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Margalit Fox - The Confidence Men : How Two Prisoners of War Engineered the Most Remarkable Escape in History

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Margalit Fox The Confidence Men : How Two Prisoners of War Engineered the Most Remarkable Escape in History
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Imprisoned in a remote Turkish POW camp during World War I, having survived a two-month forced march and a terrifying shootout in the desert, two British officers, Harry Jones and Cedric Hill, join forces to bamboozle their iron-fisted captors. To stave off despair and boredom, Jones takes a handmade Ouija board and fakes elaborate sances for his fellow prisoners. Word gets around, and one day an Ottoman official approaches Jones with a query: Could Jones contact the spirit world to find a vast treasure rumored to be buried nearby? Jones, a trained lawyer, and Hill, a brilliant magician, use the Ouija boardand their keen understanding of the psychology of deceptionto build a trap for their captors that will ultimately lead them to freedom. A gripping nonfiction thriller, The Confidence Men is the story of one of the only known con games played for a good causeand of a profound but unlikely friendship. Had it not been for the Great War, Jones, the Oxford-educated son of a British lord, and Hill, a mechanic on an Australian sheep ranch, would never have met. But in pain, loneliness, hunger, and isolation, they formed a powerful emotional and intellectual alliance that saved both of their lives. Margalit Fox brings her nose for interesting facts, the ability to construct a taut narrative arc, and a Dickens-level gift for concisely conveying personality (Kathryn Schulz, New York) to this tale of psychological strategy that is rife with cunning, danger, and moments of high farce that rival anything in Catch-22.

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Copyright 2021 by Margalit Fox All rights reserved Published in the United - photo 1

Copyright 2021 by Margalit Fox

All rights reserved.

Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York.

Random House and the House colophon are registered trademarks of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: Fox, Margalit, author.

Title: The confidence men: how two prisoners of war engineered the most remarkable escape in history / Margalit Fox.

Description: New York: Random House, [2021] | Includes bibliographical references and index.

Identifiers: LCCN 2020044276 (print) | LCCN 2020044277 (ebook) | ISBN 9781984853844 (hardcover) | ISBN 9781984853868 (ebook)

Subjects: LCSH: Jones, E. H. (Elias Henry), 1883-1942. | Hill, C. W. (Cedric Waters), 1891-1975. | World War, 1914-1918Prisoners and prisons, Turkish. | Escaped prisoners of warTurkeyBiography. | Escaped prisoners of warGreat BritainBiography. | Prisoner-of-war escapesTurkeyHistory20th century. | Prisoner-of-war campsTurkeyYozgat (Yozgat li) | Swindlers and swindling. | Male friendship.

Classification: LCC D627.T8 F69 2021 (print) | LCC D627.T8 (ebook) | DDC 940.4/725638dc23

LC record available at https://lccn.loc.gov/2020044276

LC ebook record available at https://lccn.loc.gov/2020044277

Ebook ISBN9781984853868

Maps by Jonathan Corum. Used by permission.

randomhousebooks.com

Book design by Simon M. Sullivan, adapted for ebook

Cover design: Lucas Heinrich

Cover photograph: Margaret Bourke-White/The LIFE Picture Collection/Getty Images

ep_prh_5.7.0_c0_r0

Contents

Somehow, what we would not believe in reality, we will believe in a work of art.

NORMAN N. HOLLAND ,

The Willing Suspension of Disbelief Revisited, 1967

Authors Note

In 1928, by an act of the Turkish Parliament, the Turkish language began to be written in a version of the Roman alphabet; the change was part of efforts to modernize the country. Before that date, Turkish had been written in a modified Arabic script. As a result, when pre-1928 Western writers rendered Turkish words in print, their attempts at Romanization produced a welter of competing forms. A single example will suffice: The name Yozgad, which denotes both the prisoner-of-war camp at the heart of this story and the Anatolian town in which it lay, appears variously as Yozgad, Yozgat, Yozghat, and Yuzgat.

