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Mitch Albom - Have a Little Faith: A True Story

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Mitch Albom Have a Little Faith: A True Story

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Clear some space on your bookshelf for Mitch Alboms, Have a Little Faith, the story of a faith journey that could become a classic. Those who were born into faith, have lost faith, or are still searching will all be engaged and challenged by this powerful story of finding faith in relationships with others and with something greater than ourselves. Never satisfied with easy answers or soft platitudes, Mitch explores some of lifes greatest mysteries and unanswered questions with great honesty, depth and self reflection. --Jim Wallis, CEO and Founder of Sojourners and author of The Great AwakeningWhat if our beliefs were not what divided us, but what pulled us togetherIn Have a Little Faith, Mitch Albom offers a beautifully written story of a remarkable eight-year journey between two worlds--two men, two faiths, two communities--that will inspire readers everywhere.Alboms first nonfiction book since Tuesdays with Morrie, Have a Little Faith begins with an unusual request: an eighty-two-year-old rabbi from Alboms old hometown asks him to deliver his eulogy.Feeling unworthy, Albom insists on understanding the man better, which throws him back into a world of faith hed left years ago. Meanwhile, closer to his current home, Albom becomes involved with a Detroit pastor--a reformed drug dealer and convict--who preaches to the poor and homeless in a decaying church with a hole in its roof.Moving between their worlds, Christian and Jewish, African-American and white, impoverished and well-to-do, Albom observes how these very different men employ faith similarly in fighting for survival: the older, suburban rabbi embracing it as death approaches; the younger, inner-city pastor relying on it to keep himself and his church afloat.As America struggles with hard times and people turn more to their beliefs, Albom and the two men of God explore issues that perplex modern man: how to endure when difficult things happen; what heaven is; intermarriage; forgiveness; doubting God; and the importance of faith in trying times. Although the texts, prayers, and histories are different, Albom begins to recognize a striking unity between the two worlds--and indeed, between beliefs everywhere.In the end, as the rabbi nears death and a harsh winter threatens the pastors wobbly church, Albom sadly fulfills the rabbis last request and writes the eulogy. And he finally understands what both men had been teaching all along: the profound comfort of believing in something bigger than yourself.Have a Little Faith is a book about a lifes purpose; about losing belief and finding it again; about the divine spark inside us all. It is one mans journey, but it is everyones story.Ten percent of the profits from this book will go to charity, including The Hole In The Roof Foundation, which helps refurbish places of worship that aid the homeless.

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HAVE A
LITTLE FAITH

A True Story

Mitch Albom

THIS STORY SPANS EIGHT YEARS It was made possible by the cooperation of two - photo 1

THIS STORY SPANS EIGHT YEARS. It was made possible by the cooperation of two unique men, Albert Lewis and Henry Covingtonwho shared their histories in great detailas well as their families, children, and grandchildren, to whom the author expresses his eternal gratitude. All encounters and conversations are true events, although for purposes of the narrative, the time line has, on a few occasions, been squeezed, so that, for example, a discussion held in October of one year may be presented in November of the next.

Also, while this is a book about faith, the author can make no claim to being a religion expert, nor is this a how-to guide for any particular belief. Rather, it is written in hope that all faiths can find something universal in the story.

The cover was inspired by Albert Lewiss old prayer book, held together by rubber bands.

Per the tradition of tithing, one-tenth of the authors profits on every book sold will be donated to charity, including the church, synagogue, and homeless shelters in this story.

The author wishes to thank the readers of his previous books, and welcome new readers with much appreciation.

Contents

FINALLY, A BOOK FOR MY FATHER, IRA ALBOM,
IN WHOM I HAVE ALWAYS BELIEVED.

I n the beginning, there was a question.

Will you do my eulogy?

I dont understand, I said.

My eulogy? the old man asked again. When Im gone. His eyes blinked from behind his glasses. His neatly trimmed beard was gray, and he stood slightly stooped.

Are you dying? I asked.

Not yet, he said, grinning.

Then why

Because I think you would be a good choice. And I think, when the time comes, you will know what to say.

Picture the most pious man you know. Your priest. Your pastor. Your rabbi. Your imam. Now picture him tapping you on the shoulder and asking you to say good-bye to the world on his behalf.

Picture the man who sends people off to heaven, asking you for his send-off to heaven.

So? he said. Would you be comfortable with that?

_____

In the beginning, there was another question.

Will you save me, Jesus?

