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Diana B. Henriques - The White Sharks of Wall Street: Thomas Mellon Evans and the Original Corporate Raiders

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The first in-depth portrait of the life and times of the trailblazing financier Thomas Mellon Evans -- the man who pursued wealth and power in the 1950s with a brash ruthlessness that forever changed the face of corporate America.
Long before Michael Milken was using junk bonds to finance corporate takeovers, Thomas Mellon Evans used debt, cash, and the tax code to obtain control of more than eighty American companies. Long before investors began to lobby for shareholders rights, Evans was demanding that public companies be run only for their shareholders -- not for their employees, their executives, or their surrounding communities. To some, Evanss merciless style presaged much that is wrong with corporate life today. To others, he intuitively knew what was needed to keep America competitive in the wake of a global war.
In The White Sharks of Wall Street, New York Times investigative reporter Diana Henriques provides the first biography of this pivotal figure in American business history. She also portrays the other pioneering corporate raiders of the postwar period, such as Robert Young and Louis Wolfson, and shows how these men learned from one another and advanced one anothers takeover tactics. She relates in dramatic detail a number of important early takeover fights -- Wolfsons challenge to Montgomery Ward, Youngs move on the New York Central Railroad, the fight for Follansbee Steel -- and shows how they foreshadowed the desperate battle waged by Tom Evanss son, Ned Evans, to keep the British raider Robert Maxwell away from his Macmillan publishing empire during the 1980s.
Henriques also reaches beyond the business arena to tally the tragic personal cost of Evanss pursuit of success and to show how the family dynasty shattered when his sons were driven by his own stubbornness and pride to become his rivals. In the end, the battling patriarch faced his youngest son in a poignant battle for control at the Crane Company, the once-famous Chicago plumbing and valve company that Tom Evans had himself seized in a brilliant takeover coup twenty-five years earlier.
The White Sharks of Wall Street is a fascinating portrait of an extraordinary man, whose career blazed across the sky and then sank into obscurity -- but not before he had provided the template for how American business would operate for the next four decades.

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Picture 1

A LISA DREW BOOK/SCRIBNER
1230 Avenue of the Americas
New York, NY 10020

Visit us on the World Wide Web:
http://www.SimonSays.com

Copyright 2000 by Diana B. Henriques

All rights reserved, including the right of reproduction in whole or in part in any form.

SCRIBNER and design are trademarks of Macmillan Library Reference USA, Inc., used under license by Simon & Schuster, the publisher of this work. a lisa drew book is a trademark of Simon & Schuster, Inc.

ISBN-10: 0-7432-0267-8
ISBN-13: 978-0-7432-0267-1


For my husband, with love,

And for his father and my friend,

Laurence Barlow Henriques (19061990)


ACKNOWLEDGMENTS


My agent, Denise Marcil, by happy coincidence, had actually met Thomas Mellon Evans long before I stumbled across him in the course of my research for my previous book, Fidelitys World, and her conviction that his story was worth telling sustained me at every step of this journey. So did the spirited, generous encouragement of Lisa Drew, my editor and the best friend any author could have.

I also owe special thanks to a small band of people who, in a very practical sense, made it possible for me to write this book. In late 1996, I incurred one of those stubborn repetitive-stress injuries that sometimes afflict journalists. Every extended bout of typing provoked a relapse; I feared not only for this book but for my very livelihood. Then, in the summer of 1997, a young man named Jeff Rutherford, who was working for Denise at the time, attended a technology fair and saw a demonstration of a new voice-recognition software program from Dragon Systems. He urged me to take a look, and I did, with the tireless help and support of Susan Fulton, Charles Rubin, Terry Schwadron, Ray Lewis, and all the wonderful people on the technology team at the New York Times. Susan was my teacher, cheerleader, trouble-shooter, and inspiration during the months I spent training myself to create by talking, not typing. She and the technology team literally gave me back my career, and this small thank you does not come close to expressing what is in my heart.

Through those months, I was comforted at every step by the unfailing support and kindness of Glenn Kramon and Alison Cowan, my editors in the business news department at the Times. Best of all, when I was adept enough at dictation to return to my normal duties, they promptly put me back to work, no questions asked, no allowances made. That was the greatest gift of all: they treated me like every other reporter on their team, demonstrating to me and to everyone that it was the quality of my work that mattered, not the technique I used to produce it.

