Cynthia Harrod-Eagles - Game Over
Here you can read online Cynthia Harrod-Eagles - Game Over full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2008, publisher: Severn House, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:Game Over
- Author:
- Publisher:Severn House
- Genre:
- Year:2008
- Rating:3 / 5
- Favourites:Add to favourites
- Your mark:
- 60
- 1
- 2
- 3
- 4
- 5
Game Over: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "Game Over" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Cynthia Harrod-Eagles: author's other books
Who wrote Game Over? Find out the surname, the name of the author of the book and a list of all author's works by series.
Game Over — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Game Over" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.
This first world edition published in Great Britain 2008 by
SEVERN HOUSE PUBLISHERS LTD of
915 High Street, Sutton, Surrey SM1 1DF.
This first world edition published in the USA 2008 by
SEVERN HOUSE PUBLISHERS INC of
595 Madison Avenue, New York, N.Y. 10022.
Copyright 2008 by Cynthia Harrod-Eagles.
All rights reserved.
The moral right of the author has been asserted.
British Library Cataloguing in Publication Data
Harrod-Eagles, Cynthia.
Game over. (A Bill Slider mystery). 1. Slider, Bill (Fictitious character) Fiction 2. Police England Fiction 3. Journalists Crimes against Fiction 4. Detective and mystery stories I. Title 823.914[F]ISBN-13: 978-1-78010-022-7 (ePub)
ISBN-13: 978-0-7278-6615-8 (cased)
ISBN-13: 978-1-84751-056-6 (trade paper)
Except where actual historical events and characters are being described for the storyline of this novel, all situations in this publication are fictitious and any resemblance to living persons is purely coincidental.
For Peter Wright, as long promised.
One
Fame Shrewdly Gored
T he habits learned in childhood tend to become ingrained, so that they operate on an involuntary level. With Detective Inspector Bill Slider, observation was second nature. His countryman father had taken him out to watch badgers setts at dusk, to wait for deer to come down to the stream at dawn, to know by a flattened patch of grass, a scrap of hair snagged on a hedge, a broken spiders web, fallen feathers, or the crusty bits of a mouse left by a path-side, who had passed by, and when, and why. He noticed things often without immediately knowing he had done so.
So on his way to a call-out it was the second sighting of the black Ford Focus that impinged on him. Focuses were plentiful in West London and black had lately replaced silver as the most popular car colour, so there was nothing remarkable about it, except that it had tinted windows, and he was inherently suspicious of anyone trying to hide their face, and that there had been a black Focus parked just down the road from the back door of the police station the day before. It had had the same ding-and-scrape on the nearside rear quarter, but a different number plate. Sliders interest prickled. The traffic halted him along the Goldhawk Road, just after the car had passed him, and he whipped out his notebook and jotted down its registration while he remembered it. He didnt remember the number of the earlier car except that it had begun with LN, while this began with LR. It was probably nothing, of course, but he had noticed it, and the fact of noticing made him uneasy. If he was being followed, it was following of a professional order, to have bothered to change the plates. But anyone who had been in the Job as long as he had was bound to accumulate enemies, and he had had his share of high-profile cases.
The traffic was no better than crawling now, so he cut off to the right as soon as a gap opened and made his way through the back streets to his destination. Valancy House, Riverene Road was a handsome Edwardian block of flats: red-brick work, white stone trim, noble windows and an impressive door and entrance hall. It was an annoying address to Slider, replete with those names beloved of the Edwardians, which sounded almost but not quite like real words (its sister blocks were called Croftdene and Endsleigh), but it was not a cheap one. With the new rich of London moving ever westwards, these big, high-ceilinged flats were going for a million and upwards now even in Riverene Road, a turning off King Street that pined under the shadow of the Great West Road flyover. The noise of it would be like a waterfall a constant roaring driving out all else. But triple glazing took care of most of that, and it was still a tree-lined road that ran down to the river. The trees, he noted, were limes. In July the piercing sweetness of their blossom would overpower even the exhaust reek from the traffic above.
Riverene Road was closed now to traffic, and a uniformed constable, whose name Slider annoyingly couldnt remember, moved the barrier and let him through. Before the building, a further barrier of blue and white tape kept the spectators away from the entrance. Word had got out, he thought, noting the number of press hounds. Someone in the building who couldnt wait to be famous must have blabbed. The reporters shouted questions at him as he went up the shallow steps to the front door, but he did not distinguish what they were saying. He hated his enforced contacts with the news media, and blanked them out from his consciousness as much as possible.
Atherton, his bagman and friend, was waiting for him in the lobby: tall, elegant, fair-haired, incongruous in these surroundings, he lounged with his hands in his pockets like displaced minor royalty, or a refugee from Gatsbys circle. He offered the important information first. Mackays gone for coffee. Theres a Starbucks round the corner in King Street.
Theres always a Starbucks round the corner, Slider complained. He rarely drank coffee, and tea from places like that was never any good. Good job I had breakfast before the shout came in.
That was early.
Joannas gone down to see her parents. She wanted to get away before the traffic got bad, so we made an early start.
The brown smell of old-fashioned polish in the hall went with the brown of the panelling and the dim brown light: penny-pinching low wattage bulbs did little to mitigate the loss of daylight to the flyover. There was a printed notice, hanging by a string loop on the lift door: OUT OF ORDER.
The security doors not working either, Atherton said.
Oh? Slider queried.
Could be, Atherton answered elliptically. But these old lifts work on prayer and chewing gum anyway.
Thanks for that comforting thought. They trod up the stairs. Whatve we got, anyway? I was just told a dead male, no name.
Weve identified him, Atherton said. Its the owner of the flat Edward, otherwise Ed, Stonax. Lovely Viking sort of name, that: stone axe. Its got a swish to it.
Slider frowned. I know the name. Why do I know the name?
Youve seen him on the telly, Atherton suggested. He was a BBC correspondent. He paused on a landing, assumed the posture and the voice, and intoned to camera, This is Ed Stonax. For the BBC. In Basra.
Oh, is that what it was? Slider digested this, and then asked, Wasnt he in some kind of trouble a while back? Some kind of scandal?
Youre improving, said Atherton. Crowded though life was, he could never understand a grown man who didnt keep abreast of the news. Slider said he didnt have time to read newspapers, and the television was all propaganda anyway, and relied on Atherton to keep him up to speed. But then, he had a woman to keep him warm at night. Atherton was currently without a female attachment, something unusual enough to keep him awake at night whereas in the past it had been the female attachments, plural, which had etcetera, etcetera.
Stonax left broadcasting a couple of years back and joined the civil service. Unusual to do it that way round poacher turned gamekeeper kind of thing. Became one of the new army of special advisers at the Department of Trade and Industry. Had to walk the plank in December last year after a sex scandal. Headlines in all the tabloids, Ministers Three-In-A-Bed High Jinks that sort of thing. Stonax and Sid Andrew, the Trade and Industry Secretary, were caught sharing a nubile junior press officer from Andrews department after some drinky-do at Industry House. Stonax and the girl got sacked, Andrew got kicked upstairs.
Next pageFont size:
Interval:
Bookmark:
Similar books «Game Over»
Look at similar books to Game Over. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book Game Over and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.