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François Rabelais - Complete Works of François Rabelais

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François Rabelais Complete Works of François Rabelais

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The Complete Works of FRANOIS RABELAIS c 1483-1553 Contents - photo 1

The Complete Works of

FRANOIS RABELAIS

(c. 1483-1553)

Contents Delphi Classics 2020 Version 1 Browse our Main S - photo 2

Contents

Delphi Classics 2020 Version 1 Browse our Main Series Brow - photo 3

Delphi Classics 2020

Version 1

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The Complete Works of FRANOIS RABELAIS By Delphi Classics 2020 - photo 10

The Complete Works of

FRANOIS RABELAIS

By Delphi Classics 2020 COPYRIGHT Complete Works of Franois Rabelais - photo 11

By Delphi Classics, 2020

COPYRIGHT

Complete Works of Franois Rabelais

Picture 12

First published in the United Kingdom in 2020 by Delphi Classics.

Delphi Classics, 2020.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

ISBN: 978 1 91348 743 0

Delphi Classics

is an imprint of

Delphi Publishing Ltd

Hastings, East Sussex

United Kingdom

Contact: sales@delphiclassics.com

Complete Works of Franois Rabelais - image 13

www.delphiclassics.com

Explore the French Masters at Delphi Classics The Life of Gargantua and of - photo 14

Explore the French Masters at Delphi Classics

The Life of Gargantua and of Pantagruel A 1699 print of La Devinire an - photo 15

The Life of Gargantua and of Pantagruel

A 1699 print of La Devinire an estate in Seuilly in the modern-day - photo 16

A 1699 print of La Devinire, an estate in Seuilly in the modern-day Indre-et-Loire, France the supposed birthplace of Rabelais

La Devinire today La Devinire Muse Rabelais Pantagruel 1532 - photo 17

La Devinire, today

La Devinire Muse Rabelais Pantagruel 1532 Translated by Thomas Urquhart - photo 18

La Devinire, Muse Rabelais

Pantagruel (1532)

Translated by Thomas Urquhart Illustrated by Gustave Dor We remain uncertain - photo 19

Translated by Thomas Urquhart

Illustrated by Gustave Dor

We remain uncertain of the place or date of birth of Franois Rabelais. Some scholars place the date as early as 1483, though he was likely born in November 1494 near Chinon, in the province of Touraine, where his father was employed as a lawyer. In his youth, Rabelais became a novice of the Franciscan order and later a friar at Fontenay-le-Comte in Poitou, where he studied Greek and Latin, as well as science, philology and law. Frustrated with the Franciscan orders ban on the study of Greek (partly due to Erasmus commentary on the Gospel of Saint Luke) Rabelais petitioned Pope Clement VII and gained permission to leave the Franciscans and to enter the Benedictine order at Maillezais in Poitou, where he was received warmly.

In time, he left the monastery to study medicine at the University of Poitiers and at the University of Montpellier. He then moved to Lyon, an intellectual centre of the Renaissance, and in 1534 he commenced his occupation as a doctor at the hospital, for which he earned 40 livres a year. During his time, he edited Latin works for the printer Sebastian Gryphius and wrote a famous admiring letter to Erasmus to accompany the transmission of a Greek manuscript from the printer. As a physician, he used his spare time to write and publish humorous pamphlets critical of established authority, much preoccupied with the educational and monastic mores of the time.

In 1532, under the pseudonym Alcofribas Nasier (an anagram of Franois Rabelais), he published his first book, Pantagruel King of the Dipsodes , the first of his Gargantua series. This pentalogy of novels tells the adventures of two giants, Gargantua and his son Pantagruel, written in a satirical vein. The novels reveal much erudition, vulgarity and a penchant for wordplay. Rabelais is regarded as an important polyglot and his work introduced many new and complicated words into the French language, similar to Shakespeares influence on the English language. Following its publication, Pantagruel was stigmatised as obscene by the censors of the Collge de la Sorbonne and, within a social climate of increasing religious oppression in the lead up to the French Wars of Religion, it was treated with suspicion and Rabelais contemporaries avoided mentioning the book.

Rabelais series of novels is outstanding for its rich use of Renaissance French and its range of comedic registers, from the gross burlesque to profound satire. The novels exploit popular legends, farces and romances, as well as classical and Italian texts, though it is important to remember that they were written primarily for a court public and a learned audience. Therefore, the common day adjective Rabelaisian , which can be applied to scatological humour, is somewhat misleading. Later critics have pointed out how Rabelais employed scatology for aesthetic purposes, not gratuitously, but instead for comic condemnation. Widely celebrated for their creative exuberance, colourful vocabulary and literary variety, Rabelais works have remained enduring classics throughout the ensuing centuries.

The full modern English title for the first novel is The Horrible and Terrifying Deeds and Words of the Very Renowned Pantagruel King of the Dipsodes, Son of the Great Giant Gargantua . The narrative begins with the origin of giants, tracing Pantagruels particular genealogy and his birth. His childhood is briefly covered, before his father sends him away to study at university, where he acquires a great reputation. On receiving news that his father has been translated to Fairyland by Morgan le Fay and that the Dipsodes have invaded his land, Pantagruel and his companions set off to the rescue

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