Others have contributed enormously to the creation of this book. Barbara Oliver and Jack Begg, my research assistants, were creative, resourceful, and tireless. Sarah Weissman tracked down the atmospheric photographs. Floyd Norris, my friend and colleague, was my first reader and a wise and helpful critic. I am grateful, too, for the help of the priceless Donna Anderson at the Times and for her research counterparts at other publications, especially Charles Shipman at the St. Louis Post-Dispatch and Mary Danehy at Time Inc. And I appreciate so much the help of Lorie Olson of the American Heritage Center at the University of Wyoming and Alfons Landa Jr., who allowed me to be the first to explore his fathers personal papers.

I would also like to thank all those who shared their memories of this remarkable man and the exciting days of the early takeover wars, especially John K. Foster, Elizabeth Parker Kase, Thomas Mellon Evans Jr., Joseph Flom, Sayre Rodman, Jack Markowitz, A. C. Pocius, and dozens of others who spoke to me on the record and in confidence.

And last but foremost, I thank my incredible husband, Larry, who never lost faith in my ability to overcome my injury and achieve my goals. He is, as I frequently tell him, the best thing that ever happened to me.


THE
WHITE SHARKS
OF
WALL STREET


PROLOGUE:
THE SECOND TIME AROUND


T he Time: An evening in the early eighties.

The Place: A soaring hall in a famous Manhattan museum, set for dinner.

The Occasion: A private party hosted by Drexel Burnham Lambert, just emerging as the leading financier of the proliferating battles for control of Americas largest corporations. Around the tables are men whose ambitions will chill the hearts of company executives, local mayors, labor leaders, and boardroom directors for years to come.

But at one table sits a man none of the celebrity-spotters recognize. He is Robert Sheldon Evans, an executive at the Crane Company, a polyglot industrial corporation whose last big headlines on Wall Street had come in the mid-seventies, when it made a bid to buy a stake in Anaconda Copper.

One of Evanss curious tablemates finally asks the question others at the table are clearly pondering. Why is he here? Where does he fit into this choreography of power?

Oh, answers the low-key man from Crane, Im standing in for my dad, Tom Evans.

The questioner still looks blank. Who is this Tom Evans?

A brief coolness, then: Well, I guess you could say, he started all this. His hand swept in the room full of strivers and acquirers, raiders and would-be raiders.


In the business world of the late fiftiesthat hazy fax-free and pre-laptop era when a round-trip to the Coast took days and takeover battles took monthsThomas Mellon Evans was a widely recognized figure. A Daddy Warbucks lookalike, he was so familiar that business writers could use his name unexplained, just as the names of investment wizard Warren Buffett and entrepreneur Donald Trump would be used decades later. He was a controversial figure as wella New Jersey congressman would later brand him the white shark and Forbes magazine called him the man in the wolf suit. Long before Drexels Michael Milken became a household name in the eighties by facilitating the use of junk bonds to finance hostile corporate takeovers, Tom Evans had used debt, cash, and the tax code to seize control of more than eighty American companies, small and large. Long before giant pension funds and other institutional investors began to lobby for shareholder rights, Tom Evans was demanding that public companies operate only for their shareholdersnot for their employees or their executives, not for their surrounding communities, but for the people who owned their stock. His view seemed selfish and harsh in the pallid institutional community of that day, but he preached it fiercely and effectively.

By 1959, Tom Evans already had become the leading practitioner of a strange new form of corporate ruthlessness, one that squeezed fat out of profitable corporations in the relentless pursuit of greater profit. By 1968, the Wall Street Journal had declared Tom Evans something of a legend for his tough methods of operating the company once he wins control. He demands prompt profit performance from both assets and men; if he doesnt get it, he sells the assets or fires the men.

Yet, despite the swath that Tom Evans cut across Americas corporate landscape in the fifties and early sixties, most of the people who poured into Wall Street in the eighties to practice M&Amergers and acquisitionshad no idea they were standing on anyones shoulders. They thought they were part of a new age, engaged in something history had never seen before. They were wrong. Everywhere they strode, Tom Evans had been there ahead of them.

Although Tom Evans came to power in the blandly conformist Eisenhower years, few of the brash raiders of the eighties could match him for daring, cunning, or sheer exuberance. In a gray-flannel culture, Evans was a dapper maverick; in an age of polite corporate statesmanship, Evans spoke his mind, fiercely and fearlessly.

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