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Baukje van den Berg - Homer the Rhetorician: Eustathios of Thessalonike on the Composition of the Iliad

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Baukje van den Berg Homer the Rhetorician: Eustathios of Thessalonike on the Composition of the Iliad
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Homer the Rhetorician: Eustathios of Thessalonike on the Composition of the Iliad: summary, description and annotation

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This volume analyses the rhetorical thought of Eustathios of Thessalonike in his monumental Commentary on the Iliad. Van den Berg examines Eustathios presentation of Homer to an audience of aspiring writers in the Byzantine period.

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Oxford Studies in Byzantium Editorial Board JA ELSNER CATHERINE HOLMES JAMES - photo 1
Oxford Studies in Byzantium

Editorial Board

JA ELSNER CATHERINE HOLMES

JAMES HOWARD-JOHNSTON ELIZABETH JEFFREYS

HUGH KENNEDY MARC LAUXTERMANN

PAUL MAGDALINO HENRY MAGUIRE

CYRIL MANGO MARLIA MANGO

CLAUDIA RAPP JEAN-PIERRE SODINI

JONATHAN SHEPARD

OXFORD STUDIES IN BYZANTIUM

Oxford Studies in Byzantium

Oxford Studies in Byzantium consists of scholarly monographs and editions on the history, literature, thought, and material culture of the Byzantine world.

Depicting Orthodoxy in the Russian Middle Ages

The Novgorod Icon of Sophia, the Divine Wisdom

gnes Kriza

The Beginnings of the Ottoman Empire

Clive Foss

Church Architecture of Late Antique Northern Mesopotamia

Elif Keser Kayaalp

Byzantine Religious Law in Medieval Italy

James Morton

Caliphs and Merchants

Cities and Economies of Power in the Near East (700950)

Fanny Bessard

Social Change in Town and Country in Eleventh-Century Byzantium

James Howard-Johnston

Innovation in Byzantine Medicine

The Writings of John Zacharias Aktouarios (c.1275c.1330)

Petros Bouras-Vallianatos

Emperors and Usurpers in the Later Roman Empire

Civil War, Panegyric, and the Construction of Legitimacy

Adrastos Omissi

The Universal History of Stepanos Tarneci

Introduction, Translation, and Commentary

Tim Greenwood

Homer the Rhetorician Eustathios of Thessalonike on the Composition of the Iliad - image 2

Great Clarendon Street, Oxford, OX2 6DP, United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Baukje van den Berg 2022

The moral rights of the author have been asserted

First Edition published in 2022

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2022934369

ISBN 9780192865434

ebook ISBN 9780192689085

DOI: 10.1093/oso/9780192865434.001.0001

Printed and bound in the UK by

Clays Ltd, Elcograf S.p.A.

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

To my parents

Acknowledgements

This book is a revised version of my doctoral dissertation written at the University of Amsterdam under the auspices of the Institute for Culture and History (later Amsterdam School of Historical Studies). My doctoral research was funded by the National Research School in Classical Studies in the Netherlands OIKOS, with a grant from the Dutch Research Council (NWO). During my doctoral studies, the Prins Bernhard Cultuurfonds financially supported a research stay at Uppsala University; the Department of Linguistics and Philology at Uppsala University hosted me twice as a visiting doctoral student (and once again as a guest researcher when I was revising the manuscript for publication); the Gennadius Library and the American School of Classical Studies at Athens made possible my participation in the Byzantine Greek Summer School, where Alexander Alexakis and Stratis Papaioannou taught me much about Medieval Greek and Byzantine literature; a pre-doctoral short-term residency at Dumbarton Oaks allowed me to spend a month in their library during the final stages of writing my dissertation. I worked on the manuscript as a postdoctoral researcher at the Center for Studies on the Literature and Reception of Byzantium at the University of Silesia in Katowice and as a guest researcher at the Department of Romance Studies and Classics at Stockholm University. I returned to Dumbarton Oaks as a fellow in the spring of 2020, where I revised the manuscript for publication during the first waves of the COVID-19 pandemic. I thank the Department of Medieval Studies at Central European University for granting me a leave during the very first year of my employment there to finish the book. CEUs Center for Eastern Mediterranean Studies generously offered funding for the books publication. I wish to extend my gratitude to all these institutions, not only for their financial and professional support but also for enabling me to exchange ideas with colleagues and be part of stimulating scholarly environments, which have shaped this book in profound ways.

Credit is due first to Remco Regtuit at the University of Groningen, whose teaching aroused my interest in scholia and literary criticism, and under whose mentorship I ventured to write an MA thesis on Eustathios Commentary on the Iliad. It was Irene de Jong who introduced me to Eustathiosneither of us knew in 2010 that my paper for her course on Homer would be the beginning of a by now more than decade-long interest in Eustathios and his scholarly work. I extend my deepest gratitude to my supervisors at Amsterdam, Irene de Jong and Emilie van Opstall, for their professional guidance, personal advice, and patient feedback during my doctoral research and beyond. I am also greatly indebted to Ingela Nilsson, whose guidance and support continue to be invaluable on both personal and professional levels. I am very grateful for the generous friendship of Adam Goldwyn, who has probably read more of my work than anyone else.

Many others have been involved in the journey from the inception of the project to this published edition. At the risk of forgetting many, I wish to extend immense gratitude to friends and colleagues who read complete or partial drafts of my dissertation and/or its revised version, generously shared their expertise and forthcoming work, and made writing this book possible in many different ways: Panagiotis Agapitos, Dimiter Angelov, Susanne Borowski, Emmanuel Bourbouhakis, Eric Cullhed, Aniek van den Eersten, Casper de Jonge, Anthony Kaldellis, Jacqueline Klooster, Niels Koopman, Tomasz Labuk, Marc Lauxtermann, Valeria Lovato, Divna Manolova, Przemysaw Marciniak, Stratis Papaioannou, Filippomaria Pontani, Andreas Rhoby, David Rockwell, Denis Searby, Courtney Tomaselli, Paul van Uum, Saskia Willigers, and Nikos Zagklas, as well as the members of my doctoral defence committee (Mathieu de Bakker, Gerard Boter, Ingela Nilsson, Remco Regtuit, and Ineke Sluiter) and the Amsterdamse Hellenistenclub. I would also like to thank OUPs anonymous readers for their valuable feedback and the commissioning editor Charlotte Loveridge for shepherding this book through the publication process. The glossary and indices have been prepared by Louise Chapman of Lex Academic. Any remaining mistakes are fully my responsibility.

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