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Craig Brown - 150 Glimpses of the Beatles

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150 Glimpses of the Beatles: summary, description and annotation

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Though fifty years have passed since the breakup of the Beatles, the fab four continue to occupy an utterly unique place in popular culture. Their influence extends far beyond music and into realms as diverse as fashion and fine art, sexual politics and religion. When they appeared on The Ed Sullivan Show in 1964, fresh off the plane from England, they provoked an epidemic of hoarse-throated fandom that continues to this day.Who better, then, to capture the Beatles phenomenon than Craig Brownthe inimitable author of Ninety-Nine Glimpses of Princess Margaret and master chronicler of the foibles and foppishness of British high society? This wide-ranging portrait of the four lads from Liverpool rivals the unique spectacle of the band itself by delving into a vast catalog of heretofore unexamined lore.When actress Eleanor Bron touched down at Heathrow with the Beatles, she thought that a flock of starlings had alighted on the roof of the terminalonly to discover that the birds were in fact young women screaming at the top of their lungs. One journalist, mistaken for Paul McCartney as he trailed the band in his car, found himself nearly crushed to death as fans climbed atop the vehicle and pressed their bodies against the windshield. Or what about the Baptist preacher who claimed that the Beatles synchronized their songs with the rhythm of an infants heartbeat so as to induce a hypnotic state in listeners? And just how many people have employed the services of a Canadian dentist who bought John Lennons tooth at auction, extracted its DNA, and now offers paternity tests to those hoping to sue his estate?150 Glimpses of the Beatles is, above all, a distinctively kaleidoscopic examination of the Beatles effect on the world around them and the world they helped bring into being. Part anthropology and part memoir, and enriched by the recollections of everyone from Tom Hanks to Bruce Springsteen, this book is a humorous, elegiac, and at times madcap take on the Beatles role in the making of the sixties and of music as we know it.

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The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the authors copyright, please notify the publisher at: us.macmillanusa.com/piracy.

For Frances, Silas, Tallulah and Tom

In five-score summers! All new eyes,

New minds, new modes, new fools, new wise;

New woes to weep, new joys to prize;

With nothing left of me and you

In that live centurys vivid view

Beyond a pinch of dust or two;

A century which, if not sublime,

Will show, I doubt not, at its prime,

A scope above this blinkered time.

From 1967, by Thomas Hardy (written in 1867)

What a remarkable fifty years they have been for the world Think what we would have missed if we had never heard the Beatles.

Queen Elizabeth II, speaking in November 1997 at a celebration of her golden wedding anniversary

One.

Two.

Three.

Four.

In their neat black suits and ties, Brian Epstein and his personal assistant Alistair Taylor make their way down the eighteen steep steps into the sweaty basement on Mathew Street. Brian finds it as black as a deep grave, dank and damp and smelly. He wishes he hadnt come. Both he and Taylor would prefer to be attending a classical concert at the Philharmonic, but curiosity got the better of them. Four young musicians saunter onto the stage. Brian recognises them from the family record shop he manages: they are the ones who lounge around in the booths, listening to the latest discs and chatting to the girls, with absolutely no intention whatsoever of buying a record.

Between songs, the three yobs with guitars start yelling and swearing, turning their backs on the audience and pretending to hit one another. Taylor notices Brians eyes widen with amazement. Taylor himself is undergoing one of the most shocking experiences of his life like someone thumping you and he is pretty sure Brian feels the same.

After the show, Taylor says, Theyre just AWFUL.

They ARE awful, agrees Brian. But I also think theyre fabulous. Lets just go and say hello.

George is the first of the Beatles to spot the man from the record shop approaching.

Hello there, he says. What brings Mr Epstein here?

Other groups had a front man; your favourite was pre-selected for you. No one would ever pick Hank Marvin over Cliff Richard, say, or Mike Smith over Dave Clark.

But with the Beatles there was a choice, so you had to pick a favourite, and the one you picked said a lot about who you were. For their American fan Carolyn See, there was Paul, for those who preferred androgynous beauty; John, for those who prized intellect and wit; George because he possessed that ineffable something we would later recognize as spiritual life; and Ringo, patron saint of fuckups the world over.

