Chris Carter - The Crucifix Killer

About the author

Born in Brazil of Italian origin, Chris Carter studied psychology and criminal behaviour at the University of Michigan. As a member of the Michigan State District Attorneys Criminal Psychology team, he interviewed and studied many criminals, including serial and multiple homicide offenders with life imprisonment convictions.

Having departed for Los Angeles in the early 1990s, Chris spent ten years as a guitarist for numerous Glam Rock bands before leaving the music business to write full-time. He now lives in London. The Crucifix Killer is his first novel.

Visit www.chriscarterbooks.com

First published in Great Britain by Simon & Schuster UK Ltd, 2009
A CBS COMPANY

Copyright Chris Carter, 2009

This book is copyright under the Berne Convention.
No reproduction without permission.
and 1997 Simon & Schuster Inc. All rights reserved.

The right of Chris Carter to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988.

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Simon & Schuster UK Ltd
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222 Grays Inn Road
London WC1X 8HB

www.simonandschuster.co.uk

Simon & Schuster Australia
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A CIP catalogue record for this book
is available from the British Library

Trade Paperback ISBN 978-1-84737-538-4
Hardback ISBN 978-1-84737-622-0

eBook ISBN 9781847376220

This book is a work of fiction. Names, characters, places and incidents are either a product of the authors imagination or are used fictitiously. Any resemblance to actual people living or dead, events or locales is entirely coincidental.

Typeset by M Rules
Printed in the UK by CPI Mackays, Chatham ME5 8TD

To Samantha Johnson, for simply being everything.

Acknowledgements

Writing is always regarded as a solitary occupation, but I owe a great debt to several people who have generously given me their time and input, in so many areas.

My love and thanks to Samantha Johnson, the most giving and understanding person I know, and who tirelessly read and re-read the initial manuscript so many times, even I lost count.

Thank you also to Coral Chambers for the encouragement and for pointing me in the right direction and to Andrea McPhillips for the corrections and the chats.

My sincere thanks also goes to all the incredible people at Simon & Schuster UK who have done an outstanding job and to my phenomenal editors, Kate Lyall Grant in the UK and Pia Gtz and Sybille Uplegger in Germany, whose great input and valuable suggestions made the story and the characters in this thriller come alive.

Words cant express how thankful I am to the most passionate, dedicated, thoughtful, determined and extraordinary agents any author could ever hope for Darley Anderson and Camilla Bolton. Im the lucky one.

To the fantastic team of extremely hard-working people at the Darley Anderson Literary Agency, my eternal gratitude.

Friday, August 3rd, 10:25 a.m.

Hello... Detective Hunter speaking.

Hello, Robert, I have a surprise for you.

Hunter froze, almost dropping his coffee cup. He knew that metallic voice very well. He knew when that voice called it meant only one thing a new, mutilated dead body.

Have you heard from your partner lately?

Hunters eyes quickly searched the room in vain for Carlos Garcia.

Has anyone heard from Garcia this morning? he shouted across the office after pressing the mute button on his cell phone.

The other detectives exchanged silent, puzzled looks and Hunter knew the answer even before it came.

Not since yesterday, Detective Maurice said shaking his head.

Hunter pressed the mute button once again.

What have you done to him?

Do I have your attention now?

What have you done to him? Hunter demanded in a firm voice.

As Ive said, its a surprise, Robert , the metallic voice said laughing. But Ill give you another chance to make a difference. Maybe this time youll put more effort into it. Be at the laundry room down in the basement of the old number 122 Pacific Alley in South Pasadena within the hour. If you bring back-up, he dies. If you dont make it within the hour, he dies. And trust me, Robert, itll be a very slow and painful death. The line went dead.

Hunter raced down the stairs of the old building in east LA in giant leaps. The deeper he went, the darker and hotter it got. His shirt was covered in sweat, his tight shoes crushing his feet.

Where the hell is this laundry room? he whispered as he reached the basement.

A glimmer of light was coming from underneath a closed door at the end of a dark corridor. He ran towards it calling his partners name.

No answer.

Hunter pulled out his Wildey Survivor double-action pistol and positioned his back against the wall to the right of the door.

Garcia...

Silence.

Rookie, are you in there?

A muffled thud came from inside the room. Hunter cocked his gun and took a deep breath.

Fuck it!

With his back still against the outside wall, he pushed the door open with his right hand and in a well-rehearsed move rotated his body into the room, his gun searching for a target. An unbearable smell of urine and vomit forced him to take a step back coughing violently.

Garcia... he called again from the door.

Silence.

From outside Hunter couldnt see much. The light bulb that hung from the ceiling above a small wooden table in the center of the room was too weak to illuminate it properly. He drew another deep breath and took a step forward. What he saw made his stomach churn. Garcia had been nailed to a life-size cross inside a Perspex cage. The heavy bleeding from his wounds had created a pool of blood at the base of the cross. He was wearing nothing but his underwear and a barbed-wire crown around his head, the thick metal spikes clearly piercing his flesh. Blood streaking down his face. Garcia looked lifeless.

Im too late, Hunter thought.

Approaching the cage he was surprised to see a heart monitor inside it. Its line peaking slightly and at steady intervals. Garcia was still alive just.

Carlos!

No movement.

Rookie! he shouted.

With great effort Garcia managed to half open his eyes.

Hang in there, buddy.

Hunter surveyed the dimly lit room. It was large, fifty-five feet by forty-five he guessed. The floor was littered with dirty rags, used syringes, crack pipes and broken glass. In the corner, to the right of the entrance door he could see an old and rusty wheelchair. On the wooden table in the center of the room sat a small, portable cassette tape recorder and a single note that read play me first in large red letters. He pressed the play button and the now familiar metallic voice came blasting out of the tiny speaker.

Hello Robert, I guess youve made it in time . Pause.

You have no doubt realized that your friend needs your help, but for you to be able to help him you have to play by certain rules ... my rules. This is a simple game, Robert. Your friend is locked inside a bullet-proof cage, so shooting it wont help you. On its door youll find four colored buttons. One of them opens the cage, the other three dont. Your task is quite simple pick a button. If you press the correct one the door will open, youll be able to free your partner and walk out of the room.

One chance in four to save Garcia definitely not great odds, Hunter thought.

Now here comes the fun part , the tape recorder played on. If you press any of the other three buttons an uninterrupted high-voltage current will be sent directly to the wire crown on your friends head. Have you ever seen what happens to a human being while hes being electrocuted? the voice said with a chilling laugh. His eyes burst, his skin crinkles like bacon, his tongue recoils into his mouth ready to choke him to death, his blood boils, bursting vessels and arteries open. Its quite an exquisite scene, Robert.