This man was holding a shotgun. He hid behind trash cans in front of a Brooklyn row house. It was late at night. His wife and baby daughter were crying. He watched for cars coming down his block, certain the next set of headlights would be his killers.

Will you save me, Jesus? he asked, trembling. If I promise to give myself to you, will you save me tonight?

Picture the most pious man you know. Your priest. Your pastor. Your rabbi. Your imam. Now picture him in dirty clothes, a shotgun in his hand, begging for salvation from behind a set of trash cans.

Picture the man who sends people off to heaven, begging not to be sent to hell.

Please, Lord, he whispered. If I promise...

_____

This is a story about believing in something and the two very different men who taught me how. It took a long time to write. It took me to churches and synagogues, to the suburbs and the city, to the us versus them that divides faith around the world.

And finally, it took me home, to a sanctuary filled with people, to a casket made of pine, to a pulpit that was empty.

In the beginning, there was a question.

It became a last request.

Will you do my eulogy?

And, as is often the case with faith, I thought I was being asked a favor, when in fact I was being given one.

IT IS 1965...

... and my father drops me off at Saturday morning services.

You should go, he tells me.

I am seven, too young to ask the obvious question: why should I go and he shouldnt? Instead I do as I am told, entering the temple, walking down a long corridor, and turning toward the small sanctuary, where the childrens services are held.

I wear a white short-sleeved shirt and a clip-on tie. I pull open the wooden door. Toddlers are on the floor. Third-grade boys are yawning. Sixth-grade girls wear black cotton leotards, slouching and whispering.

I grab a prayer book. The seats in back are taken so I choose one up front. Suddenly the door swings open and the room goes silent.

The Man of God steps in.

He stalks like a giant. His hair is thick and dark. He wears a long robe, and when he speaks, his waving arms move the robe around like a sheet flipping in the wind.

He tells a Bible story. He asks us questions. He strides across the stage. He draws close to where I am sitting. I feel a flush of heat. I ask God to make me invisible. Please, God, please.

It is my most fervent prayer of the day.

MARCH
The Great Tradition of Running Away

A dam hid in the Garden of Eden. Moses tried to substitute his brother. Jonah jumped a boat and was swallowed by a whale.

Man likes to run from God. Its a tradition. So perhaps I was only following tradition when, as soon as I could walk, I started running from Albert Lewis. He was not God, of course, but in my eyes, he was the next closest thing, a holy man, a man of the cloth, the big boss, the head rabbi. My parents joined his congregation when I was an infant. I sat on my mothers lap as he delivered his sermons.

And yet, once I realized who he wasa Man of GodI ran. If I saw him coming down the hallway, I ran. If I had to pass his study, I ran. Even as a teenager, if I spotted him approaching, I ducked down a corridor. He was tall, six foot one, and I felt tiny in his presence. When he looked down through his black-rimmed glasses, I was certain he could view all my sins and shortcomings.

So I ran.

I ran until he couldnt see me anymore.

_____

I thought about that as I drove to his house, on a morning after a rainstorm in the spring of 2000. A few weeks earlier, Albert Lewis, then eighty-two years old, had made that strange request of me, in a hallway after a speech I had given.

Will you do my eulogy?

It stopped me in my tracks. I had never been asked this before. Not by anyonelet alone a religious leader. There were people mingling all around, but he kept smiling as if it were the most normal question in the world, until I blurted out something about needing time to think about it.

After a few days, I called him up.

Okay, I said, I would honor his request. I would speak at his funeralbut only if he let me get to know him as a man, so I could speak of him as such. I figured this would require a few in-person meetings.

Agreed, he said.

I turned down his street.

_____

To that point, all I really knew of Albert Lewis was what an audience member knows of a performer: his delivery, his stage presence, the way he held the congregation rapt with his commanding voice and flailing arms. Sure, we had once been closer. He had taught me as a child, and hed officiated at family functionsmy sisters wedding, my grandmothers funeral. But I hadnt really been around him in twenty-five years. Besides, how much do you know about your religious minister? You listen to him. You respect him. But as a man? Mine was as distant as a king. I had never eaten at his home. I had never gone out with him socially. If he had human flaws, I didnt see them. Personal habits? I knew of none.

Well, thats not true. I knew of one. I knew he liked to sing. Everyone in our congregation knew this. During sermons, any sentence could become an aria. During conversation, he might belt out the nouns or the verbs. He was like his own little Broadway show.

In his later years, if you asked how he was doing, his eyes would crinkle and hed raise a conductors finger and croon:

The old gray rabbi,

aint what he used to be,

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