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Daniel Silva - The Rembrandt Affair (Gabriel Allon)

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Daniel Silva The Rembrandt Affair (Gabriel Allon)

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Of those writing spy novels today, Daniel Silva is quite simply the best. -The Kansas City Star The perfect book for fans of well-crafted thrillers ... the kind of page- turner that captures the reader from the opening chapter and doesnt let go. -The Associated Press Gabriel Allon, master art restorer and assassin, returns in a spellbinding new novel from the #1 New York Times-bestselling author. Over the course of a brilliant career, Daniel Silva has established himself as the gold standard of thriller writers (Dallas Morning News) who has hit upon the perfect formula to keep espionage-friendly fans fingers glued to his books, turning pages in nearly breathless anticipation (BookPage). But now, having reached the pinnacle of world-class spy thriller writing (The Denver Post), Silva has produced his most extraordinary novel to date-a tale of greed, passion, and murder spanning more than half a century, centered on an object of haunting beauty. Two families, one terrible secret, and a painting to die for ... Determined to sever his ties with the Office, Gabriel Allon has retreated to the windswept cliffs of Cornwall with his beautiful Venetian-born wife Chiara. But once again his seclusion is interrupted by a visitor from his tangled past: the endearingly eccentric London art dealer, Julian Isherwood. As usual, Isherwood has a problem. And it is one only Gabriel can solve. In the ancient English city of Glastonbury, an art restorer has been brutally murdered and a long-lost portrait by Rembrandt mysteriously stolen. Despite his reluctance, Gabriel is persuaded to use his unique skills to search for the painting and those responsible for the crime. But as he painstakingly follows a trail of clues leading from Amsterdam to Buenos Aires and, finally, to a villa on the graceful shores of Lake Geneva, Gabriel discovers there are deadly secrets connected to the painting. And evil men behind them. Before he is done, Gabriel will once again be drawn into a world he thought he had left behind forever, and will come face to face with a remarkable cast of characters: a glamorous London journalist who is determined to undo the worst mistake of her career, an elusive master art thief who is burdened by a conscience, and a powerful Swiss billionaire who is known for his good deeds but may just be behind one of the greatest threats facing the world. Filled with remarkable twists and turns of plot, and told with seductive prose, The Rembrandt Affair is more than just summer entertainment of the highest order. It is a timely reminder that there are men in the world who will do anything for money.

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THE REMBRANDT AFFAIR

ALSO BY DANIEL SILVA

The Defector

Moscow Rules

The Secret Servant

The Messenger

Prince of Fire

A Death in Vienna

The Confessor

The English Assassin

The Kill Artist

The Marching Season

The Mark of the Assassin

The Unlikely Spy

THE REMBRANDT AFFAIR

DANIEL SILVA

G. P. PUTNAM'S SONS

New York

The Rembrandt Affair Gabriel Allon - image 1
G. P. PUTNAM'S SONS
Publishers Since 1838
Published by the Penguin Group

Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA * Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) * Penguin Books Ltd, 80 Strand, London WC2R 0RL, England * Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) * Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) * Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India * Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) * Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

Copyright (c) 2010 by Daniel Silva
All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission.
Please do not participate in or encourage piracy of copyrighted materials in violation of the author's rights. Purchase only authorized editions.
Published simultaneously in Canada

Library of Congress Cataloging-in-Publication Data

Silva, Daniel, date.
The Rembrandt affair / Daniel Silva.
p. cm.
ISBN: 1-101-18878-2
1. Allon, Gabriel (Fictitious character)--Fiction. 2. Intelligence officers--Fiction. I. Title.

PS3619.I5443R46 2010 2010017388
813'6--dc22

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

For Jeff Zucker,
for friendship, support, and personal courage.

And, as always, for my wife, Jamie, and
my children, Lily and Nicholas.

Behind every great fortune lies a great crime.

