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Karen Haber - Masters of Science Fiction and Fantasy Art: A Collection of the Most Inspiring Science Fiction, Fantasy, and Gaming Illustrators in the World

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Karen Haber Masters of Science Fiction and Fantasy Art: A Collection of the Most Inspiring Science Fiction, Fantasy, and Gaming Illustrators in the World
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Masters of Science Fiction and Fantasy Art: A Collection of the Most Inspiring Science Fiction, Fantasy, and Gaming Illustrators in the World: summary, description and annotation

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Masters of Science Fiction and Fantasy Art profiles and celebrates the work of todays leading practitioners of art of the fantastic, as well as a handful of gifted newcomers from around the globe. The range and impact of their work is both inspiring and far-reaching. These 28 masters have created images for television, movies, gaming, museum exhibits, theme park rides, and every area of publishing. Some of the artists featured only employ traditional painting techniques, while others use only digital methods, and many more blend the mediums to create their fantastical images. Each artist discusses his/her influences and techniques as well as offering tips to beginning artists. Science Fiction Grandmaster and Hugo Awardwinning author Joe Haldeman contributes a foreword. Artists, science fiction fans, and art collectors will appreciate the outstanding artwork featured here.

Featured artists include:

Brom

Jim Burns

Kinuko Y. Craft

Dan Dos Santos

Bob Eggleton

Donato Giancola

Rebecca Guay

James Gurney

Gregory Manchess

Stephan Martiniere

Terese Nielsen

John Picacio

Greg Spalenka

Shaun Tan

Charles Vess

**

About the Author

Karen Haber is the author of nine novels, including Star Trek Voyager: Bless the Beasts, and co-author of Science of the X-Men. She is a Hugo Award nominee, nominated for Meditations on Middle Earth, an essay collection celebrating J. R. R. Tolkien. Her short fiction has appeared in many publications, including Asimovs and The Magazine of Fantasy & Science Fiction. Habers non-fiction work includes Exploring the Matrix: Visions of the Cyber Present, a collection of essays by leading science fiction writers and artists; Kong Unbound, an original anthology; and Transitions: Todd Lockwood, a book-length retrospective of the artists work. She reviews art books for Locus Magazine and profiles artists for Realms of Fantasy Magazine and other publications. She lives in Oakland, CA. Visit her web site at http://www.karenhaber.com.

Joe Haldeman is an award-winning science fiction novelist. He is best known for The Forever War, which Ridley Scott is currently adapting for the big screen. The Forever War and Forever Peace both won the Nebula and Hugo Awards. Haldemans most recent novels include Starbound, Marsbound, The Accidental Time Machine, and Camouflage. He received the Grand Master Award from the Science Fiction and Fantasy Writers of America in 2010. He currently rotates between residing in Gainesville, Florida and Cambridge, Massachusetts.

Karen Haber: author's other books


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MASTERS of
SCIENCE FICTION
and FANTASY ART
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MASTERS of
SCIENCE FICTION
and FANTASY ART
A COLLECTION OF THE MOST INSPIRING SCIENCE FICTION, FANTASY,
AND GAMING ILLUSTRATORS IN THE WORLD
by Karen Haber
Foreword by Joe Haldeman,
author of The Forever War
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MASTERS of SCIENCE FICTION and FANTASY ART
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CONTENTS
FOREWORD BY JOE HALDEMAN
INTRODUCTION
COMBINED TRADITIONAL AND DIGITAL TOOLS
Jim Burns
Shaun Tan
Dave Seeley
Avi Katz
John Picacio
Pavel Mikhailenko
Ken Wong
Brom
Greg Spalenka
Bruce Jensen
Scott M. Fischer
Todd Lockwood
DIGITAL TOOLS AND TECHNIQUES
Stephan Martiniere
Tomasz Maronski
Camille Kuo
Galan Pang
Marta Dahlig
TRADITIONAL TOOLS AND TECHNIQUES
James Gurney
Kinuko Y. Craft
Charles Vess
Donato Giancola
Rebecca Guay
Dan Dos Santos
Petar Meseldzija
Terese Nielsen
Bob Eggleton
Don Maitz
Gregory Manchess
DIRECTORY OF CONTRIBUTORS
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
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page 6 MASTERS of SCIENCE FICTION and FANTASY ART
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(Text)
FOREWORD
JOE HALDEMAN
For some people this could be a very dangerous
book. If I had read it at the age of twelve, I might
have put aside my edgling writers typing machine
and picked up a brushand embarked upon a life
marked with very different hazards and rewards.
The life stories here are that interesting. The worlds
to which they provide entry could be that alluring.
Karen Haber asked me to write this introduction
because we share a love of art, and she knows that Im
a compulsive dabbler in it. My wife and I have traveled
all over the world with Karen and her husband Robert
Silverberg, and she knows that for decades Ive kept
a travel diary of watercolor sketches.
Ive never been a serious artist, in the sense of
knuckling down to spend the necessary years of study
and practice. But I do carry a notebook and watercolor
spitbox wherever I go, and every Saturday I bike
down to a studio to spend the morning with brush
in hand, staring at a nude woman, supposedly in the
service of art. So my interest in art may be less than
professional, but its more than casual.
At this writing, the book itself does not exist, of course;
I only have the draft manuscript of the interviews
and URLs I can type in to see the artists various
homepages and galleries. So while I was reading
the manuscript, I felt like I was listening in on
something marvelous that was transpiring in the next
roombut it will be another year before I get a peek
over the transom, to see what was really going on!
For instance, when Scott Fischer says, Ill often
use nothing but the polygon lasso tool, and bright-
ness and contrast to build up the planar shapes of a
painting... I have whole folders with nothing but
scanned traditional brush marks that I will lay on top
of a piece, playing with opacity, overlay, dodge and
burn, then erasing out areas where I dont like the
effect, theres a whole nutshell lesson in how
to use a computer to make a picture. But without
actual pictures to illustrate the process, my visual
imagination cant nish the job.
Computers and other high-tech tools do gure
strongly in all of these stories, of course. None
of these artists goes through the time-consuming
and nerve-wracking rigmarole that was the life cycle
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