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William C. Martell - The Bourne Movies

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William C. Martell The Bourne Movies

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They should have left him alone...
The release of Jason Bourne starts a proposed new trilogy in the Bourne story... The film returns Matt Damon (and director Paul Greengrass) to the Bourne series after Bourne Legacy (which was *also* supposed to be the first in a trilogy). What draws us to these films about an amnesiac assassin trying to find the secrets of his past? Why do we now have *two* proposed trilogies?
This book looks at all five Bourne movies (including Legacy and its potential sequels) - What are the techniques used to keep the characters and scenes exciting and involving? Reinventing the thriller genre... or following the formula? How does the paranoia thriller subgenre work? What makes an intelligent thriller? How to elevate your story. A look at the Arrogance Of Sequels. European style car chases vs. the American style. Involving the audience. Tradecraft and the espionage genre. What makes some of these films work and others... well, not work at all?
Five films - each with an interesting experiment! A detailed analysis of each of the films, the way these thrillers work... as well as a complete list of box office and critical statistics for each film.
This book is great for writers, directors, and just fans of the series.

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STORY IN ACTION #2
THE BOURNE MOVIES
by
William C. Martell
FIRST STRIKE PRODUCTIONS

The Bourne Movies

First Digital Edition

ISBN:

Copyright 2016 by William C. Martell

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic, mechanical, or telepathic, including photocopying, recording, or any information and retrieval system, without the prior written permission of the Writer, except by a reviewer who may quote brief passages in a review.

First Strike Productions

11012 Ventura Blvd #103

Studio City, CA 91604

http://www.ScriptSecrets.Net

TABLE OF CONTENTS
    • Nice Guy Assassin

    • The Screenplay

    • The Star

    • The Reshoots

    • The Bourne Movies

    • Introduction

    • Revolutionary?

    • Opening Hook

    • Paranoia

    • Intelligent Thrillers

    • Embassy Chase

    • The Red Bag

    • Drive He Said

    • Conflicted Quest

    • Shocking Action

    • Stay Or Go?

    • European Car Chase

    • A New Identity

    • The Big Plan

    • I'm The Bad Guy?

    • Love On The Rocks

    • Buying The Farm

    • End Of Love?

    • Act Three

    • I Spy

    • Confrontation

    • Twist

    • Conclusion

    • Introduction

    • Nobody Loves A Sequel

    • Opening Hook

    • MacGuffin

    • Our First Chase

    • Dis-Harmonic Convergence

    • Character Purpose

    • Connections

    • The Unusual Way

    • Mano-a-Mano

    • Meet Me In Berlin

    • Someplace Public

    • Will he Kill Her?

    • Crimes Of The Past

    • Police Foot Chase

    • The Guilty Party

    • The Ladder Of Villains

    • To Russia With Guilt

    • Kirill Foot Chase

    • Moscow Car Chase

    • Into The Darkness

    • Interlude #1

    • Contrition

    • Interlude #2

    • Conclusions

    • Introduction

    • Opening Hook

    • Story Flow

    • Tradecraft

    • Camera Paranoia

    • Clever Locations

    • Get Jason Bourne!

    • Just MacGyver That!

    • Cross-Cutting

    • What's At Stake?

    • Call Backs & Echo Scenes

    • Planned Suspense

    • Poking The Tiger

    • Eight Minute Chase Scene

    • Savage Fight Scenes

    • Which Side Are We On?

    • The New Clues

    • Dc Al Coda

    • Coming Together

    • Two way Clues

    • Final Car Chase

    • Coming Home

    • Crippled By The Past

    • Confrontations

    • Denouement

    • Conclusions

    • Introduction

    • Opening Hook

    • The Arrogance Of Sequels

    • Mass Elimination (part 1)

    • Drone Chase

    • Still No Act 2

    • Mass Elimination (part 2)

    • Long Term Parking

    • When Aaron Met Marta

    • Midpoint?

    • Number 5 Is Alive!

    • Can This Be More Boring?

