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Sarah Ayoub - The Cult of Romance

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Sarah Ayoub The Cult of Romance

The Cult of Romance: summary, description and annotation

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When your bestie is marrying a guy she barely knows, can you save her from the cult before its toolate?


Natalie is living proof that love is a scam.

Shes traumatised by her parents failed marriage and overwhelmed by her grandmothers expectations of good Lebanese girls marriage, motherhood and exceptional tabouli-making skills.

When her best friend decides to get hitched to a guy in the motherland, Nats not exactly thrilled by the mammoth task before her: juggling cultural traditions, extra bridesmaid dresses and super-judgemental relatives.

And to top it off theres the annoyingly good-looking best man and his constant need to mansplain all of the things.

Natalie is in for the trip of her life. But can she save her friend from the cult of romance, without falling in love herself?
PRAISE FOR THE CULT OF ROMANCE

The Cult of Romance is a vividly realised, dazzling and charming book which made me snort with laughter as much as it compelled me to pause for thought. Ayoub tackles the agonies and joys of in-betweenness, of what, who and where we make and feel homeland and heartland. Her intimacy with the worlds she writes about is obvious in her rich and subtle descriptions. Ayoub has given Australian YA literature a fresh and uniquely cross-generational and cross-border perspective on perennial themes of identity, family, friendship, loyalty and love. A young Australian Lebanese woman grappling with these questions as she navigates her parents homeland, Lebanon. The story invites readers to think about the many worlds-and worlds within worlds- children of migrants must navigate without losing sight of the humour, lightness and joys in the journey. Ayoub has written something truly original and special.

- Randa Abdel-Fattah, award-winning author ofWhen Michael Met Mina

The Cult of Romance is a fun, heartfelt and relatable read that buzzes with youthful energy. Sarah Ayoub manages to criss-cross two worlds and tenderly land in the space in between, where children of diaspora often find themselves. Her book deftly captures the angst of growing up torn between two cultures. The Cult of Romance is for those whove never seen themselves in the pages of a novel, whose old-country customs say more about who they are than who their parents or grandparents were. In this way, The Cult of Romance is a quintessentially Australian story about love, family, belonging and finding your place in the world.
- Jan Fran, social commentator and Walkley Award-winning journalist

Sarah Ayoub: author's other books


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The Cult of Romance is a vividly realised dazzling and charming book which - photo 1

The Cult of Romance is a vividly realised, dazzling and charming book which made me snort with laughter as much as it compelled me to pause for thought. Ayoub tackles the agonies and joys of in-betweenness, of what, who and where we make and feel homeland and heartland. Her intimacy with the worlds she writes about is obvious in her rich and subtle descriptions. Ayoub has given Australian YA literature a fresh and uniquely cross-generational and cross-border perspective on perennial themes of identity, family, friendship, loyalty and love. A young Australian Lebanese woman grapples with these questions as she navigates her parents homeland, Lebanon. The story invites readers to think about the many worlds and worlds within worlds children of migrants must navigate without losing sight of the humour, lightness and joys in the journey. Ayoub has written something truly original and special.

Randa Abdel-Fattah, award-winning author of When Michael Met Mina

The Cult of Romance is a fun, heartfelt and relatable read that buzzes with youthful energy. Sarah Ayoub manages to criss-cross two worlds and tenderly land in the space in between, where children of diaspora often find themselves. Her book deftly captures the angst of growing up torn between two cultures. The Cult of Romance is for those whove never seen themselves in the pages of a novel, whose old-country customs say more about who they are than who their parents or grandparents were. In this way, The Cult of Romance is a quintessentially Australian story about love, family, belonging and finding your place in the world.

Jan Fran, social commentator and Walkley Awardwinning journalist

This project has been assisted by the Australian Government through the - photo 2
This project has been assisted by the Australian Government through the - photo 3

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

HarperCollinsPublishers

Australia Brazil Canada France Germany Holland

India Italy Japan Mexico New Zealand Poland Spain Sweden

Switzerland United Kingdom United States of America

First published in Australia in 2022

by HarperCollinsPublishers Australia Pty Limited

Level 13, 201 Elizabeth Street, Sydney NSW 2000

ABN 36 009 913 517

harpercollins.com.au

Copyright Sarah Ayoub 2022

The right of Sarah Ayoub to be identified as the author of this work has been asserted by her in accordance with the Copyright Amendment (Moral Rights) Act 2000.

