Paul Johnston - The Soul Collector
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- Book:The Soul Collector
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- Year:2009
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Paul Johnstons
Matt Wells novels
THE SOUL COLLECTOR
Johnston does an expert job in this extraordinary mixture of police procedural, head-banging vigilante lit, Agatha Christie (some splendidly cryptic crossword clues) and Dennis Wheatley. Great stuff.
The Guardian
Captivating.
Daily Mirror
Clever in all the right ways. Its plotting is a little out of the box with its mixture of all things serial killers; a touch of Golden Age puzzle solving (Colin Dexter would approve); a large dose of machismo bravado, and the emotional exploration of fledgling love.
Mike Stotter
THE DEATH LIST
Very gripping, very frightening stuffJohnston tells a story that, though a good bit darker, will remind readers of James Grippando or even Donald Westlake in his serious mode.
Booklist
If you like your crime fiction cosy, comforting and safe, for Gods sake buy another book!
Mark Billingham
The morbidly inventive death scenes are likely to test readers stomachs.
Kirkus Reviews
His masterpiece novelthe plotting is paranoid, the action is authentic, the characters are convincing and the denouement is devastating. Its an absolute ripper.
Quintin Jardine
The book is impossible to put down and a fantastic read. Another author to add to the not-to-be-missed list.
Crime Squad
A ferocious thrillerThis is one of the best reads so far this year.
The Observer
In memoriam
Stephanos Kassopoulos
(19212007)
And welcome to
Alexander Johnston (9/1/2008)
Warmest thanks and hats off to:
My New York editor Linda McFall, whose smart suggestions greatly improved this book.
The MIRA team in the U.K., especially Catherine Burke; and the MIRA teams around the world.
My brilliant agent Broo Doherty of Wade and Doherty, who had to work hard with this oneI really appreciate it, Broo.
Margot Weale and Sophie Ransom (Midas PR) and Grainne Killeen (Killeen PR) for top-notch media work.
Crime writer Michael Jecks for sterling input on weaponsany remaining oversights are my responsibility alone.
My siblings Claire and Alan and their familiesfor love, hospitality andguitar advice.
Ali Karim, number ONE fan.
And last, but most of alllove and only love to Roula and Maggie.
I do haunt you still.
John Webster
I cut my arm, and with my proper blood
Assure my soul to be great Lucifers,
Chief lord and regent of perpetual night.
Christopher Marlowe
T he black cat rubbed its flank against Mary Malones fleshy arm. They were on the window seat on the third floor of the house in Ifield Road, Fulham, West London.
Yes, Noir, the writer said, looking down at the tombstones in Brompton Cemetery. Its a nasty night. But you dont have to go out.
The cat gave her a supercilious glance, then jumped down and headed for the stairs.
Stubborn creature! Mary turned back to the view from the high window. It had been a cold February with frost crimping the grass. In the last few days, the temperature had risen slightly and the evenings had been misty. It seemed to the writer that the patches of visible air above the graves were like exhalations of the restless sleepers in the frigid earth. Then again, shed always had a vivid imagination.
Mary went back to her desk. She had written half of her latest Doctor Kasabus mystery. The series was set in eighteenth-century Paris and her hero was a freethinking medical man who had a secret life as an investigator specializing in cases of a religious naturepriests who sanctioned murder, heiresses locked up in nunneries, bishops who abused boys. Rather to her surprise, she had gained a large readership on both sides of the Atlantic. Not that she ever met her fans. At five foot one, fifteen stone and with a face best suited to radio, she kept herself to herself. The memory of schoolsaliva-spattered girls faces eagerly poking fun at the class hippostill made her weep on bad days.
Mary Malone (real name, Shirley Higginbottom) leaned back in her specially constructed office chair and looked at the lines of script. She could feel one of her periodic bouts of melancholy coming on. What did she have to show for twenty years of slavery at the typewriter and computer? Twenty-five books, good sales, some decent reviews, every day a host of e-mails from her fansmost complimentary, but some from people who didnt hide their desperation to know what she looked like. She had never allowed an author photo to be published and she never appeared at bookshop readings or crime-writing conventions. Her face and body were hers alone.
Piss and shit! she said, trying to repel bitterness. So she couldnt have what every other person hada man, children, a normal family life, friends who made much of her at parties. Instead she spent her evenings looking at the Web sites of beautiful, blond, female and handsome, young male crime novelists. Her books did better than most of theirs, but she was in self-imposed exile, a fifty-one-year-old hermit, a repulsive gargoyle.
Mary heaved herself to her feet and went down to her sitting room on the ground floor. Negotiating the stairs was her only exercise, not that it seemed to make any difference to her weight.
Thats enough self-pity, she said, pouring herself a gin and tonic that was heavy on the former. She headed for the sofa, picking up a copy of the latest Clues on her way.
The sudden, earsplitting yowl from the back of the house made her drop both glass and magazine.
Damn! Mary took a few deep breaths, and then lumbered to the door with the cat-flap that led to her garden. Noir! she called. What are you doing? Come in this minute, Noir! She turned on the light.
And felt her stomach somersault.
Her beloved Noirs head had come through the flap onto the carpet, but it was detached from the body.
Mary Malone let out a long moan. No, she gasped. No Despite her revulsion, she kept moving toward the cats bloody head. She was a few steps from the door when she realized that the handle was depressed. She stared into the darkness beyond the glass, her heart thundering. She didnt think of turning and runningshe knew she couldnt move fast enough. She made out only a vague shape.
Then the door was pushed open violently and a figure dressed from head to toe in black entered. In the right hand was a knife streaked with blood and in the left was Noirs body. It was tossed toward her.
Mary couldnt speak, couldnt make any sound at all.
The figure came up to her, holding the blade horizontal to her throat. Then a face appeared beneath a hood, but it wasnt human. The mask was white, the eye-holes ringed with red. There was a goatee beard on the chin and the lips were turned up in a mocking smile. Worst of all, the surface was covered in discolored warts and lumps. Medieval depictions of people suffering from the Black Death flashed through Mary Malones mind.
At last, she found her voice. What is this? she gasped. Who are you?
The intruder nodded slowly. I think you know, Mary. The voice was steady. There was a pause. Youre face-to-face with the devil.
There was a loud thud as the fainting novelist hit the floor.
I was putting the finishing touches to my weekly column in the Daily Independent Matt Wells on Crimewhen I heard the key turn in the lock.
Hi, I called. Its a filthy night, Detective Chief Inspector.
Karen Oaten hung up her coat and sat on a chair to pull off her knee-high black boots.
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