    • Nothing Driving

    • All Too Easy

    • Stall, Stall, Stall

    • Talk Your Way Out Of This!

    • Hide & No Seek

    • Nonsense Plotting

    • Are We In Act 3 Yet?

    • Act 2 Chase

    • Vehicle Chase

    • Will We Ever Get To Act 3?

    • Every Movie Should End With A Bang!

    • Conclusions

    • Introduction

    • Re-Bourne

    • Stern Fathers

    • Public Meeting #1

    • Fast Walking Chases

    • Countdown

    • This Time It's Personal!

    • Cyber Paranoia

    • Public Meeting #2

    • What Happens In Vegas

    • American Style Car Chase

    • Mano-A-Mano

    • Loose Ends

    • Conclusions

  • AFTERWORDS

    • Secrets Of Action Screenwriting

    • Hitchcock: Experiments In Terror

    • Hitchcock: Mastering Suspense

INTRODUCTION

Who has a safety deposit box full of money and six passports and a gun? Who has a bank account number in their hip? I come in here, and the first thing I'm doing is I'm catching the sight-lines and looking for an exit. I can tell you the license plate numbers of all six cars outside. I can tell you that our waitress is left-handed and the guy sitting up at the counter weighs two hundred fifteen pounds and knows how to handle himself. I know the best place to look for a gun is the cab of the gray truck outside, and at this altitude, I can run flat out for a half mile before my hands start shaking. Now why would I know that? How can I know that and not know who I am?

The Bourne Series almost never happened.

The word on Bourne was that it was supposed to be a turkey, Damon said in an interview with GQ Magazine. Its very rare that a movie comes out a year late, has four rounds of reshoots, and its good.

Screenwriter Tony Gilroy told The Playlist, Oh yeah, oh man, nobody was more surprised (at its success) then me.

The film was supposed to be released on September 7, 2001... then got pushed back to February 2002 and then pushed back again to May 31st 2002.

The film was plagued with so many problems that everyone expected it to bomb... they were hoping that it might recoup its (fairly inexpensive) production cost before it died.

Just as the Bourne movies are similar to Dr. Jekyll & Mr. Hyde with Bourne as both a nice guy and a trained assassin struggling to cohabit the same body, both the hero and villain of The Bourne Identitys production problems were the same person - director Doug Liman. Without him there wouldnt be a Bourne franchise... but with him the franchise almost died in its very first film.

NICE GUY ASSASSIN

Liman had read the novel The Bourne Identity by Robert Ludlum in High School, and it was his dream project to make it into a film again. (Wait, the movie is based on a novel? A big best-selling beach read in 1980. Wait, *again*? Yes, it was a TV miniseries which ran on ABC in 1988 starring the king of mini-series, Richard Chamberlain.) Liman was *obsessed* with the novel, and after his indie success with Swingers in 1996 decided to go after Bourne... but at that time Warner Brothers still owned the rights from the TV miniseries and was considering developing a movie version since they owned the rights. But after Liman directed Go in 1999 he discovered that Warner Bros. hadnt been able to put their version together and allowed the rights to lapse. So Liman decided to option the novel himself, by flying his private plane to Ludlums house in Montana... only one problem: hed just received his pilots license and this would be his first solo flight. He ended up getting lost... and the National Guard had been called out to search the mountains for the wreckage of his plane. Liman isnt much of a planner, likes to do things like fly cross country to meet a best selling novelist on a whim... and in an interview with Entertainment Weekly said, I had just become a pilot, and it was my first solo flight. I had woefully miscalculated my arrival, so by the time I got there the National Guard was looking for me. I didnt understand I had to slow down to cross the Tetons. This sort of unplanned recklessness appears to be Limans trademark. On his way back from Ludlums house, his plane ran out of fuel and he *did* have to be rescued! But Liman is the hero of this franchise because he believed in that story enough to fly to Montana and personally option the film rights from novelist Robert Ludlum. Without that, there would not be a Bourne Identity movie in the first place, let alone the now four films which have followed in the series.

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