observes, youre constantly being bumped against by those of poor vision. or again, you often doubt if you really exist (4).

the narrator continues, you wonder whether you arent simply a phantom in other peoples minds. say, a figure in a nightmare which the sleeper tries with all his strength to destroy. its when you feel like this that, out of resentment, you begin to bump people back (4).

he later states: i remember that i am invisible and walk softly so as not to awaken the sleeping ones. sometimes it is best not to awaken them; there are few things in the world as dangerous as sleepwalkers. i learned in time though that it is possible to carry on a fight against them Page 4 without their realizing it (5).

the previous two sleepwalking projects focus on local events following my dissertation album, owning my masters: the rhetorics of rhymes & revolutions, which is a response to & reflections on living in clemson, south carolina as a graduate student in the universitys rhetorics, communication, & information design phd program. i wrote & recorded sleepwalking, volume 1: a mixtape during the transition from doctoral student to assistant professor of hip-hop at the university of virginia in charlottesville, va immediately after graduation. the summer of 2017 filled with white nationalist protests & local resistance thereto has been called the summer of hate. i wrote & recorded sleepwalking 2 in the spring semester of 2018 & released it at the end of my first year at uva.

i used
to love
to dream
is, among so many other things, about being from decatur, illinois. its about growing up & moving away & wondering if the choices you made were the right ones, Page 5 despite what might be viewed externally as success. & thats really an evasive way to hone in on a feeling akin to what some people might call selling out or buying in, depending on how we might choose to frame it, & i think those feelings are ... or can be ... separate from the moral, philosophical, & ethical dimensions undergirding any internal debate about authenticity or staying true to oneself or to any city or neighborhood. the loneliness & alienation you might attribute to being away & trying to remember relationships to home can make a person feel theyve betrayed a trust & therefore deserve those feelings.

i wrote the album to try to more accurately describe that particular loneliness & alienation that exists in my mind between where im from & where im at currently. Page 6

Page 7 Page 8
i used
to love
to dream
Page 11

yes, yes.

just another day in a pretty boring life ...
i write, perform like, ignoring hype.
polite like i was born nice.

soar at heights where i dont need to see.
im easily the type you peep at night,
& you dont need to squint, the heat from me is bright.

when i breathe on mics its like im heaving, i
wont ever even odds,
id rather tweet or blog than be like steven jobs.

id rather stay & laugh than leave & sob.

id rather break the whole machine
than try to limit me & be a cog.

Page 12 when they ask me what im trying to preach, i pause.

i tell em i dunnothe difference from a demagogue &
demigod.

king size, but serving minibars,

but i assume if you consume too many
then theyll hit you plenty hard.

theyll say my whole demeanors been a fraud,

an intricate faade.

wont offer no rebuttals, this is part

of where my newfound vision starts:

a written art comparable to living hard
avoiding prison bars.

Page 13 collected thoughts, its like a mini mart,

& dont want any part
of trendy, artificial, little pity parties
celebrating how i made it
out of unimaginable trauma.
its the drama that they want,
& so i honor
what ive come to do & what ive come into & what i want to
do.
so what ive brung to you has sprung into a kind of
comfortable
existence ill call wonderful

if, after i wander through this new terrain,
ive found the way to frame the pain as something new.

[applause]

here, close to the center of the united states, the sign Page 14 on the highway reads decatur, illinois: population 59,305. from a distance it looks like any other town of its size. its people make their living from factories, stores, offices, railroads, & surrounding farms just asin many other american communities. when you meet them on main street they look as familiar as anyones neighbors anywhere in the united states. but go out with them & youll begin to sense a difference ...

Page 15

yes, yes.

[1] where im from, the celebrations are devastating.

change gon come, but it feels like forever waiting
for that dime & nickel to make a dollar
a lot of it never makes sense.
being easy to b&e, hope a king never leaves prints.

invented a different life where i take what i see,
put it on a line, then make it rhyme.
time never makes it easier.
leave it & let it go.
but its there when i close my eyes, even more than it was
before,
so i lie.

i be awake on most nights,
work in the mornings,

Page 16 rehearsing purpose;
convert it to verses, merciless warnings.
it hurts, & i feel i'm torn,
even worse when its in a song.
& the difference between the then & the now
is it feels so wrong that im here.

yet, here i amnarrator, illustrator,
pro & antagonist
youll see a difference later
if you wait to hear me out.
if the mantras get the paper,
& your dogs be playing fetch,
but catchers call that misbehavior,
the paradox is apparent. i

be wondering the meaning.
meeting me through metaphor
i be humble when i see him

Page 17 mumbling my greetings,
staring at my feet like i be nervous.
most evenings
i be staring at a beat & seeing murder.

i was gifted as a child.
granny listened & said it.
told me to never bury my talents.
give it & spread it.

learned from her bible lessons much more than i
give em credit.
so, really my synesthesia is more like a sin
aesthetic.

[hook] i be knowing i be on some shit i shouldnt.
lord forgive me,
but if i could change a thing i probably
wouldnt.

i be putting on a mask,
Page 18 still never smile for cameras,
try to keep the hunger of an amateur,
ampersand
ample ammunition, handle business,
then get little, plan, plot &
strategize,
& look out for watching eyes,
occupy the lane im in, & know that even if
i signal
itll only change what i see in the
rearview.

[2] where im at

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