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Shaw Kuzki - Soul Lanterns

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Shaw Kuzki Soul Lanterns

Soul Lanterns: summary, description and annotation

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The haunting and poignant story of a how a young Japanese girls understanding of the historic and tragic bombing of Hiroshima is transformed by a memorial lantern-floating ceremony.
Twelve-year-old Nozomi lives in the Japanese city of Hiroshima. She wasnt even born when the bombing of Hiroshima took place. Every year Nozomi joins her family at the lantern-floating ceremony to honor those lost in the bombing. People write the names of their deceased loved ones along with messages of peace, on paper lanterns and set them afloat on the river. This year Nozomi realizes that her mother always releases one lantern with no name. She begins to ask questions, and when complicated stories of loss and loneliness unfold, Nozomi and her friends come up with a creative way to share their loved ones experiences. By opening peoples eyes to the struggles they all keep hidden, the project teaches the entire community new ways to show compassion.
Soul Lanterns is an honest exploration of what happened on August 6, 1945, and offers readers a glimpse not only into the rich cultural history of Japan but also into the intimate lives of those who recognizebetter than mostthe urgent need for peace.

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This is a work of fiction Names characters places and incidents either are - photo 1
This is a work of fiction Names characters places and incidents either are - photo 2

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Translation copyright 2021 by Penguin Random House LLC

Hikari no utsushie Hiroshima Hiroshima Hiroshima text copyright 2013 by Shaw Kuzki

Cover art copyright 2021 by Shoko Ishida

All rights reserved. Published in the United States by Delacorte Press, an imprint of Random House Childrens Books, a division of Penguin Random House LLC, New York. Originally published in Japan under the title Hikari no utsushie Hiroshima Hiroshima Hiroshima by Kodansha, Ltd., Tokyo, in 2013. Publication rights for this English edition arranged through Kodansha, Ltd., Tokyo.

Delacorte Press is a registered trademark and the colophon is a trademark of Penguin Random House LLC.

Visit us on the Web! rhcbooks.com

Educators and librarians, for a variety of teaching tools, visit us at RHTeachersLibrarians.com

Library of Congress Cataloging-in-Publication Data is available upon request.

ISBN9780593174340 (trade) ISBN9780593174357 (lib. bdg.) ebook ISBN9780593174364

Random House Childrens Books supports the First Amendment and celebrates the right to read.

Penguin Random House LLC supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part in any form without permission. You are supporting writers and allowing Penguin Random House to publish books for every reader.

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For all the Hitomi Koyamas in the world

Contents
When the sunlight fades on August 6 the lantern floating begins by the bridge - photo 3

When the sunlight fades on August 6, the lantern floating begins by the bridge.

Lantern upon lantern of red and green paper.

Once their flames are lit, they begin to glow as if theyre alive.

When you set them in the river, they shine their light on the dark water as well.

The lanterns and souls roll along together.

The lights gleam.

The lanterns pitch feebly, jostling together as they float away.

Some lanterns dont manage to join the current. They bob endlessly by the riverbank.

An old man in an open-collared shirt prods them with a pole.

Some lanterns tip over. They continue floating away on their sides.

The many-colored lanterns, their lights flickering, float away to the far-off sea.


Ever since she was too young to understand, Nozomi would see the lanterns off each summer with her family, and she would draw a picture in her journal for school. Her little brother, Akiyuki, would say the lanterns floating on the river looked like red and green cubes of kanten, and Nozomi, for her part, would recall an illustration from the story of Aladdin and thought they looked like the jewels he finds in the cave. Then she would bring her forehead right up to the paper and draw The Night of the Lantern Floating Ceremony.

In the twenty-fifth summer since the bomb fell, Nozomis mother knelt next to her and her brother in prayer. There were two lanterns floating away from her hands. The green one had a name written on it, but the white one did not.

That summer, when Nozomi was a sixth grader, she thought it strange for the first time. Last year and the year before, and probably the years before that, too, her mother had released two lanterns. A green one and a white one. The white one never had a name. Nozomi had always seen it off without thinking, but now she wondered: Who is that lantern for?

Nozomis grandmother had also just gently released two lanterns. Each bore the name of a daughter. The pair of lanterns for the girls born a year apart glided onto the waters surface side by side as if holding hands. Their lights flickered, illuminating Nozomis praying grandmothers profile and creating shadows in her deep wrinkles.


On the riverbank were about as many people as there were lanterns. There were even more people behind them. People were floating lanterns on the opposite bank, too.

Nozomi could see an old couple standing huddled together as they watched. Seven lanterns had just been released. Six were pale red, some almost pink, and just one, in the middle, like the center of a flower, was yellow. The seven lanterns floated on the water like a fallen peach blossom and drifted away.

Following the blossom came another red lantern.

Nozomi felt like she had seen the person watching it somewhere before. But their face melted into the darkness, and the lantern joined the current and was swept away.

As Nozomi strained her eyes to look at the rivers surface, someone was watching her intently. The gaze was so strong that she noticed and turned around.

The woman was about Nozomis grandmothers age. When their eyes met, the womans widened, and she stared at Nozomi even harder. Then she seemed to make up her mind and came over to her. How old are you? she asked.

The way the old woman asked so pointedly Nozomi didnt even hesitate before - photo 4

The way the old woman asked so pointedly, Nozomi didnt even hesitate before answering.

Im twelve.

The old woman shook her head and murmured something under her breath.

It sounded like That cant be.

Nozomi felt shy for no real reason and lowered her eyes. When she saw the womans worn-out shoes, she somehow felt like she had said something wrong. She looked away from her feet and added, But I only just turned.

After remaining silent for a moment, the woman asked, her face tense, Do you have an elder sister?

When Nozomi shook her head and answered that she only had a younger brother, the woman looked disappointed. Then she started to walk away, but turned on her heel and came back.

The clinging look in the old womans eyes frightened Nozomi, but she was rooted to the spot.

How old is your mother?

Shes forty-two.

Upon hearing her reply, the woman took a hard look at Nozomis face. Suddenly, there were tears forming in her eyes.

Nozomi was startled, and the old woman apologized repeatedly, Im sorry, Im sorry, as she fairly fled into the darkness.

Dumbfounded, Nozomi watched her go.


On their way home, Nozomis grandma was walking with some friends from the neighborhood. Her mother, walking a few paces behind them, seemed to be pondering something.

Nozomis mother had a more or less sunny personality, but when she was alone, she tended to read books and lose herself in thought. When Nozomi was little, she often felt, Mommys not here right now. She would get impatient and whine. Now that she was older, she was capable of giving her mother some space when her mind was elsewhere, but this time she couldnt help but start a conversation. The shock of her interaction with the old woman still hadnt worn off.

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