In Liverpool, the twelve-year-old Linda Grant favoured Ringo for reasons that are beyond me. There was, she recalls, a real goody-two-shoes at school who liked Paul. George seemed a bit nothing. John seemed off-limits, too intimidating.

Ringo was the Beatle for girls who lacked ambition. Picking him as your favourite suggested a touch of realism. It went without saying that the others were already taken, but you might just stand an outside chance with the drummer. If someone asked who my favorite was I always said, Oh, I like Ringo, remembered Fran Lebowitz, who grew up in New Jersey. I liked the personality of Ringo Starr. I still do. He was not, of course, the favorite in my school among the girls. Paul McCartney was far and away the favorite. He was the cute Beatle. So it was probably just a contrarian position to choose Ringo Starr.

Helen Shapiro was only sixteen but already a major star when the Beatles toured as one of her supporting acts at the start of 1963. Like any other girl, she had her favourite. John was married but nobody knew about it at the time so along with a few thousand other girls I had a crush on him George was the most serious. He would occasionally talk about what he was going to do when he was rich, and try to pick my brains about the financial side of things. I couldnt have been a lot of help. I still wasnt interested in the money. Paul remained the spokesman. Ringo was the quiet one.

Pattie Boyd met the four Beatles after being chosen to play one of the schoolgirls in Hard Days Night. On first impressions, John seemed more cynical and brash than the others, Ringo the most endearing. Paul was cute, and George, with velvet brown eyes and dark chestnut hair, was the best-looking man Id ever seen. Unlike millions of other fans, Pattie was able to take her choice a stage further. Reader, she married him.

There was a Beatle to suit every taste. As a fan, you expressed yourself by picking one over the others. Each personified a different element: John fire, Paul water, George air, Ringo earth. Even their friends liked to paint them in primary colours, with sharply contrasting characters, like one of those jokes about the Englishman, the Welshman, the Irishman and the Scotsman. Carolyn See noted how, in A Hard Days Night, they enacted their given personas: winsome Paul, witty John, thoughtful George, goofy Ringo.

The actor Victor Spinetti once told this story about them. While filming Help! in Salzburg, he caught flu and was confined to bed. The Beatles came to my hotel room to visit. The first to arrive was George Harrison. He knocked, came in and said, Ive come to plump your pillows. Whenever anyones ill in bed they have to have their pillows plumped. He then plumped my pillows and left. John Lennon came in next and marched up and down barking Sieg heil, Schweinhund! The doctors are here. Theyre coming to experiment upon you. Sieg heil! Heil Hitler! And he left. Ringo then came in, sat down by the bed, picked up the hotel menu and read out loud, as if to a child, Once upon a time there were three bears. Mummy bear, Daddy bear and Baby bear. And then he left. Paul opened the door an inch, asked, Is it catching? Yes, I said, on which he shut the door and I never saw him again. Paul was being the pragmatist, as usual. He knew that if he or the others had caught flu, thered be no filming.

Working alongside Brian Epstein, Alistair Taylor observed the different ways the Beatles dealt with their earnings. Every month, Brian would issue each of the boys with their financial statements, all neatly and accurately itemised, and sealed in a white manila envelope. They reacted very different. John would instantly crumple it up and stuff it in his pocket. George might have a look. Ringo certainly couldnt understand it and didnt waste any time trying. Paul was the one who opened it carefully and would sit in the corner of the office for hours going meticulously through it.

As they grew older, the differences in their characters became sharper. It was as though the wind had changed, and each had been stuck with the face he last pulled. Asked to submit ideas for famous figures to include on the Sgt. Pepper album cover, George suggested a few Indian gurus, and Paul picked a broad variety of artists, from Stockhausen to Fred Astaire. Johns suggestions were more macabre or offbeat: the Marquis de Sade, Edgar Allan Poe, Jesus, Hitler. And as for Ringo, he simply said hed go along with what the others wanted.

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