-- HONORE DE BALZAC

CONTENTS

PROLOGUE

PORT NAVAS, CORNWALL

B y coincidence it was Timothy Peel who first learned that the stranger had returned to Cornwall. He made the discovery shortly before midnight on a rain-swept Wednesday in mid-September. And only because he had politely declined the persistent entreaties from the boys at work to attend the midweek bash at the Godolphin Arms up in Marazion.

It was a mystery to Peel why they still bothered to invite him. Truth be told, he had never cared much for the company of drinkers. And these days, whenever he set foot in a pub, there was at least one intoxicated soul who would try to badger him into talking about "little Adam Hathaway." Six months earlier, in one of the most dramatic rescues in the history of the Royal National Lifeboat Institution, Peel had plucked the six-year-old boy from the treacherous surf off Sennen Cove. The newspapers had crowned Peel a national hero but were then dumbfounded when the broad-shouldered twenty-two-year-old with movie-idol looks refused to grant a single interview. Peel's silence privately annoyed his colleagues, any one of whom would have leapt at the chance for a few moments of celebrity, even if it meant reciting the old cliches about "the importance of teamwork" and "the proud traditions of a proud service." Nor did it sit well with the beleaguered residents of West Cornwall, who were always looking for a good reason to boast about a local boy and stick it to the English snobs from "up-country." From Falmouth Bay to Land's End, the mere mention of Peel's name invariably provoked a puzzled shake of the head. A bit odd, they would say. Always was. Must have been the divorce. Never knew his real father. And that mother! Always took up with the wrong sort. Remember Derek, the whiskey-soaked playwright? Heard he used to beat the lad. At least that was the rumor in Port Navas.

It was true about the divorce. And even the beatings. In fact, most of the idle gossip about Peel had a ring of accuracy. But none of it had anything to do with his refusal to accept his role as hero. Peel's silence was a tribute to a man he had known only briefly, a long time ago. A man who had lived just up Port Navas Quay in the old foreman's cottage near the oyster farm. A man who had taught him how to sail and how to repair old motorcars; who had taught him about the power of loyalty and the beauty of opera. A man who had taught him there was no reason to boast simply for doing one's job.

The man had a poetic foreign-sounding name, but Peel had always thought of him only as the stranger. He had been Peel's accomplice, Peel's guardian angel. And even though he had been gone from Cornwall for many years now, Peel occasionally still watched for him, just as he had when he was a boy of eleven. Peel still had the dog-eared logbook he had kept of the stranger's erratic comings and goings, and the photos of the eerie white lights that used to glow in the stranger's cottage at night. And even now, Peel could picture the stranger at the wheel of his beloved wooden ketch, coming up the Helford Passage after a long night alone on the sea. Peel would always be waiting in his bedroom window, his arm raised in a silent salute. And the stranger, when he spotted him, would always flash his running lights twice in response.

There were few reminders of those days left in Port Navas. Peel's mother had moved to the Algarve coast of Portugal with her new lover. Derek the drunken playwright was rumored to be living in a beachfront hut in Wales. And the old foreman's cottage had been completely renovated and was now owned by posh weekenders from London who threw loud parties and were forever yelling at their spoiled children. All that remained of the stranger was his ketch, which he had bequeathed to Peel the night he fled Cornwall for parts unknown.

On that rainy evening in mid-September, the boat was bobbing at its mooring in the tidal creek, waves nudging gently against its hull, when an unfamiliar engine note lifted Peel from his bed and carried him back to his familiar outpost in the window. There, peering into the wet gloom, he spotted a metallic gray Range Rover making its way slowly along the road. It came to a stop outside the old foreman's cottage and idled a moment, headlamps doused, wipers beating a steady rhythm. Then the driver's-side door suddenly swung open, and a figure emerged wearing a dark green Barbour raincoat and a waterproof flat cap pulled low over his brow. Even from a distance, Peel knew instantly it was the stranger. It was the walk that betrayed him--the confident, purposeful stride that seemed to propel him effortlessly toward the edge of the quay. He paused there briefly, carefully avoiding the pool of light from the single lamp, and stared at the ketch. Then he quickly descended the flight of stone steps to the river and disappeared from view.

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