This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced, copied, scanned, stored in a retrieval system, recorded, or transmitted, in any form or by any means, without the prior written permission of the publisher.

ISBN 978 1 4607 5894 6 (paperback)

ISBN 978 1 4607 1268 9 (ebook)

A catalogue record for this book is available from the National Library of Australia.

Cover design by and illustration by George Saad

Author photo by @capturedbyclaudine

To James, who called me One from the start, and
who taught me so much about love and romance
(with only a little bit of mansplaining)

Oh God, I cant look, Janet says, turning her head away from the screen. Were on the floor of the living room at my place, eating popcorn and working on an English assignment with my grandmother snoring loudly on the couch behind us.

What? I exclaim, tugging at her shirt. If I have to, you have to!

We cringe at the scene on the screen before us. Sleeping Beauty is batting her eyelashes and smiling at the man who has just kissed her without her consent, and all around the world girls think its romantic, instead of the violation that it is.

Why did we choose this movie for our assignment? Janet asks. Its gross. I cant believe we used to love it.

Because its the perfect example of how the indoctrination starts, I say. Its fed to us from childhood: boys get to play with trucks and girls play with dolls and mini kitchenettes, boys watch superhero flicks and girls watch princesses live happily ever after with men they just met. I mean, the guy literally kisses her back to life. Like, as if.

Imagine if its like Ms Awads favourite movie, she says, making a face. And were writing a thousand-word essay completely trashing it.

No way, I say. You cant possibly be a happy single woman in your thirties like she is a happy single Lebanese woman in your thirties without knowing that these movies set the most unrealistic expectations for girls.

And women, she adds.

Women, women, my tayta mutters mockingly behind us, barely awake from her evening nap. Why you women watching cartoon? Go make a samboosik or sumting.

Janet snorts. If I marry a guy who likes homemade samboosik, Ill die, she whispers.

Dying seems like, a bit extreme, I tell her. You can just buy them frozen at the lahme bi agine shop in Greenacre. Handmade by some old-fashioned lady like her. I point to Tayta behind us, who is dozing off again, gold chains around her neck all tangled.

Speaking of handmade, we need to start perfecting our recipes from now, I reckon, Janet says.

I nod in agreement, grabbing the remote and muting the closing credits of Sleeping Beauty so we can work on the business idea we recently had, born out of our weekend baking experiments and our desire to see the world.

Lets practise in the Christmas holidays before Year Ten starts, I suggest, turning to my laptop. If we nail, like two dessert-cup recipes, everything else will fall into place.

Yeah, but weve also gotta practise our piping, she points out. Were both bad at it.

I shrug. We have time. We have at least six years to save up before well take our first trip overseas together, right?

One hundred percent, she says. Its not like were gonna take a gap year. Gotta get that degree so I can work on becoming an uber-successful CEO.

She says that last part with so much sass that I cant help but laugh.

In front of me, the DVD jumps back to the main menu and I stare at the screen.

I still cant believe how much we loved this movie when we were little, I say eventually.

The look on Janets face is one of pity. We didnt know any better, she says. We just knew they were in love.

Pfft, I scoff. Like thats a freakin excuse.

Five years later

How was she? my cousin Layal asks as she walks up the hall of her townhouse, picking up a stray truck from underneath the stairs and tossing it into the large wicker toy basket.

Ive been watching her daughter, Grace, so that she and her husband, Charlie, could go to one of his work functions. Im spent. Three hours watching Peppa Pig on repeat, baking a dozen cupcakes and drawing has left me completely depleted, and reaffirms how much I love giving kids back to their parents at the end of a babysitting shift.

Layal drops her handbag to the floor and falls onto the couch, slipping off her shoes.

Good, I guess, I tell her. Ate when she was supposed to, peed on the potty with no accidents, asked for three bedtime stories, but

Charlie chuckles. Thats just standard Grace, he says. Goes through a wheel of excuses before bed.

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