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Jonathon King - The Blue Edge of Midnight

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Jonathon King The Blue Edge of Midnight

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Featuring ex-cop Max Freeman, The Blue Edge of Midnight marks the debut of a powerful new crime series. The Blue Edge of Midnight is a terrific book that begins the run of a great new talent in Jonathon King. From start to finish it is full of true character and jagged surprises. King adds new dimensions of depth and substance to the modern crime novel. (Michael Connelly) Max Freemans old life ended on a night that will haunt him forever. The night he killed a twelve-year-old child in self-defense in a Philadelphia shootout. The night he stopped being a cop. Now he lives an existence of solitary confinement on the edge of the Florida Everglades, where he answers to no one but the demons that eat away at his conscience. Until the night he finds the corpse of a child beside an ancient river. The night Max Freemans past explodes into the present. Suddenly, Freeman is thrust into the center of the search for a killer responsible for a string of grisly slayings that is baffling both local authorities and the F.B.I. Distrusted as an outsider by the longtime residents of the Glades and pulled into the case as suspect by the police, Freeman must walk a tenuous tightrope of distrust on both sides of the law. When another child goes missing, all eyes turn to Freeman-and the ex-cop, driven by his old habits and the memories of that long-ago Philadelphia midnight, knows that he has no choice but to hunt down the seemingly unstoppable murderer himself. An electrifying story of crime, punishment, and one mans personal redemption played out against a backdrop of wild natural beauty in conflict with the modern urban world, The Blue Edge of Midnight heralds the arrival of a stunning new voice in contemporary crime fiction.

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The Blue Edge of Midnight

Jonathon King

This is for my friend Bob Stowe who left this world too soon and cant be - photo 1

This is for my friend Bob Stowe, who left
this world too soon, and cant be forgotten.

CONTENTS

I was a mile upriver, my feet planted on the stained concrete dam, back bent to the task of yanking my canoe over the abutment. It was past midnight and a three-quarter moon hung in the South Florida sky. In the spillover behind me, tea-colored water from the falls burbled and swirled, roiling up against itself and then spinning off in curls and spirals until going flat and black again downstream. Ahead I could see the outlines of thick tree limbs and dripping vine and the slow curve of water bending around a corner before it disappeared into darkness.

When I moved onto this river more than a year ago, my city eyes were nearly useless. My night vision had always been aided by street lamps, storefront displays, and headlights that swept the streets, crosshatching each other to create a web of light at every intersection. Id spent my life on the Philadelphia streets, watching, gauging the hard flat shadows, interpreting the light from a door left ajar, waiting for a streak from a flashlight, anticipating the flare of a match strike. Out here, fifteen miles inland from the Atlantic Ocean in a swamped lowland forest, it took me a month to train my eyes to navigate in the nights natural light.

Tonight, in moonlight, the river was lit up like an avenue. When I got the canoe floated in the upstream pool, I braced myself with both hands on the rails at either side, balanced my right foot in the middle, steadied myself in a three-point stance, and pushed off onto quiet water.

I settled into the stern seat and pulled six or seven strokes to get upstream from the falls and then readied myself. The mile from my stilted shack had just been a warm-up. Now Id get into the heavy work that had become my nightly ritual. This time of year in South Florida, high summer when the afternoon rains came like a rhythm, this ancient river to the Everglades spread its banks into the cypress and sabal palms and flooded the sawgrass and pond apple trees until the place looked more like a drowning forest than a tributary. It was also the time of year when a man with a head full of sour memories could power a canoe up the rivers middle and muscle and sweat through yet another impossible night.

I tucked my right foot under the seat, propped my left forward against a rib, and was just pulling my first serious strokes when my eyes picked up a glow ahead in the root tangle of a big cypress.

Trash, I thought, pulling two strokes hard in that direction. Even out here you ran into civilizations callousness. But the package seemed too tight as I glided closer. Canvas, I could tell now from the cream-color of the cloth.

