Jane P. Davidson - David Teniers The Younger

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David Teniers the Younger

David Teniers the Younger

Jane P. Davidson

First published 1979 by Westview Press, Inc.

Published 2018 by Routledge
52 Vanderbilt Avenue, New York, NY 10017
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

Copyright 1979 Taylor & Francis

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging in Publication Data
Davidson, Jane P.
David Teniers the Younger.
Bibliography: p.
Includes index.
1. Teniers, David, the younger, 1610-1690. 2. PaintersBelgium
Biography. I. Title
ND673.T3D38 759.9493 [B] 79-13221

ISBN 13: 978-0-367-02192-4 (hbk)

Contents

1. 1 Teniers's Life and Style: 1610-1650
2. 2 Teniers's Life and Style: 1650-1670
3. 3 Teniers's Life and Style: 1670-1690
4. 4 Teniers's Students, Collaborators, and Followers
5. 5 Teniers and the Graphic Arts
6. Conclusion
7. The Plates

1. 1 Teniers's Life and Style: 1610-1650
2. 2 Teniers's Life and Style: 1650-1670
3. 3 Teniers's Life and Style: 1670-1690
4. 4 Teniers's Students, Collaborators, and Followers
5. 5 Teniers and the Graphic Arts
6. Conclusion
7. The Plates

Guide

1. 1. David Teniers the Younger, Saint Anthony in a Landscape
2. 2. David Teniers the Younger, Still Life
3. 3. David Teniers the Younger, The Seven Acts of Mercy
4. 4. David Teniers the Younger, The Witch
5. 5. Jan Davidez de Heem and David Teniers the Younger, Kitchen Interior
6. 6. David Teniers the Younger, The Alchemist
7. 7. David Teniers the Younger, Fat Kitchen
8. 8. David Teniers I and David Teniers the Younger, Charles and Ubald Tempted by Nymphs from Twelve Scenes from Tasso's Gerusalemme Liberata
9. 9. David Teniers I and David Teniers the Younger, The Dream of Oradine from Twelve Scenes from Tasso's Gerusalemme Liberata
10. 10. David Teniers I and David Teniers the Younger, Charles and Ubald Searching for Rinaldo from Twelve Scenes from Tasso's Gerusalemme Liberata
11. 11. David Teniers the Younger, Christ on the Mount of Olives from the Mysteries of the Rosary Series
12. 12. David Teniers the Younger, The Nativity from the Mysteries of the Rosary Series
13. 13. David Teniers the Younger, The Card Players
14. 14. David Teniers the Younger, Le Roi Boit or The Smoker
15. 15. David Teniers the Younger, The Smoker
16. 16. David Teniers the Younger, The Temptations of St. Anthony
17. 17. David Teniers the Younger, Landscape with Christ and the Pilgrims to Emmaus
18. 18. David Teniers the Younger, Latona and the Lycian Peasants
19. 19. Jan Brueghel I, Latona and the Carien Peasants
20. 20. David Teniers the Younger, Lot and His Daughters
21. 21. David Teniers the Younger, The Temptations of St. Anthony
22. 22. David Teniers the Younger, The Prodigal Son with the Prostitutes
23. 23. David Teniers the Younger, The Temptations of St. Anthony
24. 24. David Teniers the Younger, The Denial of St. Peter
25. 25. David Teniers the Younger, The Alchemist
26. 26. David Teniers the Younger, The Alchemist
27. 27. David Teniers the Younger, The Temptations of St. Anthony
28. 28. David Teniers the Younger, The Deliverance of St. Peter
29. 29. Aliamet, The Alchemist
30. 30. David Teniers the Younger, The Alchemist
31. 31. David Teniers the Younger, Incantation Scene
32. 32. David Teniers the Younger, The Good Samaritan
33. 33. David Teniers the Younger, The Madonna of the Cherries
34. 34. Gautier Guysaerts and David Teniers the Younger, Blessed Jan van Weert in a Flower Garland
35. 35. David Teniers the Younger, The Alchemist
36. 36. David Teniers the Younger, The Assumption of the Virgin from the Mysteries of the Rosary Series
37. 37. Julien Teniers II, Interior with a Woman Peeling Apples
38. 38. Jacques d'Arthois and David Teniers the Younger, Landscape with Woodcutters
39. 39. Lucas van Uden and David Teniers the Younger, Le Dpart pour le March
40. 40. Jan van Kessel and David Teniers the Younger, The Temptations of St. Anthony in a Flower Garland
41. 41. David Ryckaert III, The Alchemist
42. 42. David Ryckaert III, Kitchen Interior
43. 43. Abraham Teniers, Village Fete
44. 44. Noel le Mire, Latona Venge
45. 45. William Baillie, The Alchymist
46. 46. Peter Paul Rubens, Emblem of Christ Appearing to Constantine
47. 47. David Teniers I and David Teniers the Younger, A Scene in Godfroy's Camp from Twelve Scenes from Tasso's Gerusalemme Liberata
48. 48. David Teniers I and David Teniers the Younger, Armida in Battle, from Twelve Scenes from Tasso's Gerusalemme Liberata

For some time there has existed a need for a new account of the life and stylistic development of David Teniers the Younger (1610-1690). This need is made all the more obvious by the fact that Adolf Rosenberg's book, written in 1898, remains a most complete study of Teniers. Some are incomplete; others contain errors gleaned from earlier sources. None has dealt with the artist's stylistic evolution from his early works to the works of the mature Teniers.

This study seeks to present a more complete biography of Teniers along with a detailed analysis of his style in various periods of his career. The book discusses the artists who influenced Teniers and, in turn, those he influenced. It also contains material about the painters with whom Teniers collaborated. Finally, consideration is given to Teniers as a graphic artist and to his impact on the graphic arts. The study provides a basis for Teniers's connoisseurship that will facilitate the difficult problem of dating the large number of his undated works. It may also shed some light on the problems of sorting out the many followers and imitators of Teniers.

It has not been my intention to prepare a catalogue raisonn. I am aware that this may prove disappointing to some who seek an analysis of several thousand boring genres and landscapes. I attempt here to establish new, accurate criteria for the recognition of Teniers's paintings and for the artist's stylistic evolution. It does not seem right to place Teniers in the mold of an artist such as Van Dyck, always the prodigy. There is a definite evolutionary sequence in Teniers's paintings and this sequence is my primary consideration. I could see no reason to bore the reader with endlessly repetitive peasant genres.

Jane P. Davidson

I am indebted to a great many people for their assistance in the preparation of this study. First of all, I must thank Erik Larsen, who first suggested that I study Teniers and who has continued to be interested in my research over the years.

I would also like to thank the staffs of several research institutions for their help with details of Teniers's life and with documentation of various paintings. The staffs of the Archives g&les du royaume, Brussels, and the Archives de la Ville de Bruxelles come to mind, as does the staff of the Stadsarchief, Antwerp. The staff of the Rijksbureau voor Kunsthistorische Documentatie, the Institut royal du patrimoine artistique, and the Zentral Institut fi Kunstgeschichte were also most helpful. I especially thank Dr. Ulla Krempel of the Direktion der Bayerischen Staatsgemaldesammlungen, who on several occasions shared her expertise and helped me obtain information on paintings in the Alte Pinakothek and the Schleissheim collections.

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