Although many pre-1928 Romanizations are anachronistic today, in the interest of reflecting the era in which our story is set, I have generally retained the spellings most commonly used by British writers of the period. I also refer to the regions towns and cities by the names they bore in the West at the time: Angora for Ankara, Constantinople for Istanbul, and the like.

In addition, many English-language memoirists of the Ottoman theater, our heroes E. H. Jones and C. W. Hill included, used the generic term Turks to refer collectively to their Ottoman opponents, be they Turkish, Arab, Jewish, Kurdish, or otherwise, conflating a diverse range of ethnic identities under a single, imperial rubric. For linguistic economy, and in keeping with the diction of the early twentieth-century Britons on whom this book centers, I have occasionally employed Turks and Turkish in generic references throughout the text, although such terms would be considered ethnographically insufficient in modern scholarly discourse.

It is also vital to note that Western accounts of the campaigns in Ottoman lands can be fraught with a type of rhetoricimperialist, exceptionalist, essentialist, Orientalistthat is unacceptable today. Such rhetoric, born of what one modern historian calls romanticized misrepresentations of places like the Ottoman Empire as sites of mystery and despotism, and which bolstered ideas of the backwardness of their societies andthe superiority of the Western European world, appears at times in this book in quoted matter.

The currency conversions in the footnotes, which translate early twentieth-century pound sterling values into contemporary pound sterling and contemporary U.S. dollars, reflect the historical inflation rate and contemporary exchange rate of late 2020, when this book went to press.

Constantinople was for centuries the capital of the Ottoman Empire. In 1923, with the formation of the Republic of Turkey, the citys name was formally changed to Istanbul and the capital moved to Ankara.

Introduction

This is the true story of the most singular prison break ever recordeda clandestine wartime operation that involved no tunneling, no weapons, and no violence of any kind. Conceived during World War I, it relied on a scheme so outrageous it should never have worked: Two British officers escaped from an isolated Turkish prison camp by means of a Ouija board.

Yet that schemean ingeniously planned, daringly executed confidence gamewas precisely the method by which the young captives, Elias Henry Jones and Cedric Waters Hill, sprang themselves from Yozgad, a prisoner-of-war camp deep in the mountains of Anatolia.

The plan seemed born of a fever dream. Using a handmade Ouija board, Jones and Hill would regale their captors with a tale, seemingly channeled from the Beyond, designed to make them delirious enough to lead the pair out of Yozgad. The ruse would also require our heroes to feign mental illness, stage a double suicide attempt that came perilously close to turning real, and endure six months in a Turkish insane asylum, an ordeal that drove them to the edge of actual madness.

And yet in the end they won their freedom.

I first encountered this story several years ago, through Joness 1919 memoir, The Road to En-dor. Long after I finished it, two things haunted me. The first was that this astounding tale, rife with cunning, danger, and moments of high farce that rival anything in Catch-22, had slipped into a crevice in history, where it languished unknown to most of the twenty-first-century public. The second was that it had at its center an enduring mystery: How in the world was this preposterous plan actually able to succeed?

Joness book dwelled minutely on how his ruse worked, detailing a web of plotting, rehearsal, and performance. But there remained the question of whythe precise ingredients of the psychological cocktail that transformed his captors into clay in the potters hands. Hills posthumous memoir, The Spook and the Commandant, likewise favors exposition over explanation.

The passage of a century has made it possible to solve the mystery at the storys heart. Besides chronicling one of the most ingenious hoaxes ever perpetrated (and one of the only known examples of a con game being used for good instead of ill), The Confidence Men explores the strategy that underpins all confidence schemes: the subtle process of mind control called coercive persuasion, colloquially known as brainwashing. The answers to this books central questionsHow does a master manipulator create and sustain faith? Why do his converts persist in believing things that are patently false?also illuminate the behavior of present-day figures such as advertisers, cult leaders, and political demagogues.

Above all, The Confidence Men is the story of the profound friendship of two men who almost certainly would not have met otherwise: Jones, the Oxford-educated son of a British lord, and Hill, a mechanic on an Australian sheep station. Vowing to see the scheme through if it cost them their lives, each was sustained throughout its myriad hardships by the steadfastness of the other.

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