I took one more stroke and drifted up to what now appeared to be a bundle the size of a small duffel bag. The package was wedged softly into a crook of moss-covered root by the current. I reached out and prodded it with my paddle, loosening the hidden end from the shadows. When it finally slid out onto free water, moonlight caught it and settled on the calm, dead face of a child.

Air from deep in my throat held and then broke like a bubble in my mouth and I heard my own words come out in a whisper:

Sweet Jesus. Not again.

For a dozen years Id been a cop in Philadelphia. I got in at the smooth-faced age of nineteen without my fathers blessing. He was a cop. He didnt want me to follow. I went against his wishes, which had become a habit by then, and got through the academy the same way Id gotten through school. I rode the system, did just enough to satisfy, didnt stand out, but tried always to stand up. My mother, bless her soul, called it a sin.

Talent, she said, is Gods gift to you. What you do with it, is your gift back to him.

According to her, my talent was brains. My sin was using only half of them.

Police work came easy to me. At six feet three inches tall, and a little over two hundred pounds, Id played some undistinguished football in high school and my friend Frankie OHara used to drag me into his fathers South Philly gym once in a while to act as a stand-in sparring partner. My strength there was that I didnt mind getting hit. A shot in the face never bothered me much. How that trait worked with my other talent, my mother could never explain. But the combination of a cloaked intelligence, some size, and an indifference to a crack on the nose made police work easy for me.

In my years on the force Id climbed a bit of a ladder, taken some special assignments, worked for a short time in the detective bureau. Id passed the sergeants exam a couple of times. But misunderstandings with management and Officer Freemans seeming total lack of ambition found me walking a downtown beat on the four-to-twelve shift. It was fine with me until the night I shot a child in the back.

It was near the end of my shift. I was standing out of a cold drizzle at Murphys Newsstand, a little step-in shop next to a deli just off Broad Street. Murph peddled the daily newspapers, three shelves of magazines holding the monthly array of faked- up cleavage, and probably the most important item of his business, the daily racing forms. With some thirty years on the street, Murph was the most sour and skeptical human being Id ever met. He was a huge lump of a man who sat for hours at a time on a four-legged stool with what seemed like half of his weight dripping over the sides of the small circular cushion. He had a fat face that folded in on itself like a two-week-old Halloween pumpkin and you couldnt tell the color of his small slit eyes. He was never without a cigar planted in the corner of his mouth.

Max, youre a fuckin idiot you stay on a job what wit da way they been stickin it to ya, was his standard conversation with me every night for two years. He had a voice like gravel shuffling around in the bottom of a cardboard box. And he called everyone from the mayor to his own mother a fuckin idiot, so you didnt take it personally.

On that night he was grumbling over the days results from Garden State Raceway when my radio started crackling with a report of a silent alarm at C&Ms Stop and Shop on Thirteenth Street, just around the corner. I reached down to turn up the volume and Murph rolled the cigar with his tongue and thats when we heard the snap of small caliber gunfire in the distance. The old vendor looked straight into my face and for the first time in two years I could see that his eyes were a pale, clear blue.

Casamir, he croaked as I started out the open door, my hand already going to the holster strap on my 9mm.

It doesnt take long for adrenaline to flush into your blood when you hear gunshots. As a cop in the city I had heard too many. And each time I had to fight the immediate urge to turn and walk the other way.

I was halfway to the corner and my normally slow heartbeat was banging in my chest. I was trying to set up a scene in my head of Casamirs place; second storefront around the corner, glass doors flush against the wall, dingy fluorescent lighting inside, Casamir with his too-big smile and that pissy little taped-handled .25 behind the counter. I wasnt thinking about the rain-slick sidewalk or the lack of decent cover when I made the corner and tried to plant my foot and went skidding out in full view of some kids gun barrel.

Snap.

I heard the crack of his pistol but barely registered the sharp smack against my neck and I came up on one knee, brought up the 9mm and saw the kid standing thirty feet away, a black hole of a gun barrel as his only eye. I was staring into that hole when I picked up the movement of something coming out of Casamirs door and then

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